Anne-Britt Gran
Biographic Data
| ID | 316723 |
|---|---|
| NAME | Anne-Britt Gran |
| GIVEN NAMES | Anne-Britt |
| FAMILY NAME | Gran |
| SIGNATURE | GRAN A |
| AFFILIATIONS | BI Norwegian Business School |
| ORCID | 0009-0008-0800-5101 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 49 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
On the problems of training generative AI: Towards a hybrid approach combining technical and non-technical alignment strategies
This study examines the ethical, legal, and copyright challenges in training generative AI on a large-scale text dataset, using Books3 as a case study. This dataset, used for training foundation models such as GPT, BERT, Meta’s Llama, and StableLM includes pirated works by nearly 200,000 authors from various countries, raising concerns about intellectual property rights, dataset integrity, and transparency. Our analysis of the initial 99 ISBNs re…
Performing Not-Not-Me in SoMe: A New Theatrical Typology of Self-Presentation Online
Erving Goffman's dramaturgical model in The Presentation of Self in Everyday Life (1959) is frequently used to analyze online self-presentations in social media (SoMe) and other social network sites (SNS). The term 'self-presentation' seems to be here to stay. We argue that Goffman's dramaturgical model belongs to another era, and that online self-presentation needs new theoretical approaches and new content. Compared to its predominant usage in …
Digitizing Cinemas – Comprehensive Intended and Unintended Consequences for Diversity
This article concerns digitization of film distribution and exhibition in the entire cinema sector in Norway, its comprehensive consequences for diversity - seen from the perspective of cultural policy. The results of analyzing complete cinema statistics for three years (2008, 2013 and 2017) indicate that the digitization process “from film reels to film files” contributes to strengthened diversity in terms of repertoire, distribution and new aud…
To be or not to be algorithm aware: A question of a new digital divide
Algorithms are an increasingly important element of internet infrastructure in that they are used to make decisions about everything from mundane music recommendations through to more profound and oftentimes life changing ones such as policing, health care or social benefits. Given algorithmic systems’ impact and sometimes harm on people’s everyday life, information access and agency, awareness of algorithms has the potential to be a critical iss…
A digital museum's contribution to diversity - a user study
Responding to the Norwegian cultural policy concern of diversity, this article presents the results from three data sets that capture user background, behaviour, values and opinions regarding the digital portal for museum objects, images and stories, DigitaltMuseum. Specifically, the exploratory research draws data from a ‘population’ survey of digital consumption in Norway, a DigitaltMuseum user survey, and device and usage data captured by Goog…
Staging Places as Brands: Visiting Illusions, Images and Imaginations
Re-Investing Authenticity: Tourism, Place and Emotions
The Fall of Theatricality in the Age of Modernity
SubStance - Issue 98/99 (Volume 31, Number 2&3), 2002
Re-Investing Authenticity: Tourism, Place and Emotions
A digital museum's contribution to diversity - a user study
Responding to the Norwegian cultural policy concern of diversity, this article presents the results from three data sets that capture user background, behaviour, values and opinions regarding the digital portal for museum objects, images and stories, DigitaltMuseum. Specifically, the exploratory research draws data from a ‘population’ survey of digital consumption in Norway, a DigitaltMuseum user survey, and device and usage data captured by Goog…
The Fall of Theatricality in the Age of Modernity
SubStance - Issue 98/99 (Volume 31, Number 2&3), 2002
The Fall of Theatricality in the Age of Modernity
SubStance - Issue 98/99 (Volume 31, Number 2&3), 2002
Staging Places as Brands: Visiting Illusions, Images and Imaginations
Re-Investing Authenticity: Tourism, Place and Emotions
A digital museum's contribution to diversity - a user study
Responding to the Norwegian cultural policy concern of diversity, this article presents the results from three data sets that capture user background, behaviour, values and opinions regarding the digital portal for museum objects, images and stories, DigitaltMuseum. Specifically, the exploratory research draws data from a ‘population’ survey of digital consumption in Norway, a DigitaltMuseum user survey, and device and usage data captured by Goog…
To be or not to be algorithm aware: A question of a new digital divide
Algorithms are an increasingly important element of internet infrastructure in that they are used to make decisions about everything from mundane music recommendations through to more profound and oftentimes life changing ones such as policing, health care or social benefits. Given algorithmic systems’ impact and sometimes harm on people’s everyday life, information access and agency, awareness of algorithms has the potential to be a critical iss…
Digitizing Cinemas – Comprehensive Intended and Unintended Consequences for Diversity
This article concerns digitization of film distribution and exhibition in the entire cinema sector in Norway, its comprehensive consequences for diversity - seen from the perspective of cultural policy. The results of analyzing complete cinema statistics for three years (2008, 2013 and 2017) indicate that the digitization process “from film reels to film files” contributes to strengthened diversity in terms of repertoire, distribution and new aud…
Performing Not-Not-Me in SoMe: A New Theatrical Typology of Self-Presentation Online
Erving Goffman's dramaturgical model in The Presentation of Self in Everyday Life (1959) is frequently used to analyze online self-presentations in social media (SoMe) and other social network sites (SNS). The term 'self-presentation' seems to be here to stay. We argue that Goffman's dramaturgical model belongs to another era, and that online self-presentation needs new theoretical approaches and new content. Compared to its predominant usage in …
On the problems of training generative AI: Towards a hybrid approach combining technical and non-technical alignment strategies
This study examines the ethical, legal, and copyright challenges in training generative AI on a large-scale text dataset, using Books3 as a case study. This dataset, used for training foundation models such as GPT, BERT, Meta’s Llama, and StableLM includes pirated works by nearly 200,000 authors from various countries, raising concerns about intellectual property rights, dataset integrity, and transparency. Our analysis of the initial 99 ISBNs re…
Computer Science (5 works) · Sociology (4 works) · Art (3 works) · Cultural Industries and Urban Development (3 works) · Business (2 works) · Epistemology (2 works) · Literature (2 works) · Philosophy (2 works) · World Wide Web (2 works) · Aesthetics (1 works)