Phil Crockett Thomas
Dados Biográficos
| ID | 334319 |
|---|---|
| NOME | Phil Crockett Thomas |
| PRENOMES | Phil Crockett |
| SOBRENOME | Thomas |
| ASSINATURA | THOMAS P C |
| AFILIAÇÕES | University of Glasgow |
| ORCID | 0000-0002-8960-098X |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 9 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2014 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 1 |
Making Light of Imprisonment
In previous papers, we have explored how songs written in prison, and the process of collaborative songwriting that produced them, served as devices for solving relational and personal problems that imprisonment poses. Here, drawing on data from the same project (Distant Voices: Coming Home), we explore and analyse how humour featured both in the songwriting process and in some of the songs, focussing on two songs written by women in prison. Our …
Straying with the Trouble
Prisons continue to dominate our collective social imagination of the best way to respond to social harm, despite the overwhelming evidence that they do not make society safer or enact justice. To support the urgent work of thinking beyond prisons, this article focuses on the anti-carceral imagination of activists and scholars involved in the movement for prison abolition. I discuss findings from Prison Break: Imagining Alternatives to Prison in …
The researcher as unreliable narrator
Whilst works of art, including fiction, are well established as legitimate objects of sociological analysis, and the narratives crafted by the subjects of social research are widely understood to be meaningful, the use of creative writing as a methodology is still quite novel within law and the social sciences. In this article, I seek to demonstrate how the practice and process of creating fiction can extend the aesthetic, affective, and ontologi…
Writing Sociological Crime Fiction
In this article I share and discuss a poetic work of experimental sociological crime fiction titled “You Will Have Your Day in Court” (in Crockett Thomas, 2020c). In it I reimagine the “true crime” story of “King Con” Paul Bint, who for a period in 2009 successfully impersonated Keir Starmer, the then Director of Public Prosecutions. I first introduce my collaborative approach to writing sociological crime fiction, connections to poststructuralis…
Imaginative Criminology by Maggie O’Neill & Lizzie Seal
Mediating Punishment? Prisoners’ Songs as Relational ‘Problem-Solving’ Devices
In this article we share some findings from the Distant Voices – Coming Home project. It is a partnership between the Universities of Glasgow, Edinburgh and the West of Scotland, and the Glasgow-based arts charity Vox Liminis. Distant Voices aims to explore and practice re/integration after punishment through creative collaborations (primarily songwriting) and action-research. The project is complex and interdisciplinary, blurring boundaries betw…
Stir
In this brief research note I discuss and share from, Stir (2020): a collection of poems that were written while I was the research associate on the Distant Voices project based at the University of Glasgow (2017–2021). These poems reflect on my experience of doing ethnographic research in carceral spaces, and are written from the perspective of an outsider with a pass that allowed access for a limited time only. The collection is open access and…
Reintegration, Hospitality and Hostility
Distant Voices is an ongoing, interdisciplinary collaborative action research project, drawing on criminology, community development, politics, practice-led research and songwriting to explore crime, punishment and reintegration through creative conversations that aim to challenge and unsettle understandings of and approaches to rehabilitation and reintegration. In this paper, we discuss some of the thinking behind the project and we reflect on o…
The Oxford Handbook of Dance and the Popular Screen
This anthology offers contemporary perspectives on dance in the context of the popular screen. It analyzes the role played by the dancing body in popular culture and its multi-layered meanings in film, television, music videos, video games, commercials, and Internet sites such as YouTube. It explores how dance and choreography function within the filmic apparatus, and how the narrative, dancing bodies, and/or dance style set in motion multiple ch…
Reintegration, Hospitality and Hostility
Distant Voices is an ongoing, interdisciplinary collaborative action research project, drawing on criminology, community development, politics, practice-led research and songwriting to explore crime, punishment and reintegration through creative conversations that aim to challenge and unsettle understandings of and approaches to rehabilitation and reintegration. In this paper, we discuss some of the thinking behind the project and we reflect on o…
The Oxford Handbook of Dance and the Popular Screen
This anthology offers contemporary perspectives on dance in the context of the popular screen. It analyzes the role played by the dancing body in popular culture and its multi-layered meanings in film, television, music videos, video games, commercials, and Internet sites such as YouTube. It explores how dance and choreography function within the filmic apparatus, and how the narrative, dancing bodies, and/or dance style set in motion multiple ch…
Reintegration, Hospitality and Hostility
Distant Voices is an ongoing, interdisciplinary collaborative action research project, drawing on criminology, community development, politics, practice-led research and songwriting to explore crime, punishment and reintegration through creative conversations that aim to challenge and unsettle understandings of and approaches to rehabilitation and reintegration. In this paper, we discuss some of the thinking behind the project and we reflect on o…
Imaginative Criminology by Maggie O’Neill & Lizzie Seal
Mediating Punishment? Prisoners’ Songs as Relational ‘Problem-Solving’ Devices
In this article we share some findings from the Distant Voices – Coming Home project. It is a partnership between the Universities of Glasgow, Edinburgh and the West of Scotland, and the Glasgow-based arts charity Vox Liminis. Distant Voices aims to explore and practice re/integration after punishment through creative collaborations (primarily songwriting) and action-research. The project is complex and interdisciplinary, blurring boundaries betw…
Stir
In this brief research note I discuss and share from, Stir (2020): a collection of poems that were written while I was the research associate on the Distant Voices project based at the University of Glasgow (2017–2021). These poems reflect on my experience of doing ethnographic research in carceral spaces, and are written from the perspective of an outsider with a pass that allowed access for a limited time only. The collection is open access and…
Writing Sociological Crime Fiction
In this article I share and discuss a poetic work of experimental sociological crime fiction titled “You Will Have Your Day in Court” (in Crockett Thomas, 2020c). In it I reimagine the “true crime” story of “King Con” Paul Bint, who for a period in 2009 successfully impersonated Keir Starmer, the then Director of Public Prosecutions. I first introduce my collaborative approach to writing sociological crime fiction, connections to poststructuralis…
The researcher as unreliable narrator
Whilst works of art, including fiction, are well established as legitimate objects of sociological analysis, and the narratives crafted by the subjects of social research are widely understood to be meaningful, the use of creative writing as a methodology is still quite novel within law and the social sciences. In this article, I seek to demonstrate how the practice and process of creating fiction can extend the aesthetic, affective, and ontologi…
Straying with the Trouble
Prisons continue to dominate our collective social imagination of the best way to respond to social harm, despite the overwhelming evidence that they do not make society safer or enact justice. To support the urgent work of thinking beyond prisons, this article focuses on the anti-carceral imagination of activists and scholars involved in the movement for prison abolition. I discuss findings from Prison Break: Imagining Alternatives to Prison in …
Making Light of Imprisonment
In previous papers, we have explored how songs written in prison, and the process of collaborative songwriting that produced them, served as devices for solving relational and personal problems that imprisonment poses. Here, drawing on data from the same project (Distant Voices: Coming Home), we explore and analyse how humour featured both in the songwriting process and in some of the songs, focussing on two songs written by women in prison. Our …
Sociology (6 obras) · Art (5 obras) · Criminology (5 obras) · Aesthetics (4 obras) · Psychology (4 obras) · Crime and Detective Fiction Studies (2 obras) · Crime Patterns and Interventions (2 obras) · Criminal Justice and Corrections Analysis (2 obras) · History (2 obras) · Law (2 obras)