James I Porter
Biographic Data
| ID | 311456 |
|---|---|
| NAME | James I Porter |
| GIVEN NAMES | James I |
| FAMILY NAME | Porter |
| SIGNATURE | PORTER J I |
| AFFILIATIONS | University of California, Irvine |
| VERIFIED | No |
| TOTAL WORKS | 87 |
| TOTAL CITATIONS | 82 |
| AUTHOR COUNT | 84 |
| EDITOR COUNT | 3 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 6 |
When Is Philology Made Jewish? The Example of Erich Auerbach, Part 1
The first part of an examination of Erich Auerbach’s philological method in connection with his Jewish background. The article takes issue with quite recent Christianizing approaches to Auerbach, including those that attempt to demonstrate how Catholic and Protestant theology influenced his writings, in particular that of Rudolf Bultmann, his contemporary at Marburg. Philology made Jewish names a style and approach to literary history that counte…
When Is Philology Made Jewish? The Example of Erich Auerbach, Part 2
Part 2 of this essay focuses on a recessed but palpable thread that runs through the entirety of Erich Auerbach’s philology, though most strikingly in his two most celebrated writings, “Figura” (1938) and Mimesis (1946). All his writings speak directly to his own historical circumstances. But they do so by underscoring the ineffaceable Jewish inheritances of Western literature and culture. In the process, his writings also do something else: they…
Filologias do presente para o futuro
Este artigo explora a natureza multifacetada da filologia, traçando suas raízes na história ocidental desde a Grécia clássica até seu florescimento na Alexandria helenística e a subsequente integração na Europa durante o Renascimento e depois. Ao contrário da narrativa predominante da "philologia perennis", esse relato desafia o entendimento convencional da filologia ao destacar suas diversas dimensões além da análise textual. O argumento lida co…
Love, Strife, and the Roots of All Things
Current ecological thinking has made the early fifth-century Greek philosopher Empedocles of Acragas into a household name, thanks to the four-element theory that he bequeathed to posterity.1 A return to the elements and to Empedocles is perhaps unsurprising in a world that is experiencing ever greater climatological distress and a heightened proximity to earth, water, air, and fire, the fourfold constituents of Empedocles’s cosmology, and the ve…
(Dis)enchanted Elementalities
“Elemental” thinking is one way of approaching the relationship between human beings and their ecological surroundings. It is increasingly the only way to experience, if not fully comprehend, this relationship. Having passed through the enlightened disenchantment of nature, whereby nature was brought into a scientific regime of knowledge, with science representing humankind’s intellectual and technical mastery of its perimeters, we are currently …
Foucault, Kant, and Antiquity
Michel Foucault's return to classical antiquity at the end of his career coincides with a turn away from institutional critique and a return to Kant. This is no coincidence. Foucault's Introduction to Kant's "Anthropology" (1961) completely anticipates his approach to ancient subject formations, which reflects Kant's theory of the liberal, self-enterprising, and enlightened subject as this is outlined in Foucault's "What Is Enlightenment?" (1984)…
Self and World in extremis in Roman Stoicism
Roman Stoicism is typically read as a therapeutic philosophy that is centered around the care of the self and presented in the form of a self-help manual. Closer examination reveals a less reassuring and more challenging side to the school’s teachings, one that provokes ethical reflection at the limits of the self’s intactness and coherence. The self is less an object of inquiry than the byproduct of a complex set of experiences in the face of na…
Time, History, and Literature
P.Mich. inv. 2754
The essay is partly papyrological (with new firsthand readings and corrections of earlier editions of the fragment) and partly interpretive, connecting the papyrus to other parts of Alcidamas’ preserved work, with special attention to what the new readings bring out: (a) structural features of the Certamen that point to its internal coherence and are suggestive of Alcidamas’ involvement in the whole of that text; (b) new light on Homer’s literacy…
Homer
