Rebecca Zorach
Biographic Data
| ID | 311459 |
|---|---|
| NAME | Rebecca Zorach |
| GIVEN NAMES | Rebecca |
| FAMILY NAME | Zorach |
| SIGNATURE | ZORACH R |
| AFFILIATIONS | University of Chicago |
| VERIFIED | No |
| TOTAL WORKS | 23 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 21 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Archives and the Refusal of Visibility
This essay explores the difficulty of handling archival absences in relation to Blackness and Queerness during an era—the early twentieth century—when the intersection of these identities was difficult to occupy publicly, even as it could be hinted at aesthetically. My article focuses on photographs in Archives of American Art’s Ellis Wilson Papers, considering the photographic medium itself, the incomplete traces the papers offer of now-lost wor…
Energy Never Dies
What Future
Previous article FreeFields of the Future / Future of the FieldWhat Future?Rebecca ZorachRebecca ZorachNorthwestern University Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreTo ask about the future of the field of Renaissance studies is, now, to ask whether it will have one, not because of any characteri…
Gates, Theaster
Envoi
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The Idol in the Age of Art
Autonomous Nature
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L’amour de l’art
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Medieval and Renaissance Lactations
Reviewed by: Medieval and Renaissance Lactations: Images, Rhetorics, Practices ed. by Jutta Gisela Sperling Rebecca Zorach Jutta Gisela Sperling, ed. Medieval and Renaissance Lactations: Images, Rhetorics, Practices. Women and Gender in the Early Modern World. Farnham, Surrey, UK: Ashgate, 2013. xv + 319 pp. Ill. $129.00 (978-1-4094-4860-0). Medieval and Renaissance Lactations, edited by Jutta Gisela Sperling, sketches out the contours of an unde…
Treasuries of Loss
I spent a summer in Paris the year before I entered graduate school, staying in a Catholic hostel on the Ile St Louis. From that summer I do not remember much, but I do remember a conversation with a German student who asked what I planned to study: ‘Medieval art history’, I said. ‘But how can that be?’ she asked. ‘You’re American. You had no middle ages. There was nothing there.’ There was double assumption here: first that all the years before …
The Passionate Triangle
Sweet in the Mouth, Bitter in the Belly’
Fat Minerva
Manierismus und Herrschaftspraxis
Christine Tauber. Manierismus und Herrschaftspraxis: Die Kunst der Politick und die Kunstpolitik am Hof von François Ier. Studien aus dem Warburg-Haus 10. Berlin: Akademie Verlag GmbH, 2009. 420 pp. + 50 color pls. index. append. illus. bibl. €79.80. ISBN: 978–3–05–004565–8. - Volume 63 Issue 3
A Secret Kind of Charm Not to Be Expressed or Discerned
Love, Truth, Orthodoxy, Reticence; or, What Edgar Wind Didn't See in Botticelli'sPrimavera
Bernard Salomon
Peter Sharratt. Bernard Salomon: Illustrateur Lyonnais. Travaux d’Humanisme et Renaissance. Geneva: Librairie Droz S. A., 2005. 534 pp. index. append. illus. bibl. CHF 145. ISBN: 2-600-01000-9. - Volume 59 Issue 3
Embodied Utopias
The Book of the Heart
Desiring Things
This article traces various circuits – of allegory, history, viewership and desire –around the infamous sixteenth‐century French painting known as the Portrait of Gabrielle d’Estrées and one of her Sisters . It addresses not specific collecting practices, but the desires that might underlie them, attempting to theorize the intersection of desires for material objects and for bodies. What might a culturally specific understanding of this intersect…
Despoiled at the Source
This article argues for the possibility of combining psychoanalytic and materialist approaches to Rennaissance visual culture. It addresses the eroticism of both figure and facture of Titian’s Diana and Callisto , using Julia Kristeva’s and Judith Butler’s theories of the abject. It compares the positions of figures in the painting with contemporary representations of exorcism and examines the occluded associations of the goddess Diana with witch…
Everything Swims with Excess
The Pieta in French Late Gothic Sculpture
Love, Truth, Orthodoxy, Reticence; or, What Edgar Wind Didn't See in Botticelli'sPrimavera
Despoiled at the Source
