Beeta Baghoolizadeh
Biographic Data
| ID | 3091278 |
|---|---|
| NAME | Beeta Baghoolizadeh |
| GIVEN NAMES | Beeta |
| FAMILY NAME | Baghoolizadeh |
| SIGNATURE | BAGHOOLIZADEH B |
| AFFILIATIONS | Princeton University Associate Research Scholar, Mossavar-Rahmani Center for Iran and Persian Gulf Studies, , US |
| ORCID | 0000-0002-5303-1455 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Seeing Black America in Iran
From the 1960s onwards, many Iranians closely followed Black American protests during the Civil Rights and Black Power movements in the United States. This period proved pivotal for Iranian understandings of race, where intellectuals, revolutionaries, and those in media would use US-centric histories of enslavement, racism, and Black Americans to erase nineteenth-century histories of enslavement and racism in Iran, tacitly displacing the existenc…
The Myths of Haji Firuz
Every year, around the arrival of the Spring equinox, Iranians in Iran and in diaspora will recognize a minstrel named Haji Firuz with his Nowruz jingle. The inclusion of Haji Firuz during Nowruz festivities has been questioned and challenged for decades; where some will point out his connections to anti-Blackness, others will defend Haji Firuz, arguing that his face is only covered in soot from fires also associated with the holiday. This articl…
From Religious Eulogy to War Anthem
This article looks to two songs, “Layla Said” and “Mammad, You Weren't There to See,” to examine the politics of representation, race, religion, and nationalism in late twentieth-century Iran. “Layla Said,” a religious eulogy sung by Jahanbakhsh Kurdizadeh, would serve as inspiration for the most popular song of the Iran-Iraq War (1980–88) in terms of melody, rhythm, and lyrics. Kurdizadeh, a visibly Black Iranian, is not popularly remembered as …
No prominent works on this page.
The Myths of Haji Firuz
Every year, around the arrival of the Spring equinox, Iranians in Iran and in diaspora will recognize a minstrel named Haji Firuz with his Nowruz jingle. The inclusion of Haji Firuz during Nowruz festivities has been questioned and challenged for decades; where some will point out his connections to anti-Blackness, others will defend Haji Firuz, arguing that his face is only covered in soot from fires also associated with the holiday. This articl…
From Religious Eulogy to War Anthem
This article looks to two songs, “Layla Said” and “Mammad, You Weren't There to See,” to examine the politics of representation, race, religion, and nationalism in late twentieth-century Iran. “Layla Said,” a religious eulogy sung by Jahanbakhsh Kurdizadeh, would serve as inspiration for the most popular song of the Iran-Iraq War (1980–88) in terms of melody, rhythm, and lyrics. Kurdizadeh, a visibly Black Iranian, is not popularly remembered as …
Seeing Black America in Iran
From the 1960s onwards, many Iranians closely followed Black American protests during the Civil Rights and Black Power movements in the United States. This period proved pivotal for Iranian understandings of race, where intellectuals, revolutionaries, and those in media would use US-centric histories of enslavement, racism, and Black Americans to erase nineteenth-century histories of enslavement and racism in Iran, tacitly displacing the existenc…
Gender Studies (3 works) · History (3 works) · Islamic Studies and History (3 works) · Sociology (3 works) · Art (2 works) · Art history (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Anthem (1 works)