The story of our ongoing fascination with Homer, the man and the myth. Homer, the great poet of the Iliad and the Odyssey, is revered as a cultural icon of antiquity and a figure of lasting influence. But his identity is shrouded in questions about who he was, when he lived, and whether he was an actual person, a myth, or merely a shared idea. Rather than attempting to solve the mystery of this character, James I. Porter explores the sources of H…
Hermeneutic Lines and Circles
CHAPTER Four. Hermeneutic Lines and Circles
Nietzsche’s Untimely Antiquity
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Against Λεπτοτης
Homer in the Gutter
In antiquity Homer may have been the most revered of poets, and the foundation of all literary criticism and philology; but he was also the most maligned and interfered with of ancient poets. He spawned entire traditions of literary critique, parody, subversion, and revision that kept his image alive down through the centuries and well into modernity. Homer lived on, in other words, both in the gutter and at the top tier of the literary and cultu…
Time for Foucault? Reflections on the Roman Self from Seneca to Augustine
The essay approaches the idea of the self as this was most often formulated in antiquity from Heraclitus to Augustine—not as the object of self-fashioning and self-care, but as an irresolvable problem that was a productive if disconcerting source of inquiry. The self is less cultivated than it is “unbounded,” less wedded to regimes of truth and discovery than it is exposed, precariously, to crises of identity and coherence in the face of a consta…
Disfigurations
The Sublime in Antiquity
Current understandings of the sublime are focused by a single word ('sublimity') and by a single author ('Longinus'). The sublime is not a word: it is a concept and an experience, or rather a whole range of ideas, meanings and experiences that are embedded in conceptual and experiential patterns. Once we train our sights on these patterns a radically different prospect on the sublime in antiquity comes to light, one that touches everything from i…
The Sublime without Longinus
The contemporary understanding of Longinus and the sublime, which has been dominant for centuries (since Boileau), is crucially flawed. It is Longino-centric, it is riddled with assumptions about rhetoric, philosophy, and nature, and it forcibly enrolls the sublime in a well-worn tale about the aesthetic origins of modernity, which must itself transcend antiquity in order to be fully modern. On a fresh look at the problem, Longinus can be shown t…
The Sublime
Child, Francis James
Homer, Skepticism, and the History of Philology
Learning from Pater
Poseidippos
Active in the first half of the third century BCE , Poseidippos was an epigrammatist famous and honored in his own lifetime ( see Epigram).
Aesthetics
The task of establishing the reach of aesthetic thought, experience, and reflection in ancient Greece and Rome immediately runs up against two formidable challenges.
Sublime monuments and sublime ruins in ancient aesthetics
The Greeks and Romans produced monuments – monumental buildings, temples, tombs, inscription-bearing slabs and other structures – as a way of projecting themselves into their own present and into the future of others. Monuments are reminders, in enduring material, of the achievement of a collective, even when they appear to commemorate an individual. They are collective expressions with ideological force. This paper explores the interaction betwe…
Is Art Modern? Kristeller's 'Modern System of the Arts' Reconsidered
Journal Article Is Art Modern? Kristeller's 'Modern System of the Arts' Reconsidered Get access James I. Porter James I. Porter James I. Porter, University of California, Irvine, [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 49, Issue 1, January 2009, Pages 1–24, https://doi.org/10.1093/aesthj/ayn054 Published: 01 January 2009
Disfigurations
L'immagine poetica nella teoria degli antichi
Erich Auerbach and the Judaizing of Philology
Odysseus and the Wandering Jew
essay explores some of the complex identiWcations at work in the Wrst Excursus of Dialectic of Enlightenment (Wrst published in 1944, revised and republished in 1947), "Odysseus or Myth and Enlightenment," principally authored by Theodor Adorno in 1942.The Excursus, framing itself as a reception of antiquity, encourages a series of strong readings that themselves border on a mythical presentation of the past.These myths in turn serve a diagnostic…
Lasus of Hermione, Pindar and the Riddle of S
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The Materiality of Classical Studies
