Bruno Pinçon
Biographic Data
| ID | 333881 |
|---|---|
| NAME | Bruno Pinçon |
| GIVEN NAMES | Bruno |
| FAMILY NAME | Pinçon |
| SIGNATURE | PINÇON B |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2001 |
| H-INDEX | 1 |
Iron Technology in East Africa. Symbolism, Science, and Archaeology
Pour une approche dynamique des productions
(1997). Pour une approche dynamique des productions: L’Exemple des céramiques du Massif du Chaillu (Congo, Gabon) de 1850 à 1910. Canadian Journal of African Studies / Revue canadienne des études africaines: Vol. 31, No. 1, pp. 113-143
L'unité culturelle Kongo à la fin du XIXe siècle. L'apport des études céramologiques
B. Pincon & D. Ngoie-Ngalla - Kongo Cultural Unity in the Late Nineteenth Century: Evidence from the Study of Pottery. On the basis of evidence from cultural and social anthropology, linguistics and onomastics, we can presume that ail the peoples claiming Kongo dia Ntotila as their origins have a single cultural identity. Although this unity of the Kongo group cannot be verified for ail aspects of the material culture, studies of pottery from mor…
L'unité culturelle Kongo à la fin du XIXe siècle. L'apport des études céramologiques
B. Pincon & D. Ngoie-Ngalla - Kongo Cultural Unity in the Late Nineteenth Century: Evidence from the Study of Pottery. On the basis of evidence from cultural and social anthropology, linguistics and onomastics, we can presume that ail the peoples claiming Kongo dia Ntotila as their origins have a single cultural identity. Although this unity of the Kongo group cannot be verified for ail aspects of the material culture, studies of pottery from mor…
Pour une approche dynamique des productions
(1997). Pour une approche dynamique des productions: L’Exemple des céramiques du Massif du Chaillu (Congo, Gabon) de 1850 à 1910. Canadian Journal of African Studies / Revue canadienne des études africaines: Vol. 31, No. 1, pp. 113-143
L'unité culturelle Kongo à la fin du XIXe siècle. L'apport des études céramologiques
B. Pincon & D. Ngoie-Ngalla - Kongo Cultural Unity in the Late Nineteenth Century: Evidence from the Study of Pottery. On the basis of evidence from cultural and social anthropology, linguistics and onomastics, we can presume that ail the peoples claiming Kongo dia Ntotila as their origins have a single cultural identity. Although this unity of the Kongo group cannot be verified for ail aspects of the material culture, studies of pottery from mor…
Pour une approche dynamique des productions
(1997). Pour une approche dynamique des productions: L’Exemple des céramiques du Massif du Chaillu (Congo, Gabon) de 1850 à 1910. Canadian Journal of African Studies / Revue canadienne des études africaines: Vol. 31, No. 1, pp. 113-143
Iron Technology in East Africa. Symbolism, Science, and Archaeology
History (3 works) · Ancient history (2 works) · Archaeology (2 works) · Art (2 works) · Cultural Identity and Heritage (2 works) · Ethnology (2 works) · Geography (2 works) · Humanities (2 works) · Pottery (2 works) · Sociology (2 works)