This article argues for the possibility of combining psychoanalytic and materialist approaches to Rennaissance visual culture. It addresses the eroticism of both figure and facture of Titian’s Diana and Callisto , using Julia Kristeva’s and Judith Butler’s theories of the abject. It compares the positions of figures in the painting with contemporary representations of exorcism and examines the occluded associations of the goddess Diana with witch…
The Pieta in French Late Gothic Sculpture
Despoiled at the Source
This article argues for the possibility of combining psychoanalytic and materialist approaches to Rennaissance visual culture. It addresses the eroticism of both figure and facture of Titian’s Diana and Callisto , using Julia Kristeva’s and Judith Butler’s theories of the abject. It compares the positions of figures in the painting with contemporary representations of exorcism and examines the occluded associations of the goddess Diana with witch…
Everything Swims with Excess
Desiring Things
This article traces various circuits – of allegory, history, viewership and desire –around the infamous sixteenth‐century French painting known as the Portrait of Gabrielle d’Estrées and one of her Sisters . It addresses not specific collecting practices, but the desires that might underlie them, attempting to theorize the intersection of desires for material objects and for bodies. What might a culturally specific understanding of this intersect…
The Book of the Heart
Embodied Utopias
Bernard Salomon
Peter Sharratt. Bernard Salomon: Illustrateur Lyonnais. Travaux d’Humanisme et Renaissance. Geneva: Librairie Droz S. A., 2005. 534 pp. index. append. illus. bibl. CHF 145. ISBN: 2-600-01000-9. - Volume 59 Issue 3
Love, Truth, Orthodoxy, Reticence; or, What Edgar Wind Didn't See in Botticelli'sPrimavera
A Secret Kind of Charm Not to Be Expressed or Discerned
Manierismus und Herrschaftspraxis
Christine Tauber. Manierismus und Herrschaftspraxis: Die Kunst der Politick und die Kunstpolitik am Hof von François Ier. Studien aus dem Warburg-Haus 10. Berlin: Akademie Verlag GmbH, 2009. 420 pp. + 50 color pls. index. append. illus. bibl. €79.80. ISBN: 978–3–05–004565–8. - Volume 63 Issue 3
Fat Minerva
The Passionate Triangle
Sweet in the Mouth, Bitter in the Belly’
Medieval and Renaissance Lactations
Reviewed by: Medieval and Renaissance Lactations: Images, Rhetorics, Practices ed. by Jutta Gisela Sperling Rebecca Zorach Jutta Gisela Sperling, ed. Medieval and Renaissance Lactations: Images, Rhetorics, Practices. Women and Gender in the Early Modern World. Farnham, Surrey, UK: Ashgate, 2013. xv + 319 pp. Ill. $129.00 (978-1-4094-4860-0). Medieval and Renaissance Lactations, edited by Jutta Gisela Sperling, sketches out the contours of an unde…
Treasuries of Loss
I spent a summer in Paris the year before I entered graduate school, staying in a Catholic hostel on the Ile St Louis. From that summer I do not remember much, but I do remember a conversation with a German student who asked what I planned to study: ‘Medieval art history’, I said. ‘But how can that be?’ she asked. ‘You’re American. You had no middle ages. There was nothing there.’ There was double assumption here: first that all the years before …
Envoi
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
The Idol in the Age of Art
Autonomous Nature
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
L’amour de l’art
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Gates, Theaster
What Future
Previous article FreeFields of the Future / Future of the FieldWhat Future?Rebecca ZorachRebecca ZorachNorthwestern University Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreTo ask about the future of the field of Renaissance studies is, now, to ask whether it will have one, not because of any characteri…
Energy Never Dies
Archives and the Refusal of Visibility
This essay explores the difficulty of handling archival absences in relation to Blackness and Queerness during an era—the early twentieth century—when the intersection of these identities was difficult to occupy publicly, even as it could be hinted at aesthetically. My article focuses on photographs in Archives of American Art’s Ellis Wilson Papers, considering the photographic medium itself, the incomplete traces the papers offer of now-lost wor…
Art (18 works) · Art history (14 works) · History (9 works) · Philosophy (8 works) · Computer Science (7 works) · Literature (5 works) · The Renaissance (5 works) · Classics (4 works) · Epistemology (4 works) · Historical Art and Culture Studies (4 works)