Costas Constandinides
Biographic Data
| ID | 326362 |
|---|---|
| NAME | Costas Constandinides |
| GIVEN NAMES | Costas |
| FAMILY NAME | Constandinides |
| SIGNATURE | CONSTANDINIDES C |
| AFFILIATIONS | University of Cyprus |
| ORCID | 0000-0002-9863-2166 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Online fears in cinema mode: Desktop horror as adaptation
Existing scholarly work on desktop horror predominantly looks at key examples of such films as updates of the found footage horror subgenre; thus, it highlights the similarities and/or differences between the two generic modes. Even though, this work employs a comparative analysis and offers illuminating interpretations about how the films metaphorically address their context, desktop horror has not been examined from the perspective of adaptatio…
Videography as performance’ in the service of social movement visibility and interaction amidst the pandemic: The case of the support art workers initiative in Greece
This study aims to contribute to scholarship on online video activism by looking at mobilization videos created by the Support Art Workers (SAW) movement which emerged during the COVID-19 crisis in Greece. Our main observation is that several SAW videos consist of an assemblage of performance art elements and protest visuals which together with expressive uses of video production exemplify a “videography as performance” approach. We examine three…
Alternative Imaginaries of Cyprus: Space and Narrative Re/construction in Local Music Video Production
The article offers a close reading of music videos created in the Republic of Cyprus during the past two decades, focusing specifically on the ways the audiovisual texts represent space and (re)construct narratives in/of the Greek Cypriot context. Building on existing work in the area of lens-based media studies, namely cinema and photography, the article firstly examines how music videos co-exist and converse with other types of audiovisual repr…
Greek Film Noir
Investigates how film noir has been received, adapted and developed in Greece, from the 1940s to the present Traces the evolution of a scholarly neglected – in the Greek context – film genre; it introduces an original corpus of texts extending from the 1940s to the present Offers a panoramic overview of leading Greek auteur figures, from Nikos Koundouros and Tonia Marketaki to Theo Angelopoulos and Nikos Nikolaidis, viewing their work, for the fi…
Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe
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Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe
Greek Film Noir
Investigates how film noir has been received, adapted and developed in Greece, from the 1940s to the present Traces the evolution of a scholarly neglected – in the Greek context – film genre; it introduces an original corpus of texts extending from the 1940s to the present Offers a panoramic overview of leading Greek auteur figures, from Nikos Koundouros and Tonia Marketaki to Theo Angelopoulos and Nikos Nikolaidis, viewing their work, for the fi…
Videography as performance’ in the service of social movement visibility and interaction amidst the pandemic: The case of the support art workers initiative in Greece
This study aims to contribute to scholarship on online video activism by looking at mobilization videos created by the Support Art Workers (SAW) movement which emerged during the COVID-19 crisis in Greece. Our main observation is that several SAW videos consist of an assemblage of performance art elements and protest visuals which together with expressive uses of video production exemplify a “videography as performance” approach. We examine three…
Alternative Imaginaries of Cyprus: Space and Narrative Re/construction in Local Music Video Production
The article offers a close reading of music videos created in the Republic of Cyprus during the past two decades, focusing specifically on the ways the audiovisual texts represent space and (re)construct narratives in/of the Greek Cypriot context. Building on existing work in the area of lens-based media studies, namely cinema and photography, the article firstly examines how music videos co-exist and converse with other types of audiovisual repr…
Online fears in cinema mode: Desktop horror as adaptation
Existing scholarly work on desktop horror predominantly looks at key examples of such films as updates of the found footage horror subgenre; thus, it highlights the similarities and/or differences between the two generic modes. Even though, this work employs a comparative analysis and offers illuminating interpretations about how the films metaphorically address their context, desktop horror has not been examined from the perspective of adaptatio…
Art (5 works) · Aesthetics (3 works) · Movie theater (3 works) · Visual arts (3 works) · Art history (2 works) · Computer Science (2 works) · Contemporary and Historical Greek Studies (2 works) · Cyprus History, Politics, Society (2 works) · Island Studies and Pacific Affairs (2 works) · Law (2 works)