Kim Barbour
Biographic Data
| ID | 325684 |
|---|---|
| NAME | Kim Barbour |
| GIVEN NAMES | Kim |
| FAMILY NAME | Barbour |
| SIGNATURE | BARBOUR K |
| AFFILIATIONS | The University of Adelaide |
| ORCID | 0000-0002-1072-0672 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 40 |
| WORKS AS AUTHOR | 13 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Conceptualising Fan Persona
The entanglement of identity and performance within fandoms have been central components of fan studies, whether these fans are focused on sports, music, film, television, literature, celebrity, or something else. Their shared interest and investment in the fan object provide fans with common ground on which to build a collective identity, while the fan object can be a rich source of identity markers, from logos and colour schemes to moral values…
Domesticity and Persona
Because personas are performances of identity, strategically enacted for an immediate or imagined audience, the study of personas to date has concentrated on the public realm of life. Professional personas enacted in workplaces have taken up much attention, whether for artists, comedians, scientists, actors, musicians, or politicians. Similarly (and often overlapping the professional persona), the performance of self online that is constituted in…
A sense of home
This article interrogates how the 2020 COVID-19 pandemic influenced the way that we produce online personas as migrants to Australia. By conducting comparative autoethnographic analysis of our online personas built on the social media sites Facebook, Instagram, and Twitter, we unpack the role of mediated persona performance in connecting to our adopted homes as well as our connection to, and forced separation from, our countries of origin. There …
Preface to Issue 3
In 2022, Persona Studies has shifted our publication strategy to allow for three issues per year, in consultation with our International Advisory Board and Editorial Board. Issues 1 and 2 remain as they currently stand: themed issues published in the second and fourth quarters of each calendar year. In addition to these, and replacing the Open Submission section of the themed issue, we are adding issue 3. This issue will see articles and creative…
Transmedia storytelling, diegetic paratexts, and the limits of real time
The category of ‘transmedia story’ is generally assumed to be static. That is, once a multi-platform story world has been classified as transmedia, it is assumed that this classification applies on an ongoing basis. However, these classifications may in fact need to be revisited, particularly when a story is told in ‘real time’ across social platforms that privilege immediacy. In this paper, we examine the relationship between diegetic social med…
Online Conference
The online conference does not and cannot replicate the flow and feel of a face-to-face experience; instead, it offers something new.We saw the timing and the mode of the conference as a chance to ask hard questions about the ground that persona studies has carved as an emerging field of study. We wanted to ensure that persona studies is a space for new voices and new directions of inquiry, and to provide a conference space that is entirely built…
Introduction
Scholarship and academic enquiry are complex entities. Individuals sequester themselves to complete their projects, publications, and manuscripts, and this solo activity can make us collectively think that the ivory tower of academic life is real. But the real hub of research, and its genuine success, is built from the process of exchange: conversations, discussions, engagements, re-readings and – building from this activity – amendments and inte…
Intersections between Corporeal Performance and Distributed Digital Audiences
Juxtaposed against the negative dialectics of digital culture and social media, Casey Jenkins’s performance practice demonstrates the artist’s agency to transmute the destructive potential of digital remediation and social media commentary into a productive and constructive internal and external artistic dialogue, moving beyond the traditional art historical discourse toward a creative practice that embraces the unwieldy culture of the internet
Sharing #home on Instagram
The term 'home' can mean many things. Indeed, the contested nature of the term has caused some scholars simply to dismiss it as useless. However, homes have an undeniable importance to our sense of self. They link us to current or past geographic locations that indicate national or cultural identities, allow us to display our taste and interests through consumer activity, and are places where we engage in leisure activities. Increasingly, we shar…
Selfies as expressively authentic identity performance
This paper explores whether or not our online social media persona is viewed as authentic. The selfie is a fundamental part of the structure of the online identity for young people in today’s digital world. The relationship between an individual’s self-identity in the physical face-to-face environment was analysed and compared to a carefully constructed, modified virtual representation in a selfie posted on social media platforms. Data was obtain…
Five Dimensions of Online Persona
Before Facebook, Twitter, and most of the digital media platforms that now form routine parts of our online lives, Jay Bolter (2000) anticipated that online activities would reshape how we understand and produce identity: a 'networked self', he noted, 'is displacing Cartesian printed self as a cultural paradigm' (2000, p. 26). The twenty-first century has not only produced a proliferation and mass popularisation of platforms for the production of…
Persona as method
Researching persona is a study in the production, dissemination and exchange of public identity. One starting point in the process is to look at the production of the presentation of the self online, which allows for a particularly valuable way of exploring celebrity and public personalities. In order to advance on this point, this article examines three emerging and complementary methods of persona studies that work to capture different elements…
The academic online
This paper explores the way individuals are part of the prestige economy generated by universities as institutions. It explores how the construction of online identities or persona is now an essential activity for the academic both from the perspective of university value and individual/career value. Five distinct types of academic persona are explored primarily through academics working in digital communication areas; through these cases and exa…
Persona as method
Researching persona is a study in the production, dissemination and exchange of public identity. One starting point in the process is to look at the production of the presentation of the self online, which allows for a particularly valuable way of exploring celebrity and public personalities. In order to advance on this point, this article examines three emerging and complementary methods of persona studies that work to capture different elements…
Five Dimensions of Online Persona
