Maureen Daly Goggin
Biographic Data
| ID | 328839 |
|---|---|
| NAME | Maureen Daly Goggin |
| GIVEN NAMES | Maureen Daly |
| FAMILY NAME | Goggin |
| SIGNATURE | GOGGIN M D |
| AFFILIATIONS | Arizona State University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Pictorial Embroidery in England
In this monograph, Rosika Desnoyers adeptly delivers a Foucauldian genealogy of English needlepainting and Berlin work as a corrective to past histories of these practices. She argues that these histories have neglected the social, political, economic and creative artistic practice of these pictorial embroideries. Neglected is the fact that, under industrialisation, the artist became artificially separated from the artisan—the result, a hierarchy…
Norton Field Guide to Writing with Readings and Handbook
A Stitch in Time
This work is a book review considering the title A Stitch in Time: The Needlework of Aging Women in Antebellum America by Aimee E. Newell
Suturing a Wounded Body—Wounded Mind in Red Silk on White Linen
In 1830, Elizabeth Parker, daughter of a day laborer and of a teacher in Ashburnham, East Sussex, England, cross-stitched in red silk thread an extraordinarily complex text that participates in several genres, including a memoir of her then brief life of some seventeen years, a confession, a suicide note, and a prayer. These various genres cohere around one momentous event in Parker’s young life: the sexual violation and physical abuse at the han…
In Living Color
Examining how race, gender, and power construct and are constructed by the discourse of black/white interracial heterosexual personal ads, we find personals steeped in competing identity myths that perform a sexual politics of desire, and we show how these myths resonate with and challenge competing mythologies. A sliding scale of sexual economies, issues and loci of power figures and refigures race and gender. In same-race relationships, power t…
EXTRA! EXTRA! Read all about it!' Constructions of Heterosexual Black Male Identities in the Personals
A tincture of philosophy, a tincture of hope
In Living Color
Examining how race, gender, and power construct and are constructed by the discourse of black/white interracial heterosexual personal ads, we find personals steeped in competing identity myths that perform a sexual politics of desire, and we show how these myths resonate with and challenge competing mythologies. A sliding scale of sexual economies, issues and loci of power figures and refigures race and gender. In same-race relationships, power t…
A tincture of philosophy, a tincture of hope
EXTRA! EXTRA! Read all about it!' Constructions of Heterosexual Black Male Identities in the Personals
In Living Color
Examining how race, gender, and power construct and are constructed by the discourse of black/white interracial heterosexual personal ads, we find personals steeped in competing identity myths that perform a sexual politics of desire, and we show how these myths resonate with and challenge competing mythologies. A sliding scale of sexual economies, issues and loci of power figures and refigures race and gender. In same-race relationships, power t…
Suturing a Wounded Body—Wounded Mind in Red Silk on White Linen
In 1830, Elizabeth Parker, daughter of a day laborer and of a teacher in Ashburnham, East Sussex, England, cross-stitched in red silk thread an extraordinarily complex text that participates in several genres, including a memoir of her then brief life of some seventeen years, a confession, a suicide note, and a prayer. These various genres cohere around one momentous event in Parker’s young life: the sexual violation and physical abuse at the han…
A Stitch in Time
This work is a book review considering the title A Stitch in Time: The Needlework of Aging Women in Antebellum America by Aimee E. Newell
Norton Field Guide to Writing with Readings and Handbook
Pictorial Embroidery in England
In this monograph, Rosika Desnoyers adeptly delivers a Foucauldian genealogy of English needlepainting and Berlin work as a corrective to past histories of these practices. She argues that these histories have neglected the social, political, economic and creative artistic practice of these pictorial embroideries. Neglected is the fact that, under industrialisation, the artist became artificially separated from the artisan—the result, a hierarchy…
Art (5 works) · History (3 works) · Law (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Epistemology (2 works) · Fashion and Cultural Textiles (2 works) · Gender Roles and Identity Studies (2 works) · Gender Studies (2 works)