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Irit Rogoff

Biographic Data

ID316280
NAMEIrit Rogoff
GIVEN NAMESIrit
FAMILY NAMERogoff
SIGNATUREROGOFF I
AFFILIATIONSUniversity of California, Davis
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS15
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2021
H-INDEX2
  • The Disenchanted. Contending with Practice Based Research

    Open Access•Irit Rogoff•CHAPTER•Studies in the Arts - Neue…•2021

  • De‐Regulation: With the Work of Kutlug Ataman

    Irit Rogoff•ARTICLE•Third Text•2009•Cited by: 1

    ‘De‐Regulation’ looks at the concept of experience within a regional specificity of Turkey and through the video installation of Kutlug Ataman. Within this relational geography, the ‘Turkey’ that is invoked in Ataman’s work or through the effects of ‘De‐Regulation’ is more a reading strategy for the performance of place, than a set of informing socio‐historical contexts. It is the regional site of many conflicting, contradictory and de‐legitimate…

  • Museum Culture: Histories, Discourses, Spectacles

    Daniel J Sherman, Irit Rogoff•BOOK•Museum Culture•2004•Cited by: 10

  • Without: A Conversation

    Peggy Phelan, Irit Rogoff•ARTICLE•Art Journal•2001•Cited by: 3

    Rogoff: One of the things our work has in common is that its inception as a project isn't organized around an existent subject or an existent methodology. Therefore, it seems possible to think about its starting point as a position of being “without,” which is not a form of negation of existing subjects and methods, nor a form of lack. “Without” is an interesting formulation because it isn't turning your back on, or denying, what you had at your …

  • Terra Infirma: Geography's Visual Culture

    Irit Rogoff•BOOK•Terra Infirma•2000

    In an age of 'ethnic cleansing' and forced migration, of contested borders and nations in turmoil, how have issues of place and identity, and of belonging and exclusion, been represented in visual culture? In Terra Infirma, Irit Rogoff examines geography's truth claims and signifying practices, arguing that geography is a language in crisis, unable to represent the immense changes that have taken place in a post-colonial, post-communist, post-mig…

  • Rosalyn Deutsche Evictions

    Irit Rogoff•ARTICLE•Parallax•1997

  • Afterthoughts … A dossier on masculinities

    Open Access•Irit Rogoff, David Van Leer•ARTICLE•Theory and Society•1993

  • The Divided Heritage: Themes and Problems in German Modernism

    Katherine Roper, Irit Rogoff•ARTICLE•German Studies Review•1993

    List of illustrations General introduction Irit Rogoff Part I. The Divided Heritage: 1. Introduction - against the cliche of constants beyond history Klaus Herding 2. A historical continuity of disjunctures Walter Grasskamp 3. Absent guests - art, truth and paradox in the art of the German Democratic Republic David Elliott 4. Post-war debates - Wols and the German reception of Sartre Franz-Joachim Verspohl 5. Habermas and postmodernism Martin Jay…

  • Tiny Anguishes: Reflections on Nagging, Scholastic Embarrassment, and Feminist Art History

    Irit Rogoff•ARTICLE•differences•1992•Cited by: 1•References: 1

    Research Article| November 01 1992 Tiny Anguishes: Reflections on Nagging, Scholastic Embarrassment, and Feminist Art History Irit Rogoff Irit Rogoff Irit Rogoff teaches critical theory and visual culture at the University of California, Davis. She is editor of The Divided Heritage: Themes and Problems in German Modernism (Cambridge: Cambridge UP, 1991), and of “Museum Culture: Histories/Discourses/Spectacles” (Minneapolis: U of Minnesota P, fort…

  • Situations ’: Tales of Tiny Epiphanies and Radiant Transgressions

    Open Access•Irit Rogoff•ARTICLE•Art History•1991

    Lipstick Traces — A Secret History of the 20th Century by Greil Marcus , Cambridge, Mass.: Harvard University Press, and London: Secker and Warburg, 496 pp., 80 illus., £31.95

  • Barricades Into Blockades: Documenta 8 and the Spirit of ’68

    Open Access•Irit Rogoff•ARTICLE•Art History•1989

    Documenta 8, catalogue in 3 volumes, Weber & Weidmeyer, Kassel, 1987, 362 pp., DM 120.00 Brennpunkt Düsseldorf 1962–1987, catalogue, Kunstmuseum Düsseldorf, 1987, 338 pp., fully illustrated, DM 36.00

  • Museum Culture: Histories, Discourses, Spectacles

    Daniel J Sherman, Irit Rogoff•BOOK•Museum Culture•2004•Cited by: 10

  • Without: A Conversation

    Peggy Phelan, Irit Rogoff•ARTICLE•Art Journal•2001•Cited by: 3

    Rogoff: One of the things our work has in common is that its inception as a project isn't organized around an existent subject or an existent methodology. Therefore, it seems possible to think about its starting point as a position of being “without,” which is not a form of negation of existing subjects and methods, nor a form of lack. “Without” is an interesting formulation because it isn't turning your back on, or denying, what you had at your …

  • De‐Regulation: With the Work of Kutlug Ataman

    Irit Rogoff•ARTICLE•Third Text•2009•Cited by: 1

    ‘De‐Regulation’ looks at the concept of experience within a regional specificity of Turkey and through the video installation of Kutlug Ataman. Within this relational geography, the ‘Turkey’ that is invoked in Ataman’s work or through the effects of ‘De‐Regulation’ is more a reading strategy for the performance of place, than a set of informing socio‐historical contexts. It is the regional site of many conflicting, contradictory and de‐legitimate…

