Sofía Natalia González Ayala
Biographic Data
| ID | 324969 |
|---|---|
| NAME | Sofía Natalia González Ayala |
| GIVEN NAMES | Sofía Natalia González |
| FAMILY NAME | Ayala |
| SIGNATURE | AYALA S N G |
| AFFILIATIONS | University of Manchester |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
Velorios, santos y marimbas en el Museo Nacional de Colombia: De quién es el patrimonio de la Nación
In this article we will reflect on two temporal exhibitions held in the premises of the National Museum of Colombia, from discussions about multiculturalism, patrimonial appropriation processes, the new museology and politics of representation. First, we will consider the case of Velorios y santos vivos. Comunidades negras, afrocolombianas, raizales y palenqueras and, on the other hand, Del monumento al pensamiento. Patrimonio de Colombia para la…
Museos, etnografía contemporánea y representación de los afrodescendientes
Based on Gregory Bateson ́s famous metalogue format, this article is a conversation on how contemporary cultural creators question ethnographic authority from within their work of creating archives that contain the best of their peoples ́ traditions, within an atmosphere saturated by television signals and digital messages, such as that which surrounded the temporary exhibition called Wakes and Living Saints among Black, Afro-Colombian, Maroon an…
No prominent works on this page.
Museos, etnografía contemporánea y representación de los afrodescendientes
Based on Gregory Bateson ́s famous metalogue format, this article is a conversation on how contemporary cultural creators question ethnographic authority from within their work of creating archives that contain the best of their peoples ́ traditions, within an atmosphere saturated by television signals and digital messages, such as that which surrounded the temporary exhibition called Wakes and Living Saints among Black, Afro-Colombian, Maroon an…
Velorios, santos y marimbas en el Museo Nacional de Colombia: De quién es el patrimonio de la Nación
In this article we will reflect on two temporal exhibitions held in the premises of the National Museum of Colombia, from discussions about multiculturalism, patrimonial appropriation processes, the new museology and politics of representation. First, we will consider the case of Velorios y santos vivos. Comunidades negras, afrocolombianas, raizales y palenqueras and, on the other hand, Del monumento al pensamiento. Patrimonio de Colombia para la…
Art (2 works) · Art history (2 works) · Exhibition (2 works) · Humanities (2 works) · Philosophy (2 works) · Sociology (2 works) · Afro-Latin American Studies (1 works) · Anthropology (1 works) · Appropriation (1 works) · Archaeology and Cultural Heritage (1 works)