Before Facebook, Twitter, and most of the digital media platforms that now form routine parts of our online lives, Jay Bolter (2000) anticipated that online activities would reshape how we understand and produce identity: a 'networked self', he noted, 'is displacing Cartesian printed self as a cultural paradigm' (2000, p. 26). The twenty-first century has not only produced a proliferation and mass popularisation of platforms for the production of…
Sharing #home on Instagram
The term 'home' can mean many things. Indeed, the contested nature of the term has caused some scholars simply to dismiss it as useless. However, homes have an undeniable importance to our sense of self. They link us to current or past geographic locations that indicate national or cultural identities, allow us to display our taste and interests through consumer activity, and are places where we engage in leisure activities. Increasingly, we shar…
The academic online
This paper explores the way individuals are part of the prestige economy generated by universities as institutions. It explores how the construction of online identities or persona is now an essential activity for the academic both from the perspective of university value and individual/career value. Five distinct types of academic persona are explored primarily through academics working in digital communication areas; through these cases and exa…
Persona as method
Researching persona is a study in the production, dissemination and exchange of public identity. One starting point in the process is to look at the production of the presentation of the self online, which allows for a particularly valuable way of exploring celebrity and public personalities. In order to advance on this point, this article examines three emerging and complementary methods of persona studies that work to capture different elements…
Selfies as expressively authentic identity performance
This paper explores whether or not our online social media persona is viewed as authentic. The selfie is a fundamental part of the structure of the online identity for young people in today’s digital world. The relationship between an individual’s self-identity in the physical face-to-face environment was analysed and compared to a carefully constructed, modified virtual representation in a selfie posted on social media platforms. Data was obtain…
Five Dimensions of Online Persona
Before Facebook, Twitter, and most of the digital media platforms that now form routine parts of our online lives, Jay Bolter (2000) anticipated that online activities would reshape how we understand and produce identity: a 'networked self', he noted, 'is displacing Cartesian printed self as a cultural paradigm' (2000, p. 26). The twenty-first century has not only produced a proliferation and mass popularisation of platforms for the production of…
Intersections between Corporeal Performance and Distributed Digital Audiences
Juxtaposed against the negative dialectics of digital culture and social media, Casey Jenkins’s performance practice demonstrates the artist’s agency to transmute the destructive potential of digital remediation and social media commentary into a productive and constructive internal and external artistic dialogue, moving beyond the traditional art historical discourse toward a creative practice that embraces the unwieldy culture of the internet
Sharing #home on Instagram
The term 'home' can mean many things. Indeed, the contested nature of the term has caused some scholars simply to dismiss it as useless. However, homes have an undeniable importance to our sense of self. They link us to current or past geographic locations that indicate national or cultural identities, allow us to display our taste and interests through consumer activity, and are places where we engage in leisure activities. Increasingly, we shar…
Introduction
Scholarship and academic enquiry are complex entities. Individuals sequester themselves to complete their projects, publications, and manuscripts, and this solo activity can make us collectively think that the ivory tower of academic life is real. But the real hub of research, and its genuine success, is built from the process of exchange: conversations, discussions, engagements, re-readings and – building from this activity – amendments and inte…
Online Conference
The online conference does not and cannot replicate the flow and feel of a face-to-face experience; instead, it offers something new.We saw the timing and the mode of the conference as a chance to ask hard questions about the ground that persona studies has carved as an emerging field of study. We wanted to ensure that persona studies is a space for new voices and new directions of inquiry, and to provide a conference space that is entirely built…
Preface to Issue 3
In 2022, Persona Studies has shifted our publication strategy to allow for three issues per year, in consultation with our International Advisory Board and Editorial Board. Issues 1 and 2 remain as they currently stand: themed issues published in the second and fourth quarters of each calendar year. In addition to these, and replacing the Open Submission section of the themed issue, we are adding issue 3. This issue will see articles and creative…
Transmedia storytelling, diegetic paratexts, and the limits of real time
The category of ‘transmedia story’ is generally assumed to be static. That is, once a multi-platform story world has been classified as transmedia, it is assumed that this classification applies on an ongoing basis. However, these classifications may in fact need to be revisited, particularly when a story is told in ‘real time’ across social platforms that privilege immediacy. In this paper, we examine the relationship between diegetic social med…
Domesticity and Persona
Because personas are performances of identity, strategically enacted for an immediate or imagined audience, the study of personas to date has concentrated on the public realm of life. Professional personas enacted in workplaces have taken up much attention, whether for artists, comedians, scientists, actors, musicians, or politicians. Similarly (and often overlapping the professional persona), the performance of self online that is constituted in…
A sense of home
This article interrogates how the 2020 COVID-19 pandemic influenced the way that we produce online personas as migrants to Australia. By conducting comparative autoethnographic analysis of our online personas built on the social media sites Facebook, Instagram, and Twitter, we unpack the role of mediated persona performance in connecting to our adopted homes as well as our connection to, and forced separation from, our countries of origin. There …
Conceptualising Fan Persona
The entanglement of identity and performance within fandoms have been central components of fan studies, whether these fans are focused on sports, music, film, television, literature, celebrity, or something else. Their shared interest and investment in the fan object provide fans with common ground on which to build a collective identity, while the fan object can be a rich source of identity markers, from logos and colour schemes to moral values…
Sociology (10 works) · Art (9 works) · Computer Science (9 works) · Political science (9 works) · Persona (8 works) · Media studies (7 works) · Aesthetics (6 works) · Digital Games and Media (5 works) · Gender, Feminism, and Media (5 works) · World Wide Web (5 works)