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Rebecca Zorach

Biographic Data

ID311459
NAMERebecca Zorach
GIVEN NAMESRebecca
FAMILY NAMEZorach
SIGNATUREZORACH R
AFFILIATIONSUniversity of Chicago
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS4
AUTHOR COUNT21
EDITOR COUNT2
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Archives and the Refusal of Visibility

    Rebecca Zorach•ARTICLE•Archives of American Art Journal•2026

    This essay explores the difficulty of handling archival absences in relation to Blackness and Queerness during an era—the early twentieth century—when the intersection of these identities was difficult to occupy publicly, even as it could be hinted at aesthetically. My article focuses on photographs in Archives of American Art’s Ellis Wilson Papers, considering the photographic medium itself, the incomplete traces the papers offer of now-lost wor…

  • Energy Never Dies

    Rebecca Zorach•ARTICLE•The Journal of African American…•2023

  • What Future

    Rebecca Zorach•ARTICLE•I Tatti Studies•2019

    Previous article FreeFields of the Future / Future of the FieldWhat Future?Rebecca ZorachRebecca ZorachNorthwestern University Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreTo ask about the future of the field of Renaissance studies is, now, to ask whether it will have one, not because of any characteri…

  • Gates, Theaster

    Rebecca Zorach•CHAPTER•2018

  • Envoi

    Open Access•Rebecca Zorach•CHAPTER•Frame in Classical Art•2017

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • The Idol in the Age of Art

    Michael W Cole, Rebecca Zorach•BOOK•Idol in the Age of Art•2017

  • Autonomous Nature

    Open Access•Rebecca Zorach•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • L’amour de l’art

    Open Access•Rebecca Zorach•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Medieval and Renaissance Lactations

    Rebecca Zorach•ARTICLE•Bulletin of the history of medicine•2016

    Reviewed by: Medieval and Renaissance Lactations: Images, Rhetorics, Practices ed. by Jutta Gisela Sperling Rebecca Zorach Jutta Gisela Sperling, ed. Medieval and Renaissance Lactations: Images, Rhetorics, Practices. Women and Gender in the Early Modern World. Farnham, Surrey, UK: Ashgate, 2013. xv + 319 pp. Ill. $129.00 (978-1-4094-4860-0). Medieval and Renaissance Lactations, edited by Jutta Gisela Sperling, sketches out the contours of an unde…

  • Treasuries of Loss

    Rebecca Zorach•ARTICLE•Oxford Art Journal•2016

    I spent a summer in Paris the year before I entered graduate school, staying in a Catholic hostel on the Ile St Louis. From that summer I do not remember much, but I do remember a conversation with a German student who asked what I planned to study: ‘Medieval art history’, I said. ‘But how can that be?’ she asked. ‘You’re American. You had no middle ages. There was nothing there.’ There was double assumption here: first that all the years before …

  • The Passionate Triangle

    Rebecca Zorach, Catherine Harding•ARTICLE•Renaissance and Reformation•2013

  • Sweet in the Mouth, Bitter in the Belly’

    Open Access•Rebecca Zorach•ARTICLE•Art History•2013

  • Fat Minerva

    Rebecca Zorach•ARTICLE•Exemplaria•2011•References: 4

  • Manierismus und Herrschaftspraxis

    Open Access•Rebecca Zorach•ARTICLE•Renaissance Quarterly•2010

    Christine Tauber. Manierismus und Herrschaftspraxis: Die Kunst der Politick und die Kunstpolitik am Hof von François Ier. Studien aus dem Warburg-Haus 10. Berlin: Akademie Verlag GmbH, 2009. 420 pp. + 50 color pls. index. append. illus. bibl. €79.80. ISBN: 978–3–05–004565–8. - Volume 63 Issue 3

  • A Secret Kind of Charm Not to Be Expressed or Discerned

    Open Access•Rebecca Zorach•ARTICLE•Res: Anthropology and Aesthetics•2009

  • Love, Truth, Orthodoxy, Reticence; or, What Edgar Wind Didn't See in Botticelli'sPrimavera

