David Bevington

Biographic Data

ID323167
NAMEDavid Bevington
GIVEN NAMESDavid
FAMILY NAMEBevington
SIGNATUREBEVINGTON D
AFFILIATIONSUniversity of Chicago
VERIFIEDNo
TOTAL WORKS45
TOTAL CITATIONS11
AUTHOR COUNT44
EDITOR COUNT1
FIRST PUBLICATION YEAR1961
LATEST PUBLICATION YEAR2019
H-INDEX2

  • The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2019

    The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England. Thomas Fulton and Kristen Poole, eds. Cambridge: Cambridge University Press, 2018. xvi + 304 pp. $99.99. - Volume 72 Issue 3

  • Giving Voice to History in Shakespeare

    David BevingtonCHAPTERShakespeare and the Soliloquy in…2018

  • Hamlet and the Vision of Darkness

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2018

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Shakespeare’s Binding Language

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Shakespeare on Page and Stage: Selected Essays

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2017

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  • Hamlet after Q1: An Uncanny History of the Shakespearean Text

    Zachary Lesser, David BevingtonARTICLERenaissance and Reformation2016

    Lesser, Zachary. Hamlet after Q1: An Uncanny History of the Shakespearean Text. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 39, Number 1, Winter 2016, pp. 5-212), on Érudit

  • Constructing the Canon of Early Modern Drama

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2016

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  • All for Nothing: Hamlet’s Negativity

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2016

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  • The Year of Lear: Shakespeare in 1606

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2016

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  • Shakespeare and Early Modern Religion

    David Bevington, Peter Marshall et al.BOOKShakespeare and Early Modern…2015

    Written by an international team of literary scholars and historians, this collaborative volume illuminates the diversity of early modern religious beliefs and practices in Shakespeare's England, and considers how religious culture is imaginatively reanimated in Shakespeare's plays. Fourteen new essays explore the creative ways Shakespeare engaged with the multifaceted dimensions of Protestantism, Catholicism, non-Christian religions including Ju…

  • A Will to Believe: Shakespeare and Religion

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2015

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  • Shakespeare’s Medieval Craft: Remnants of the Mysteries on the London Stage

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2015

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  • Faith in Shakespeare

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2013

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  • Spectacular Performances: Essays on Theatre, Imagery, Books, and Selves in Early Modern England

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2012

    Stephen Orgel. Spectacular Performances: Essays on Theatre, Imagery, Books, and Selves in Early Modern England. Manchester: Manchester University Press, 2011. xix + 284 pp. $80. ISBN: 978–0–71908–168–2. - Volume 65 Issue 2

  • Shakespeare and Biography

    David BevingtonCHAPTEREdinburgh Companion to…2011

  • Shakespeare's Literary Authorship

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2009

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  • Shakespeare, A Lover’s Complaint, and John Davies of Hereford

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2007

    Brian Vickers. Shakespeare, A Lover’s Complaint, and John Davies of Hereford. Cambridge : Cambridge University Press, 2007. xii + 330 pp. index. append. illus. tbls. bibl. $90. ISBN: 978-0-521-85912-7. - Volume 60 Issue 4

  • Antony and Cleopatra

    Open AccessWilliam Shakespeare, British Drama 1533–1642: A Catalogue et al.BOOKAntony and Cleopatra2005

    Antony and Cleopatra has the strangest stage history of any of Shakespeare's major tragedies. Richard Madelaine explains how the play's challenging complexity has at different times inhibited or promoted its success on the stage, and accounts for the remarkable resurgence of performances in the last twenty years. Madelaine provides the only detailed, extensive and up-to-date history of the play on stage and screen, in and beyond Britain. His intr…

  • Minstrels Playing: Music in Early English Religious Drama, 2 . Richard Rastali

    David BevingtonARTICLESpeculum2004

  • "Counterfeiting" Shakespeare: "Evidence, Authorship, and John Ford's "Funerall Elegye

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2004

    Brian Vickers. "Counterfeiting" Shakespeare: Evidence, Authorship, and John Fords Funerall Elegye. Cambridge and New York: Cambridge University Press, 2002. xxviii + 568 pp. index, tbls. bibl. $75. ISBN: 0-521-77243-5. - Volume 57 Issue 1

  • Playing Companies and Commerce in Shakespeare's Time

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2003

    Roslyn Lander Knutson. Playing Companies and Commerce in Shakespeare's Time. Cambridge and New York: Cambridge University Press, 2001. x + 198 pp. index, illus. bibl. $54.95 ISBN: 0-521-77242-7. - Volume 56 Issue 2

  • The Culture of Playgoing in Shakespeare's England: A Collaborative Debate

    Open AccessDavid BevingtonARTICLERenaissance Quarterly2003

    Anthony B. Dawson and Paul Yachnin. The Culture of Playgoing in Shakespeare's England: A Collaborative Debate. Cambridge and New York: Cambridge University Press, 2001. x + 215 pp. index. $54.95. ISBN: 0-521-80016-1. - Volume 56 Issue 2

  • Christian Humanism in the Late English Morality Plays . Dorothy H. Brown

    David BevingtonARTICLESpeculum2001

  • The major comedies

    Open AccessDavid BevingtonCHAPTERThe Cambridge Companion to Ben…2000

    Ben Jonson wrote Volpone for the King's Men in 1605-6. This premier acting company had been given the accolade of that title, the King's Men, when James I came to the English throne in 1603. Its roster included Richard Burbage and William Shakespeare, both of whom, along with Augustine Phillips, Henry Condell, Will Sly, Will Kemp, John Heminges, Thomas Pope, Christopher Beeston, and John Duke, are listed in the Jonson Folio of 1616 as having acte…

  • The Play of Wisdom: Its Texts and Contexts. Milla Cozart Riggio

    David BevingtonARTICLESpeculum2000