Daniela Treveri Gennari
Biographic Data
| ID | 325244 |
|---|---|
| NAME | Daniela Treveri Gennari |
| GIVEN NAMES | Daniela Treveri |
| FAMILY NAME | Gennari |
| SIGNATURE | GENNARI D T |
| AFFILIATIONS | Oxford Brookes University |
| ORCID | 0000-0001-7410-6594 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Engaging older people through visual participatory research: Insights and reflections
Although there is an ageing population in Europe which acts as an increasingly influential social and economic force, there remains limited scholarship concerning the involvement of older people in research. This paper responds to the question of how visual participatory research engages older people through three illustrative case studies, set in England and Italy, all of which incorporated different visual elements within their participatory de…
Numbers Matter: A Conversation on Oral History, Statistical Analysis, Film Popularity, and Collaborations
KEYWORDS: oral historystatistical analysisexhibition dataItalian cinema audiencesEuropean cinema audiences
Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-War Italy
In 1988 Giuseppe Tornatore’s film Nuovo Cinema Paradiso (Cinema Paradiso, Italy) achieved global success with a story that placed Italian cinema audiences at the centre of its narrative. In it, spectators are portrayed attending cinemas, bonding with the stories they saw on the screen and interacting loudly with films such as Visconti’s neorealist classic La terra trema (The Earth Trembles, Italy, 1948), Raffaello Matarazzo’s enormously popular m…
Challenges to Comparative Oral Histories of Cinema Audiences
This article reflects on the challenges of comparative oral history analysis by taking the BA/Leverhulme-funded project Mapping European Cinema: a comparative project on cinema-going experiences in the 1950s (2016-2017) as a case study. The aim of MEC was to test new methodologies in order to explore and compare programming patterns and cinema-going experiences in European cities that were similar in terms of population and film exhibition struct…
Italian Studies beyond the Academy
Over the course of the last decade, considerable emphasis has been placed by public funding bodies on the need to demonstrate the impact of academic research across all subject areas. The article explores the significance of the impact agenda in Italian Studies, primarily in the UK (with reference to the census of impact case studies included in REF2014) but also in Italy and the USA. The article draws some conclusions on best practice, points to…
Rural Cinema Exhibition and Audiences in a Global Context
Mapping cinema memories: Emotional geographies of cinemagoing in Rome in the 1950s
This article, based on the UK Arts and Humanities Research Council–funded project ‘In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, Genre and National Identity’, explores the power of geovisualization for capturing the affective geographies of cinema audiences. This mapping technique, used in our project to interrogate the Italian exhibition sector as well as to map film distribution, is used to illustrate the affective and e…
If You Have Seen it, You Cannot Forget!’: Film Consumption and Memories of Cinema-Going in 1950s Rome
Cinema was the most popular form of entertainment in Italy in the 1950s. In particular, Rome not only boasted the highest number of movie theatres in the country, but was also the home of cinema studios, production and distribution companies as well as film industry offices. Building upon a survey of film-goers who lived in Rome between the years 1945 and 1960, this article analyses the experience of film consumption, choice and movie taste in th…
Moralizing Cinema: Film, Catholicism and power
Catholics, cinema and power: an introduction -- Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents -- The Roman Catholic Church, cinema and the culture of dialogue: Italian Catholics and the movies after the Second World War / Dario Edoardo Vigan -- The rise and fall of Catholic Hollywood, or from the production code to t…
Post-War Italian Cinema: American Intervention, Vatican Interests
Chapter 1: You Can Be Like Us: American Intervention in Italian Reconstruction Chapter 2: Roman Catholicism, Americanism and Americanisation: Ideology, Politics and Cultural Propaganda Chapter 3: The State, Cinema Legislation and American Interests Chapter 4: Endemic Propaganda: Catholic Production, Exhibition and Criticism Chapter 5: Dispelling the Myth: The Popularity of American and Italian Cinema in Post-War Italy and the Response of the Cath…
A Regional Charm: Italian Comedy versus Hollywood
May 01 2009 A Regional Charm: Italian Comedy versus Hollywood Daniela Treveri Gennari Daniela Treveri Gennari Senior Lecturer and Field Chair in Film Studies at Oxford Brookes University. Her monograph Post-war Italian Cinema: American Intervention, Vatican Interests was published by Routledge in 2008. Search for other works by this author on: This Site Google Scholar Author and Article Information Daniela Treveri Gennari Senior Lecturer and Fiel…
Engaging older people through visual participatory research: Insights and reflections
Although there is an ageing population in Europe which acts as an increasingly influential social and economic force, there remains limited scholarship concerning the involvement of older people in research. This paper responds to the question of how visual participatory research engages older people through three illustrative case studies, set in England and Italy, all of which incorporated different visual elements within their participatory de…
