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M Keisalo

Biographic Data

ID32878
NAMEM Keisalo
GIVEN NAMESM
FAMILY NAMEKeisalo
SIGNATUREKEISALO M
AFFILIATIONSAarhus University
ORCID0000-0001-8116-8339
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS5
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Stand-up comedy in Finland

    Open Access•M Keisalo•ARTICLE•Comedy Studies•2025•Cited by: 1•References: 6

  • Roy Wagner

    Open Access•M Keisalo•ARTICLE•Suomen Antropologi Journal of the…•2021

    Wagner, Roy 2019. The Logic of Invention. Chicago: HAU Books. 135 pp. ISBN: 9780999157053 (paperback); ISBN: 9781912808526 (E-book

  • Sublime and grotesque

    Susanne C Ylönen, M Keisalo•ARTICLE•Comedy Studies•2019•References: 9

    The horror clown is a potential rooted in the liminalities that are an integral part of the clown figure per se. Drawing on anthropological work and the study of popular culture, this paper argues that clowns can be placed between different dualistic frames such as the sacred and the profane, the sublime and the grotesque, and fear and disgust. This positioning and the ways in which clowns operate between these categories are transmitted aestheti…

  • A celebration of Roy Wagner and ‘The reciprocity of perspectives’

    Open Access•Sarah Green, M Strathern et al.•ARTICLE•Social Anthropology•2018

    TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields

  • Perspectives of (and on) a Comedic Self

    Open Access•M Keisalo•ARTICLE•Social Analysis•2018

    Current stand-up comedy relies on original expression, requiring the performer to develop a unique and engaging comedic viewpoint. This calls for the comedian to be able to shift between different, often contradictory, perspectives on the world and on him/herself and transmit them to audiences. Based on ethnographic research in Finland, I show how the stand-up comedian performs as both sign and sign-maker. As a sign-maker, the comedian is the con…

  • The invention of gender in stand‐up comedy

    Open Access•M Keisalo•ARTICLE•Social Anthropology•2018

    This paper explores gender in stand‐up comedy based on 20 months of ethnographic research in Finland and recent media discussion involving the booking of performers for a national comedy tour. As the vast majority of stand‐up comedians are men, discussions of gender tend to focus on the anomalousness of female comedians. These debates often rely on essentialist views of women and stand‐up comedy, presenting female comedians as transgressive due t…

  • A semiotics of comedy

    Open Access•M Keisalo•ARTICLE•Hau Journal of Ethnographic Theory•2016•Cited by: 4•References: 27

    This article develops an analytic approach to comedic performance by examining the performance of the Chapayeka ritual clowns as a series of semiotic shifts and reversals: the Chapayekas play with images and contexts, introducing unpredictable figures to effectively shift the grounding conditions of their own performance. The Chapayeka performance combines both conventional and set forms as well as improvised and newly invented ones. As they shif…

  • Clowns in Anthropology

    Open Access•M Keisalo•ARTICLE•Suomen Antropologi Journal of the…•2008

    Clowns are exhilarating and disturbing, funny and frightening. They are ambiguous and confusing, yet capable of skilled disarranging and rearranging of our meaningful contexts. They can be found in rituals and courts as well as theaters and the circus. The clown is related to the trickster, who exists in stories and myths. The two figures share a contradictory, paradoxical nature and an affinity with play and humor. However, of the two the clown …

  • A semiotics of comedy

    Open Access•M Keisalo•ARTICLE•Hau Journal of Ethnographic Theory•2016•Cited by: 4•References: 27

    This article develops an analytic approach to comedic performance by examining the performance of the Chapayeka ritual clowns as a series of semiotic shifts and reversals: the Chapayekas play with images and contexts, introducing unpredictable figures to effectively shift the grounding conditions of their own performance. The Chapayeka performance combines both conventional and set forms as well as improvised and newly invented ones. As they shif…

  • Stand-up comedy in Finland

    Open Access•M Keisalo•ARTICLE•Comedy Studies•2025•Cited by: 1•References: 6

  • Clowns in Anthropology

    Open Access•M Keisalo•ARTICLE•Suomen Antropologi Journal of the…•2008

    Clowns are exhilarating and disturbing, funny and frightening. They are ambiguous and confusing, yet capable of skilled disarranging and rearranging of our meaningful contexts. They can be found in rituals and courts as well as theaters and the circus. The clown is related to the trickster, who exists in stories and myths. The two figures share a contradictory, paradoxical nature and an affinity with play and humor. However, of the two the clown …

  • A semiotics of comedy

    Open Access•M Keisalo•ARTICLE•Hau Journal of Ethnographic Theory•2016•Cited by: 4•References: 27

    This article develops an analytic approach to comedic performance by examining the performance of the Chapayeka ritual clowns as a series of semiotic shifts and reversals: the Chapayekas play with images and contexts, introducing unpredictable figures to effectively shift the grounding conditions of their own performance. The Chapayeka performance combines both conventional and set forms as well as improvised and newly invented ones. As they shif…

  • A celebration of Roy Wagner and ‘The reciprocity of perspectives’

    Open Access•Sarah Green, M Strathern et al.•ARTICLE•Social Anthropology•2018

    TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields

  • Perspectives of (and on) a Comedic Self

    Open Access•M Keisalo•ARTICLE•Social Analysis•2018

    Current stand-up comedy relies on original expression, requiring the performer to develop a unique and engaging comedic viewpoint. This calls for the comedian to be able to shift between different, often contradictory, perspectives on the world and on him/herself and transmit them to audiences. Based on ethnographic research in Finland, I show how the stand-up comedian performs as both sign and sign-maker. As a sign-maker, the comedian is the con…

  • The invention of gender in stand‐up comedy

    Open Access•M Keisalo•ARTICLE•Social Anthropology•2018

    This paper explores gender in stand‐up comedy based on 20 months of ethnographic research in Finland and recent media discussion involving the booking of performers for a national comedy tour. As the vast majority of stand‐up comedians are men, discussions of gender tend to focus on the anomalousness of female comedians. These debates often rely on essentialist views of women and stand‐up comedy, presenting female comedians as transgressive due t…

  • Sublime and grotesque

    Susanne C Ylönen, M Keisalo•ARTICLE•Comedy Studies•2019•References: 9

    The horror clown is a potential rooted in the liminalities that are an integral part of the clown figure per se. Drawing on anthropological work and the study of popular culture, this paper argues that clowns can be placed between different dualistic frames such as the sacred and the profane, the sublime and the grotesque, and fear and disgust. This positioning and the ways in which clowns operate between these categories are transmitted aestheti…

  • Roy Wagner

    Open Access•M Keisalo•ARTICLE•Suomen Antropologi Journal of the…•2021

    Wagner, Roy 2019. The Logic of Invention. Chicago: HAU Books. 135 pp. ISBN: 9780999157053 (paperback); ISBN: 9781912808526 (E-book

  • Stand-up comedy in Finland

    Open Access•M Keisalo•ARTICLE•Comedy Studies•2025•Cited by: 1•References: 6

Art (5 works) · Aesthetics (4 works) · Comedy (4 works) · Literature (4 works) · Sociology (4 works) · Epistemology (3 works) · Humor Studies and Applications (3 works) · Media, Gender, and Advertising (3 works) · Philosophy (3 works) · Psychology (3 works)

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