Stephen F Eisenman
Biographic Data
| ID | 313840 |
|---|---|
| NAME | Stephen F Eisenman |
| GIVEN NAMES | Stephen F |
| FAMILY NAME | Eisenman |
| SIGNATURE | EISENMAN S F |
| AFFILIATIONS | Northwestern University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 49 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
The Real 'Swinish Multitude
David Craven – In Memoriam
Three criteria for inclusion in, or exclusion from a World History of Art
The creation of a World History of Art has to this point been handicapped by dependence upon a model of cultural relativism derived from late nineteenth and early twentieth century anthropology. Only by establishing clear criteria for the inclusion or exclusion of objects from a WHA can the field establish a sound basis for further expansion
The Resistable Rise and Predictable Fall of the U.S. Supermax
In a recent article entitled "The Penal State in an Age of Crisis" (Monthly Review, June 2009), Hannah Holleman, Robert W. McChesney, John Bellamy Foster, and R. Jamil Jonna sought to account for the surprising stability of civilian government spending (non-defense government consumption and investment) as a percentage of GDP during a period, roughly 1970 to the present, when the power of capital over labor increased, inequality grew, and cuts in…
The Abu Ghraib Effect
Race in the Andes: Global Movements and Popular Ontologies
Race, long discounted in Andean ethnography as relatively unimportant, is a social fact of great salience in the Andes. This essay introduces the articles in the special issue on race in the Andes with an overview of the interrelated intellectual histories of racism in the Andes, Europe and North America, from colonial proto-racism, to the totalising theories of the 19th century, to the heterogeneous 'neo-racism' found in the Andes today, in whic…
Nineteenth Century Art: A Critical History
Nineteenth‐century Art: A Critical History
Race in the Andes: Global Movements and Popular Ontologies
Race, long discounted in Andean ethnography as relatively unimportant, is a social fact of great salience in the Andes. This essay introduces the articles in the special issue on race in the Andes with an overview of the interrelated intellectual histories of racism in the Andes, Europe and North America, from colonial proto-racism, to the totalising theories of the 19th century, to the heterogeneous 'neo-racism' found in the Andes today, in whic…
The Real 'Swinish Multitude
The Resistable Rise and Predictable Fall of the U.S. Supermax
In a recent article entitled "The Penal State in an Age of Crisis" (Monthly Review, June 2009), Hannah Holleman, Robert W. McChesney, John Bellamy Foster, and R. Jamil Jonna sought to account for the surprising stability of civilian government spending (non-defense government consumption and investment) as a percentage of GDP during a period, roughly 1970 to the present, when the power of capital over labor increased, inequality grew, and cuts in…
Nineteenth‐century Art: A Critical History
Nineteenth Century Art: A Critical History
Race in the Andes: Global Movements and Popular Ontologies
Race, long discounted in Andean ethnography as relatively unimportant, is a social fact of great salience in the Andes. This essay introduces the articles in the special issue on race in the Andes with an overview of the interrelated intellectual histories of racism in the Andes, Europe and North America, from colonial proto-racism, to the totalising theories of the 19th century, to the heterogeneous 'neo-racism' found in the Andes today, in whic…
The Abu Ghraib Effect
The Resistable Rise and Predictable Fall of the U.S. Supermax
In a recent article entitled "The Penal State in an Age of Crisis" (Monthly Review, June 2009), Hannah Holleman, Robert W. McChesney, John Bellamy Foster, and R. Jamil Jonna sought to account for the surprising stability of civilian government spending (non-defense government consumption and investment) as a percentage of GDP during a period, roughly 1970 to the present, when the power of capital over labor increased, inequality grew, and cuts in…
Three criteria for inclusion in, or exclusion from a World History of Art
The creation of a World History of Art has to this point been handicapped by dependence upon a model of cultural relativism derived from late nineteenth and early twentieth century anthropology. Only by establishing clear criteria for the inclusion or exclusion of objects from a WHA can the field establish a sound basis for further expansion
David Craven – In Memoriam
The Real 'Swinish Multitude
Art (5 works) · Political science (5 works) · History (4 works) · Law (4 works) · Art History and Market Analysis (3 works) · Law (3 works) · Sociology (3 works) · Anthropology (2 works) · Art history (2 works) · Art, Politics, and Modernism (2 works)