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Eugene Dairianathan

Biographic Data

ID319183
NAMEEugene Dairianathan
GIVEN NAMESEugene
FAMILY NAMEDairianathan
SIGNATUREDAIRIANATHAN E
AFFILIATIONSNanyang Technological University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS3
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Achievement Goals, Implicit Theories, and Intrinsic Motivation

    Open Access•John Wang, Chee Keng John Wang et al.•ARTICLE•Journal of Research in Music…•2018•References: 5

    The purpose of this study was to test the domain specificity of achievement goals across music, visual art, and sports specializations, as measured by Elliot’s 2 × 2 achievement goal framework. Participants in the study were 103 volunteer student teachers from a teacher training institute in Singapore specializing in music, visual art, and physical education. Data were collected via self-report questionnaires that included measures of (a) the 2 ×…

  • Soundscapes in Vedic metal

    Eugene Dairianathan•ARTICLE•Perfect Beat•2012

    Local death metal group Rudra’s presence and practice has posed prospects and problems for studies concerning musicians who compose, perform and generate forms of extreme metal. Their relative in/significance in written accounts is as revealing as their seventeen-year existence; a revelation of the complexity of the author-functions—South Indian, Hindu, Youth, Singaporean, South Asian and extreme metal musicians—as a consequence of legal, psychol…

  • The Burden of Song

    Open Access•Eugene Dairianathan•ARTICLE•Journal of Creative Communications•2012•Cited by: 1•References: 2

    Studies involving popular music songs have tended to overlook issues of language and music, especially when explorations between music and language reiterate questions 'about the linguistic mediation of musical and especially timbral discourse, and connections between the singing voice and place, class, ethnicity, and identity', which augur for a place for music 'for the study of the mental, semiotic, communicative, expressive and discursive role…

  • Vedic metal and the South Indian community in Singapore

    Eugene Dairianathan, Eugene I Dairianathan•ARTICLE•Inter-Asia Cultural Studies•2009•Cited by: 2•References: 5

    Music – when created, performed and responded to – has been considered somewhat paradoxical because of its simultaneity of location between the individual and the social identities. If this analogy is extended to individual (read local/national) and social (read dominant/global), an own‐language popular music intersects with its dominant/global practices rendered through music’s unique characteristic, its porosity. Given that identities are at on…

  • Vedic metal and the South Indian community in Singapore

    Eugene Dairianathan, Eugene I Dairianathan•ARTICLE•Inter-Asia Cultural Studies•2009•Cited by: 2•References: 5

    Music – when created, performed and responded to – has been considered somewhat paradoxical because of its simultaneity of location between the individual and the social identities. If this analogy is extended to individual (read local/national) and social (read dominant/global), an own‐language popular music intersects with its dominant/global practices rendered through music’s unique characteristic, its porosity. Given that identities are at on…

  • The Burden of Song

    Open Access•Eugene Dairianathan•ARTICLE•Journal of Creative Communications•2012•Cited by: 1•References: 2

    Studies involving popular music songs have tended to overlook issues of language and music, especially when explorations between music and language reiterate questions 'about the linguistic mediation of musical and especially timbral discourse, and connections between the singing voice and place, class, ethnicity, and identity', which augur for a place for music 'for the study of the mental, semiotic, communicative, expressive and discursive role…

  • Vedic metal and the South Indian community in Singapore

    Eugene Dairianathan, Eugene I Dairianathan•ARTICLE•Inter-Asia Cultural Studies•2009•Cited by: 2•References: 5

    Music – when created, performed and responded to – has been considered somewhat paradoxical because of its simultaneity of location between the individual and the social identities. If this analogy is extended to individual (read local/national) and social (read dominant/global), an own‐language popular music intersects with its dominant/global practices rendered through music’s unique characteristic, its porosity. Given that identities are at on…

  • Soundscapes in Vedic metal

    Eugene Dairianathan•ARTICLE•Perfect Beat•2012

    Local death metal group Rudra’s presence and practice has posed prospects and problems for studies concerning musicians who compose, perform and generate forms of extreme metal. Their relative in/significance in written accounts is as revealing as their seventeen-year existence; a revelation of the complexity of the author-functions—South Indian, Hindu, Youth, Singaporean, South Asian and extreme metal musicians—as a consequence of legal, psychol…

  • The Burden of Song

    Open Access•Eugene Dairianathan•ARTICLE•Journal of Creative Communications•2012•Cited by: 1•References: 2

    Studies involving popular music songs have tended to overlook issues of language and music, especially when explorations between music and language reiterate questions 'about the linguistic mediation of musical and especially timbral discourse, and connections between the singing voice and place, class, ethnicity, and identity', which augur for a place for music 'for the study of the mental, semiotic, communicative, expressive and discursive role…

  • Achievement Goals, Implicit Theories, and Intrinsic Motivation

    Open Access•John Wang, Chee Keng John Wang et al.•ARTICLE•Journal of Research in Music…•2018•References: 5

    The purpose of this study was to test the domain specificity of achievement goals across music, visual art, and sports specializations, as measured by Elliot’s 2 × 2 achievement goal framework. Participants in the study were 103 volunteer student teachers from a teacher training institute in Singapore specializing in music, visual art, and physical education. Data were collected via self-report questionnaires that included measures of (a) the 2 ×…

Music History and Culture (3 works) · Aesthetics (2 works) · Art (2 works) · Neuroscience and Music Perception (2 works) · Political science (2 works) · Sociology (2 works) · Sound Studies and Aurality (2 works) · Active listening (1 work) · Articulation (sociology (1 work) · Cognitive psychology (1 work)

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