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José Juan Olvera

Biographic Data

ID327381
NAMEJosé Juan Olvera
GIVEN NAMESJosé Juan
FAMILY NAMEOlvera
SIGNATUREOLVERA J J
AFFILIATIONSCentro de Investigación y Estudios Superiores en Antropología Social
ORCID0000-0002-3301-8245
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS9
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2024
H-INDEX1
  • La divulgación científica como ciencia, técnica y arte.El caso de “musicaenelnoreste.mx”

    Open Access•José Juan Olvera•ARTICLE•Encartes•2024

    This article explores the challenges of developing a website for outreachin the social sciences, specifically one specializing in popular music studiesin Northeast Mexico and South Texas. It touches on the communication models of the social sciences, including the communications and negotiations with those who developed the scientific knowledge and are now involved in the stage of outreach as well as publicists or social communication experts. Th…

  • Música popular, globalización y economía

    Open Access•José Juan Olvera, Shinji Hirai•ARTICLE•Encartes•2021•References: 4

    Introduction to the dossier: 'Popular music, globalization and economy'. The set of works that make up this dossier addresses issues related to the thematic convergence between globalization, popular music and economy, whose diverse and unequal universes require the help of different disciplines, such as ethnomusicology, sociology, social psychology and, importantly, social anthropology and its ethnographic method

  • Las vidas del acordeón. Reparadores y vida social de un instrumento musical en Monterrey

    Open Access•José Juan Olvera, Jacqueline Peña Benítez•ARTICLE•Encartes•2021•References: 9

    This article explores the practices and meanings surrounding the trade of an accordion repairer in the metropolitan area of Monterrey, Mexico, using the cultural studies of the musical instrument and the anthropology and sociology of the craft. It describes the diversity and diversity of services offered under the term 'repair' and highlights the amount and variety of knowledge needed to maintain or embellish this 'sound machine'. Likewise, it de…

  • Sin familia en México

    José Juan Olvera, C Ortega Muela et al.•ARTICLE•Mexican Studies/Estudios Mexicanos•2016•Cited by: 8

    Este trabajo describe las estéticas de jóvenes deportados que tuvieron experiencia carcelaria en prisiones del estado de Texas y que conviven, desde su regreso a México, en un mercado popular de Monterrey. Música, peluquería y tatuaje son revisados desde tres perspectivas: como estilos de vida constructores de subjetividad; como economías de resistencia; y como articuladores de comunidad que facilitan comunicación y acción alrededor de grupos inf…

  • Música, migración y redes sociales digitales en tres comunidades mexicanas

    Open Access•José Juan Olvera, José Carlos Zarazúa et al.•ARTICLE•Revista Trace•2016•Cited by: 1

    This article describes musical cultures linked to 572 videos uploaded to YouTube by residents of three small Mexican communities with international migration in the states of Sinaloa, Querétaro and Zacatecas. The approach to musical cultures is carried out by means of content analysis and a classification system built through "musical cultural matrices" proposed here. Thanks to both instruments we can answer questions concerning the main types of…

  • Sin familia en México

    José Juan Olvera, C Ortega Muela et al.•ARTICLE•Mexican Studies/Estudios Mexicanos•2016•Cited by: 8

    Este trabajo describe las estéticas de jóvenes deportados que tuvieron experiencia carcelaria en prisiones del estado de Texas y que conviven, desde su regreso a México, en un mercado popular de Monterrey. Música, peluquería y tatuaje son revisados desde tres perspectivas: como estilos de vida constructores de subjetividad; como economías de resistencia; y como articuladores de comunidad que facilitan comunicación y acción alrededor de grupos inf…

  • Música, migración y redes sociales digitales en tres comunidades mexicanas

    Open Access•José Juan Olvera, José Carlos Zarazúa et al.•ARTICLE•Revista Trace•2016•Cited by: 1

    This article describes musical cultures linked to 572 videos uploaded to YouTube by residents of three small Mexican communities with international migration in the states of Sinaloa, Querétaro and Zacatecas. The approach to musical cultures is carried out by means of content analysis and a classification system built through "musical cultural matrices" proposed here. Thanks to both instruments we can answer questions concerning the main types of…

  • Sin familia en México

    José Juan Olvera, C Ortega Muela et al.•ARTICLE•Mexican Studies/Estudios Mexicanos•2016•Cited by: 8

    Este trabajo describe las estéticas de jóvenes deportados que tuvieron experiencia carcelaria en prisiones del estado de Texas y que conviven, desde su regreso a México, en un mercado popular de Monterrey. Música, peluquería y tatuaje son revisados desde tres perspectivas: como estilos de vida constructores de subjetividad; como economías de resistencia; y como articuladores de comunidad que facilitan comunicación y acción alrededor de grupos inf…

  • Música, migración y redes sociales digitales en tres comunidades mexicanas

    Open Access•José Juan Olvera, José Carlos Zarazúa et al.•ARTICLE•Revista Trace•2016•Cited by: 1

    This article describes musical cultures linked to 572 videos uploaded to YouTube by residents of three small Mexican communities with international migration in the states of Sinaloa, Querétaro and Zacatecas. The approach to musical cultures is carried out by means of content analysis and a classification system built through "musical cultural matrices" proposed here. Thanks to both instruments we can answer questions concerning the main types of…

  • Música popular, globalización y economía

    Open Access•José Juan Olvera, Shinji Hirai•ARTICLE•Encartes•2021•References: 4

    Introduction to the dossier: 'Popular music, globalization and economy'. The set of works that make up this dossier addresses issues related to the thematic convergence between globalization, popular music and economy, whose diverse and unequal universes require the help of different disciplines, such as ethnomusicology, sociology, social psychology and, importantly, social anthropology and its ethnographic method

  • Las vidas del acordeón. Reparadores y vida social de un instrumento musical en Monterrey

    Open Access•José Juan Olvera, Jacqueline Peña Benítez•ARTICLE•Encartes•2021•References: 9

    This article explores the practices and meanings surrounding the trade of an accordion repairer in the metropolitan area of Monterrey, Mexico, using the cultural studies of the musical instrument and the anthropology and sociology of the craft. It describes the diversity and diversity of services offered under the term 'repair' and highlights the amount and variety of knowledge needed to maintain or embellish this 'sound machine'. Likewise, it de…

  • La divulgación científica como ciencia, técnica y arte.El caso de “musicaenelnoreste.mx”

    Open Access•José Juan Olvera•ARTICLE•Encartes•2024

    This article explores the challenges of developing a website for outreachin the social sciences, specifically one specializing in popular music studiesin Northeast Mexico and South Texas. It touches on the communication models of the social sciences, including the communications and negotiations with those who developed the scientific knowledge and are now involved in the stage of outreach as well as publicists or social communication experts. Th…

Art (5 works) · Political science (4 works) · Computer Science (3 works) · Sociology (3 works) · Anthropology (2 works) · Cultural Industries and Urban Development (2 works) · Humanities (2 works) · Musical (2 works) · Visual arts (2 works) · Youth Culture and Social Dynamics (2 works)

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