Danille Elise Christensen
Biographic Data
| ID | 328840 |
|---|---|
| NAME | Danille Elise Christensen |
| GIVEN NAMES | Danille Elise |
| FAMILY NAME | Christensen |
| SIGNATURE | CHRISTENSEN D E |
| AFFILIATIONS | The Ohio State University |
| ORCID | 0000-0003-3640-400X |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Already Acquainted with the Methods of Mr. Appert”: Bottled Gooseberries, Imperial Science, and Vernacular Knowledges in the Early Modern Anglophone Atlantic
"The Father[s] of Canning"? Narrating Nicolas Appert/American Industry
Drawing on conventions of the insight legend, writers have consistently framed France's Nicolas Appert as "the father of canning," celebrating him as an innovative genius who in the early 1800s realized long-standing desires for fresh-yet-stable food. However, a process nearly identical to "appertization" was widely practiced more than a century earlier. Furthermore, unlike insight legends, Appert-centered histories never identify a Eureka! momen…
Materializing the Everyday: “Safe” Scrapbooks, Aesthetic Mess, and the Rhetorics of Workmanship
Like most political engagements, handcrafted book genres may share broad common goals but differ in philosophies of action and articulation—how they take shape matters. Two distinct orientations emerge from scrapbooks at the turn of the millennium. In the 1990s and early 2000s many scrapbook makers embraced material durability and aesthetic regularity, favoring a workmanship of certainty that ensured a maximally stable, coherent, and coordinated …
Current Studies of Food and Foodways
This work is a special collection of book notes considering a group of monographs and edited collections in the field of food studies
Look at Us Now: Scrapbooking, Regimes of Value, and the Risks of (Auto)Ethnography
By the early 2000s, scrapbook construction in the United States had shifted from a relatively private mode of assemblage into a visible practice bolstered by robust marketing and public venues for creation and display. But today's scrapbooks often also perform the value of activities long characterized as ephemeral, mundane, and private by recasting them-using archival-safe products and visual documentation-as durable, artistic, and public. In ef…
Look at Us Now: Scrapbooking, Regimes of Value, and the Risks of (Auto)Ethnography
By the early 2000s, scrapbook construction in the United States had shifted from a relatively private mode of assemblage into a visible practice bolstered by robust marketing and public venues for creation and display. But today's scrapbooks often also perform the value of activities long characterized as ephemeral, mundane, and private by recasting them-using archival-safe products and visual documentation-as durable, artistic, and public. In ef…
"The Father[s] of Canning"? Narrating Nicolas Appert/American Industry
Drawing on conventions of the insight legend, writers have consistently framed France's Nicolas Appert as "the father of canning," celebrating him as an innovative genius who in the early 1800s realized long-standing desires for fresh-yet-stable food. However, a process nearly identical to "appertization" was widely practiced more than a century earlier. Furthermore, unlike insight legends, Appert-centered histories never identify a Eureka! momen…
Materializing the Everyday: “Safe” Scrapbooks, Aesthetic Mess, and the Rhetorics of Workmanship
Like most political engagements, handcrafted book genres may share broad common goals but differ in philosophies of action and articulation—how they take shape matters. Two distinct orientations emerge from scrapbooks at the turn of the millennium. In the 1990s and early 2000s many scrapbook makers embraced material durability and aesthetic regularity, favoring a workmanship of certainty that ensured a maximally stable, coherent, and coordinated …
Look at Us Now: Scrapbooking, Regimes of Value, and the Risks of (Auto)Ethnography
By the early 2000s, scrapbook construction in the United States had shifted from a relatively private mode of assemblage into a visible practice bolstered by robust marketing and public venues for creation and display. But today's scrapbooks often also perform the value of activities long characterized as ephemeral, mundane, and private by recasting them-using archival-safe products and visual documentation-as durable, artistic, and public. In ef…
Current Studies of Food and Foodways
This work is a special collection of book notes considering a group of monographs and edited collections in the field of food studies
Materializing the Everyday: “Safe” Scrapbooks, Aesthetic Mess, and the Rhetorics of Workmanship
Like most political engagements, handcrafted book genres may share broad common goals but differ in philosophies of action and articulation—how they take shape matters. Two distinct orientations emerge from scrapbooks at the turn of the millennium. In the 1990s and early 2000s many scrapbook makers embraced material durability and aesthetic regularity, favoring a workmanship of certainty that ensured a maximally stable, coherent, and coordinated …
"The Father[s] of Canning"? Narrating Nicolas Appert/American Industry
Drawing on conventions of the insight legend, writers have consistently framed France's Nicolas Appert as "the father of canning," celebrating him as an innovative genius who in the early 1800s realized long-standing desires for fresh-yet-stable food. However, a process nearly identical to "appertization" was widely practiced more than a century earlier. Furthermore, unlike insight legends, Appert-centered histories never identify a Eureka! momen…
Already Acquainted with the Methods of Mr. Appert”: Bottled Gooseberries, Imperial Science, and Vernacular Knowledges in the Early Modern Anglophone Atlantic
Art (5 works) · Sociology (4 works) · Aesthetics (3 works) · Literature (3 works) · Visual arts (3 works) · Anthropology (2 works) · Computer Science (2 works) · History (2 works) · Law (2 works) · Political science (2 works)