    Rebecca Zorach•ARTICLE•Critical Inquiry•2007•Cited by: 2•References: 11

  • Bernard Salomon

    Open Access•Rebecca Zorach•ARTICLE•Renaissance Quarterly•2006

    Peter Sharratt. Bernard Salomon: Illustrateur Lyonnais. Travaux d’Humanisme et Renaissance. Geneva: Librairie Droz S. A., 2005. 534 pp. index. append. illus. bibl. CHF 145. ISBN: 2-600-01000-9. - Volume 59 Issue 3

  • Embodied Utopias

    Amy Bingaman, Lise Sanders et al.•BOOK•Embodied Utopias•2003

  • The Book of the Heart

    Rebecca Zorach•ARTICLE•Sixteenth Century Journal•2002

  • Desiring Things

    Open Access•Rebecca Zorach•ARTICLE•Art History•2001

    This article traces various circuits – of allegory, history, viewership and desire –around the infamous sixteenth‐century French painting known as the Portrait of Gabrielle d’Estrées and one of her Sisters . It addresses not specific collecting practices, but the desires that might underlie them, attempting to theorize the intersection of desires for material objects and for bodies. What might a culturally specific understanding of this intersect…

  • Despoiled at the Source

    Open Access•Rebecca Zorach•ARTICLE•Art History•1999•Cited by: 2

    This article argues for the possibility of combining psychoanalytic and materialist approaches to Rennaissance visual culture. It addresses the eroticism of both figure and facture of Titian’s Diana and Callisto , using Julia Kristeva’s and Judith Butler’s theories of the abject. It compares the positions of figures in the painting with contemporary representations of exorcism and examines the occluded associations of the goddess Diana with witch…

  • Everything Swims with Excess

    Open Access•Rebecca Zorach•ARTICLE•Res: Anthropology and Aesthetics•1999

  • The Pieta in French Late Gothic Sculpture

    Rebecca Zorach•ARTICLE•Sixteenth Century Journal•1996

  • Love, Truth, Orthodoxy, Reticence; or, What Edgar Wind Didn't See in Botticelli'sPrimavera

    Rebecca Zorach•ARTICLE•Critical Inquiry•2007•Cited by: 2•References: 11

  • Despoiled at the Source

    Open Access•Rebecca Zorach•ARTICLE•Art History•1999•Cited by: 2

    This article argues for the possibility of combining psychoanalytic and materialist approaches to Rennaissance visual culture. It addresses the eroticism of both figure and facture of Titian’s Diana and Callisto , using Julia Kristeva’s and Judith Butler’s theories of the abject. It compares the positions of figures in the painting with contemporary representations of exorcism and examines the occluded associations of the goddess Diana with witch…

  • The Pieta in French Late Gothic Sculpture

    Rebecca Zorach•ARTICLE•Sixteenth Century Journal•1996

  • Despoiled at the Source

    Open Access•Rebecca Zorach•ARTICLE•Art History•1999•Cited by: 2

    This article argues for the possibility of combining psychoanalytic and materialist approaches to Rennaissance visual culture. It addresses the eroticism of both figure and facture of Titian’s Diana and Callisto , using Julia Kristeva’s and Judith Butler’s theories of the abject. It compares the positions of figures in the painting with contemporary representations of exorcism and examines the occluded associations of the goddess Diana with witch…

  • Everything Swims with Excess

    Open Access•Rebecca Zorach•ARTICLE•Res: Anthropology and Aesthetics•1999

  • Desiring Things

    Open Access•Rebecca Zorach•ARTICLE•Art History•2001

    This article traces various circuits – of allegory, history, viewership and desire –around the infamous sixteenth‐century French painting known as the Portrait of Gabrielle d’Estrées and one of her Sisters . It addresses not specific collecting practices, but the desires that might underlie them, attempting to theorize the intersection of desires for material objects and for bodies. What might a culturally specific understanding of this intersect…

  • The Book of the Heart

    Rebecca Zorach•ARTICLE•Sixteenth Century Journal•2002

  • Embodied Utopias

    Amy Bingaman, Lise Sanders et al.•BOOK•Embodied Utopias•2003

  • Bernard Salomon

    Open Access•Rebecca Zorach•ARTICLE•Renaissance Quarterly•2006

    Peter Sharratt. Bernard Salomon: Illustrateur Lyonnais. Travaux d’Humanisme et Renaissance. Geneva: Librairie Droz S. A., 2005. 534 pp. index. append. illus. bibl. CHF 145. ISBN: 2-600-01000-9. - Volume 59 Issue 3