Mapping cinema memories: Emotional geographies of cinemagoing in Rome in the 1950s
This article, based on the UK Arts and Humanities Research Council–funded project ‘In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, Genre and National Identity’, explores the power of geovisualization for capturing the affective geographies of cinema audiences. This mapping technique, used in our project to interrogate the Italian exhibition sector as well as to map film distribution, is used to illustrate the affective and e…
A Regional Charm: Italian Comedy versus Hollywood
May 01 2009 A Regional Charm: Italian Comedy versus Hollywood Daniela Treveri Gennari Daniela Treveri Gennari Senior Lecturer and Field Chair in Film Studies at Oxford Brookes University. Her monograph Post-war Italian Cinema: American Intervention, Vatican Interests was published by Routledge in 2008. Search for other works by this author on: This Site Google Scholar Author and Article Information Daniela Treveri Gennari Senior Lecturer and Fiel…
Post-War Italian Cinema: American Intervention, Vatican Interests
Chapter 1: You Can Be Like Us: American Intervention in Italian Reconstruction Chapter 2: Roman Catholicism, Americanism and Americanisation: Ideology, Politics and Cultural Propaganda Chapter 3: The State, Cinema Legislation and American Interests Chapter 4: Endemic Propaganda: Catholic Production, Exhibition and Criticism Chapter 5: Dispelling the Myth: The Popularity of American and Italian Cinema in Post-War Italy and the Response of the Cath…
Moralizing Cinema: Film, Catholicism and power
Catholics, cinema and power: an introduction -- Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents -- The Roman Catholic Church, cinema and the culture of dialogue: Italian Catholics and the movies after the Second World War / Dario Edoardo Vigan -- The rise and fall of Catholic Hollywood, or from the production code to t…
If You Have Seen it, You Cannot Forget!’: Film Consumption and Memories of Cinema-Going in 1950s Rome
Cinema was the most popular form of entertainment in Italy in the 1950s. In particular, Rome not only boasted the highest number of movie theatres in the country, but was also the home of cinema studios, production and distribution companies as well as film industry offices. Building upon a survey of film-goers who lived in Rome between the years 1945 and 1960, this article analyses the experience of film consumption, choice and movie taste in th…
Mapping cinema memories: Emotional geographies of cinemagoing in Rome in the 1950s
This article, based on the UK Arts and Humanities Research Council–funded project ‘In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, Genre and National Identity’, explores the power of geovisualization for capturing the affective geographies of cinema audiences. This mapping technique, used in our project to interrogate the Italian exhibition sector as well as to map film distribution, is used to illustrate the affective and e…
Rural Cinema Exhibition and Audiences in a Global Context
Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-War Italy
In 1988 Giuseppe Tornatore’s film Nuovo Cinema Paradiso (Cinema Paradiso, Italy) achieved global success with a story that placed Italian cinema audiences at the centre of its narrative. In it, spectators are portrayed attending cinemas, bonding with the stories they saw on the screen and interacting loudly with films such as Visconti’s neorealist classic La terra trema (The Earth Trembles, Italy, 1948), Raffaello Matarazzo’s enormously popular m…
Challenges to Comparative Oral Histories of Cinema Audiences
This article reflects on the challenges of comparative oral history analysis by taking the BA/Leverhulme-funded project Mapping European Cinema: a comparative project on cinema-going experiences in the 1950s (2016-2017) as a case study. The aim of MEC was to test new methodologies in order to explore and compare programming patterns and cinema-going experiences in European cities that were similar in terms of population and film exhibition struct…
Italian Studies beyond the Academy
Over the course of the last decade, considerable emphasis has been placed by public funding bodies on the need to demonstrate the impact of academic research across all subject areas. The article explores the significance of the impact agenda in Italian Studies, primarily in the UK (with reference to the census of impact case studies included in REF2014) but also in Italy and the USA. The article draws some conclusions on best practice, points to…
Numbers Matter: A Conversation on Oral History, Statistical Analysis, Film Popularity, and Collaborations
KEYWORDS: oral historystatistical analysisexhibition dataItalian cinema audiencesEuropean cinema audiences
Engaging older people through visual participatory research: Insights and reflections
Although there is an ageing population in Europe which acts as an increasingly influential social and economic force, there remains limited scholarship concerning the involvement of older people in research. This paper responds to the question of how visual participatory research engages older people through three illustrative case studies, set in England and Italy, all of which incorporated different visual elements within their participatory de…
Art (8 works) · Movie theater (7 works) · Political science (7 works) · Sociology (7 works) · Italian Fascism and Post-war Society (6 works) · Media studies (5 works) · Visual arts (5 works) · Art history (4 works) · Exhibition (4 works) · History (4 works)