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Michael Brumbaugh

Biographic Data

ID3093844
NAMEMichael Brumbaugh
GIVEN NAMESMichael
FAMILY NAMEBrumbaugh
SIGNATUREBRUMBAUGH M
AFFILIATIONSTulane University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS4
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2019
H-INDEX1
  • The New Politics of Olympos

    Michael Brumbaugh•BOOK•New Politics of Olympos•2019

    The New Politics of Olympos offers the first in-depth analysis of Kallimachos’ only fully extant poetry book, the Hymns, by examining its contemporary political setting, engagement with a tradition of political thought stretching back to Homer, and portrayal of the poet as an image-maker for the king. In addition to investigating the political dynamics in the individual hymns, this book details how the poet’s six hymns, once juxtaposed within a s…

  • The Greek Ὕμνος

    Open Access•Michael Brumbaugh, Michael E Brumbaugh•ARTICLE•The Classical Quarterly•2019•Cited by: 1•References: 31

    Over a hundred instances of the word ὕμνος from extant archaic poetry demonstrate that the Greek hymn was understood broadly as a song of praise. The majority of these instances comes from Pindar, who regularly uses the term to describe his poems celebrating athletic victors. Indeed, Pindar and his contemporaries saw the ὕμνος as a powerful vehicle for praising gods, heroes, men and their achievements—often in service of an ideological agenda. Wr…

  • Kallimachos and the Seleukid Apollo

    Michael Brumbaugh•ARTICLE•TAPA•2016•Cited by: 3•References: 24

    In his Hymn to Apollo, Kallimachos conspicuously omits mention of Apollo’s famed oracle at Didyma. However, he draws his audience’s attention to the Euphrates, which has no special significance to the god. The itinerary he charts for his Apollo hymn maps onto the inter-kingdom politics of the eastern Mediterranean, and a geopolitical reading of the poem reveals the poet’s engagement with contemporary relations between the Ptolemaic and Seleukid e…

  • Kallimachos and the Seleukid Apollo

    Michael Brumbaugh•ARTICLE•TAPA•2016•Cited by: 3•References: 24

    In his Hymn to Apollo, Kallimachos conspicuously omits mention of Apollo’s famed oracle at Didyma. However, he draws his audience’s attention to the Euphrates, which has no special significance to the god. The itinerary he charts for his Apollo hymn maps onto the inter-kingdom politics of the eastern Mediterranean, and a geopolitical reading of the poem reveals the poet’s engagement with contemporary relations between the Ptolemaic and Seleukid e…

  • The Greek Ὕμνος

    Open Access•Michael Brumbaugh, Michael E Brumbaugh•ARTICLE•The Classical Quarterly•2019•Cited by: 1•References: 31

    Over a hundred instances of the word ὕμνος from extant archaic poetry demonstrate that the Greek hymn was understood broadly as a song of praise. The majority of these instances comes from Pindar, who regularly uses the term to describe his poems celebrating athletic victors. Indeed, Pindar and his contemporaries saw the ὕμνος as a powerful vehicle for praising gods, heroes, men and their achievements—often in service of an ideological agenda. Wr…

  • Kallimachos and the Seleukid Apollo

    Michael Brumbaugh•ARTICLE•TAPA•2016•Cited by: 3•References: 24

    In his Hymn to Apollo, Kallimachos conspicuously omits mention of Apollo’s famed oracle at Didyma. However, he draws his audience’s attention to the Euphrates, which has no special significance to the god. The itinerary he charts for his Apollo hymn maps onto the inter-kingdom politics of the eastern Mediterranean, and a geopolitical reading of the poem reveals the poet’s engagement with contemporary relations between the Ptolemaic and Seleukid e…

  • The New Politics of Olympos

    Michael Brumbaugh•BOOK•New Politics of Olympos•2019

    The New Politics of Olympos offers the first in-depth analysis of Kallimachos’ only fully extant poetry book, the Hymns, by examining its contemporary political setting, engagement with a tradition of political thought stretching back to Homer, and portrayal of the poet as an image-maker for the king. In addition to investigating the political dynamics in the individual hymns, this book details how the poet’s six hymns, once juxtaposed within a s…

  • The Greek Ὕμνος

    Open Access•Michael Brumbaugh, Michael E Brumbaugh•ARTICLE•The Classical Quarterly•2019•Cited by: 1•References: 31

    Over a hundred instances of the word ὕμνος from extant archaic poetry demonstrate that the Greek hymn was understood broadly as a song of praise. The majority of these instances comes from Pindar, who regularly uses the term to describe his poems celebrating athletic victors. Indeed, Pindar and his contemporaries saw the ὕμνος as a powerful vehicle for praising gods, heroes, men and their achievements—often in service of an ideological agenda. Wr…

Classical Antiquity Studies (2 works) · Historical, Religious, and Philosophical Studies (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Ancient Greek (1 work) · Ancient history (1 work) · Ancient Mediterranean Archaeology and History (1 work) · Apollo (1 work) · Archaic period (1 work)

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