  • Love, Truth, Orthodoxy, Reticence; or, What Edgar Wind Didn't See in Botticelli'sPrimavera

    Rebecca Zorach•ARTICLE•Critical Inquiry•2007•Cited by: 2•References: 11

  • A Secret Kind of Charm Not to Be Expressed or Discerned

    Open Access•Rebecca Zorach•ARTICLE•Res: Anthropology and Aesthetics•2009

  • Manierismus und Herrschaftspraxis

    Open Access•Rebecca Zorach•ARTICLE•Renaissance Quarterly•2010

    Christine Tauber. Manierismus und Herrschaftspraxis: Die Kunst der Politick und die Kunstpolitik am Hof von François Ier. Studien aus dem Warburg-Haus 10. Berlin: Akademie Verlag GmbH, 2009. 420 pp. + 50 color pls. index. append. illus. bibl. €79.80. ISBN: 978–3–05–004565–8. - Volume 63 Issue 3

  • Fat Minerva

    Rebecca Zorach•ARTICLE•Exemplaria•2011•References: 4

  • The Passionate Triangle

    Rebecca Zorach, Catherine Harding•ARTICLE•Renaissance and Reformation•2013

  • Sweet in the Mouth, Bitter in the Belly’

    Open Access•Rebecca Zorach•ARTICLE•Art History•2013

  • Medieval and Renaissance Lactations

    Rebecca Zorach•ARTICLE•Bulletin of the history of medicine•2016

    Reviewed by: Medieval and Renaissance Lactations: Images, Rhetorics, Practices ed. by Jutta Gisela Sperling Rebecca Zorach Jutta Gisela Sperling, ed. Medieval and Renaissance Lactations: Images, Rhetorics, Practices. Women and Gender in the Early Modern World. Farnham, Surrey, UK: Ashgate, 2013. xv + 319 pp. Ill. $129.00 (978-1-4094-4860-0). Medieval and Renaissance Lactations, edited by Jutta Gisela Sperling, sketches out the contours of an unde…

  • Treasuries of Loss

    Rebecca Zorach•ARTICLE•Oxford Art Journal•2016

    I spent a summer in Paris the year before I entered graduate school, staying in a Catholic hostel on the Ile St Louis. From that summer I do not remember much, but I do remember a conversation with a German student who asked what I planned to study: ‘Medieval art history’, I said. ‘But how can that be?’ she asked. ‘You’re American. You had no middle ages. There was nothing there.’ There was double assumption here: first that all the years before …

  • Envoi

    Open Access•Rebecca Zorach•CHAPTER•Frame in Classical Art•2017

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • The Idol in the Age of Art

    Michael W Cole, Rebecca Zorach•BOOK•Idol in the Age of Art•2017

  • Autonomous Nature

    Open Access•Rebecca Zorach•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • L’amour de l’art

    Open Access•Rebecca Zorach•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Gates, Theaster

    Rebecca Zorach•CHAPTER•2018

  • What Future

    Rebecca Zorach•ARTICLE•I Tatti Studies•2019

    Previous article FreeFields of the Future / Future of the FieldWhat Future?Rebecca ZorachRebecca ZorachNorthwestern University Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreTo ask about the future of the field of Renaissance studies is, now, to ask whether it will have one, not because of any characteri…

  • Energy Never Dies

    Rebecca Zorach•ARTICLE•The Journal of African American…•2023

  • Archives and the Refusal of Visibility

    Rebecca Zorach•ARTICLE•Archives of American Art Journal•2026

    This essay explores the difficulty of handling archival absences in relation to Blackness and Queerness during an era—the early twentieth century—when the intersection of these identities was difficult to occupy publicly, even as it could be hinted at aesthetically. My article focuses on photographs in Archives of American Art’s Ellis Wilson Papers, considering the photographic medium itself, the incomplete traces the papers offer of now-lost wor…

Art (18 works) · Art history (14 works) · History (9 works) · Philosophy (8 works) · Computer Science (7 works) · Literature (5 works) · The Renaissance (5 works) · Classics (4 works) · Epistemology (4 works) · Historical Art and Culture Studies (4 works)

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