  • Tiny Anguishes: Reflections on Nagging, Scholastic Embarrassment, and Feminist Art History

    Irit Rogoff•ARTICLE•differences•1992•Cited by: 1•References: 1

    Research Article| November 01 1992 Tiny Anguishes: Reflections on Nagging, Scholastic Embarrassment, and Feminist Art History Irit Rogoff Irit Rogoff Irit Rogoff teaches critical theory and visual culture at the University of California, Davis. She is editor of The Divided Heritage: Themes and Problems in German Modernism (Cambridge: Cambridge UP, 1991), and of “Museum Culture: Histories/Discourses/Spectacles” (Minneapolis: U of Minnesota P, fort…

  • Barricades Into Blockades: Documenta 8 and the Spirit of ’68

    Open Access•Irit Rogoff•ARTICLE•Art History•1989

    Documenta 8, catalogue in 3 volumes, Weber & Weidmeyer, Kassel, 1987, 362 pp., DM 120.00 Brennpunkt Düsseldorf 1962–1987, catalogue, Kunstmuseum Düsseldorf, 1987, 338 pp., fully illustrated, DM 36.00

  • Situations ’: Tales of Tiny Epiphanies and Radiant Transgressions

    Open Access•Irit Rogoff•ARTICLE•Art History•1991

    Lipstick Traces — A Secret History of the 20th Century by Greil Marcus , Cambridge, Mass.: Harvard University Press, and London: Secker and Warburg, 496 pp., 80 illus., £31.95

  • Tiny Anguishes: Reflections on Nagging, Scholastic Embarrassment, and Feminist Art History

    Irit Rogoff•ARTICLE•differences•1992•Cited by: 1•References: 1

    Research Article| November 01 1992 Tiny Anguishes: Reflections on Nagging, Scholastic Embarrassment, and Feminist Art History Irit Rogoff Irit Rogoff Irit Rogoff teaches critical theory and visual culture at the University of California, Davis. She is editor of The Divided Heritage: Themes and Problems in German Modernism (Cambridge: Cambridge UP, 1991), and of “Museum Culture: Histories/Discourses/Spectacles” (Minneapolis: U of Minnesota P, fort…

  • Afterthoughts … A dossier on masculinities

    Open Access•Irit Rogoff, David Van Leer•ARTICLE•Theory and Society•1993

  • The Divided Heritage: Themes and Problems in German Modernism

    Katherine Roper, Irit Rogoff•ARTICLE•German Studies Review•1993

    List of illustrations General introduction Irit Rogoff Part I. The Divided Heritage: 1. Introduction - against the cliche of constants beyond history Klaus Herding 2. A historical continuity of disjunctures Walter Grasskamp 3. Absent guests - art, truth and paradox in the art of the German Democratic Republic David Elliott 4. Post-war debates - Wols and the German reception of Sartre Franz-Joachim Verspohl 5. Habermas and postmodernism Martin Jay…

  • Rosalyn Deutsche Evictions

    Irit Rogoff•ARTICLE•Parallax•1997

  • Terra Infirma: Geography's Visual Culture

    Irit Rogoff•BOOK•Terra Infirma•2000

    In an age of 'ethnic cleansing' and forced migration, of contested borders and nations in turmoil, how have issues of place and identity, and of belonging and exclusion, been represented in visual culture? In Terra Infirma, Irit Rogoff examines geography's truth claims and signifying practices, arguing that geography is a language in crisis, unable to represent the immense changes that have taken place in a post-colonial, post-communist, post-mig…

  • Without: A Conversation

    Peggy Phelan, Irit Rogoff•ARTICLE•Art Journal•2001•Cited by: 3

    Rogoff: One of the things our work has in common is that its inception as a project isn't organized around an existent subject or an existent methodology. Therefore, it seems possible to think about its starting point as a position of being “without,” which is not a form of negation of existing subjects and methods, nor a form of lack. “Without” is an interesting formulation because it isn't turning your back on, or denying, what you had at your …

  • Museum Culture: Histories, Discourses, Spectacles

    Daniel J Sherman, Irit Rogoff•BOOK•Museum Culture•2004•Cited by: 10

  • De‐Regulation: With the Work of Kutlug Ataman

    Irit Rogoff•ARTICLE•Third Text•2009•Cited by: 1

    ‘De‐Regulation’ looks at the concept of experience within a regional specificity of Turkey and through the video installation of Kutlug Ataman. Within this relational geography, the ‘Turkey’ that is invoked in Ataman’s work or through the effects of ‘De‐Regulation’ is more a reading strategy for the performance of place, than a set of informing socio‐historical contexts. It is the regional site of many conflicting, contradictory and de‐legitimate…

  • The Disenchanted. Contending with Practice Based Research

    Open Access•Irit Rogoff•CHAPTER•Studies in the Arts - Neue…•2021

Art (5 works) · Art history (5 works) · Political science (5 works) · Sociology (5 works) · History (3 works) · Law (3 works) · Law (3 works) · Aesthetics (2 works) · Aging, Elder Care, and Social Issues (2 works) · Art (2 works)

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