Reception Studies
Homer
The story of our ongoing fascination with Homer, the man and the myth. Homer, the great poet of the Iliad and the Odyssey, is revered as a cultural icon of antiquity and a figure of lasting influence. But his identity is shrouded in questions about who he was, when he lived, and whether he was an actual person, a myth, or merely a shared idea. Rather than attempting to solve the mystery of this character, James I. Porter explores the sources of H…
The Sublime without Longinus
The contemporary understanding of Longinus and the sublime, which has been dominant for centuries (since Boileau), is crucially flawed. It is Longino-centric, it is riddled with assumptions about rhetoric, philosophy, and nature, and it forcibly enrolls the sublime in a well-worn tale about the aesthetic origins of modernity, which must itself transcend antiquity in order to be fully modern. On a fresh look at the problem, Longinus can be shown t…
Hellenism and Modernity
This article argues that Hellenism is a controversial concept with a lengthy history, and which ultimately defies all attempts to give it definition. In discussing Matthew Arnold, it suggests that people think of Hellenism as a relationship between a particular past and a perpetually changing present. The ancient Greek world is contested, fragile, and phantasmatic; it is constructed by a gaze that looks intensely back into the past. While the con…
Reply to Shiner
Larry Shiner has risen to an impassioned defence against my criticisms of an iconic figure, claiming that I have ‘misrepresent[ed] Kristeller's central aim’ and therefore missed ‘the real shortcomings of Kristeller's essay’ and ‘obscure[d] substantive issues behind simplistic dichotomies’. These, and a series of disagreements over countless small details, take up the first part of his reply. He then proceeds to summarize his own book's achievemen…
The Singing Tradition of Child's Popular Ballads
The Ballad as Song
European Tradition
The Ballad as Song
Traditional Ukrainian Balladry in Canada
Recordings of Extra-American Music
The Peuls
Drauss'n vor der Wirtshaustur
The Singing Tradition of Child's Popular Ballads
Calum Ruadh
Finnish Folk Hymn Singing
The Ballad Image
Saussure and Derrida on the Figure of the Voice
Perhaps no one has looked at Saussure's semiology with a more appreciative and critical eye than Jacques Derrida, whose reappraisal of the classical structure of the sign has done much to reshape the contemporary understanding of language. Paradoxical as it may sound, the same cannot be said for our understanding of Saussure. Derrida's influential critique of semiotics hinges on a powerful logic of reduction and implication; but it is precisely d…
Subjectivity and Representation in Descartes
From self to subject - Montaigne to Descartes the epistemological model and the conditions of representation theory of the subject as literary practice the metaphysics of subjectivity the crisis of modernism
The Greig-Duncan Folk Song Collection
Jeannie Robertson
Jeannie Robertson. Emergent Singer, Transformative Voice
Unconscious Agency in Nietzsche
Nietzsche et les charmes de la métaphysique « La logique du sentiment »1
La philosophie de Nietzsche implique des contraintes si considérables et si insurmontables pesant sur les moyens humains qu’elles excluent les possibilités surhumaines que semble proposer sa philosophie. La logique de la puissance fait que la puissance se ramène toujours à une impression intérieure et inévitablement à une illusion concernant la puissance et non à un fait. Cette contrainte qui pèse sur la volonté de puissance limite ses prétention…
Changing Bodies, Changing Meanings
The Body in Theory
Research Article| September 01 1999 [The Body in Theory] James I. Porter James I. Porter Search for other works by this author on: This Site Google Public Culture (1999) 11 (3): 440–442. https://doi.org/10.1215/08992363-11-3-440 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation James I. Porter; [The Body in Theory]. Public Culture 1 September 1999; 11 (3): 440–442. doi: https://doi.org/10.1215/08992363-11-3-440 Download cit…
Jeannie Robertson
Lullaby
Ossian
Ballad
Balladry, Folk and Popular
Bayard, Samuel Preston
Art (41 works) · Philosophy (35 works) · History (33 works) · Computer Science (26 works) · Classical Antiquity Studies (25 works) · Literature (23 works) · Classical Philosophy and Thought (15 works) · Aesthetics (13 works) · Epistemology (13 works) · Philosophy (13 works)