Aleš Erjavec
Biographic Data
| ID | 334969 |
|---|---|
| NAME | Aleš Erjavec |
| GIVEN NAMES | Aleš |
| FAMILY NAME | Erjavec |
| SIGNATURE | ERJAVEC A |
| AFFILIATIONS | Slovenian Academy of Sciences and Arts |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Art, Philosophy, and Ideology: Writings on Aesthetics and Visual Culture from the Avantgarde to Postsocialism
This volume presents a selection of aesthetic and art theoretical writings by the internationally renowned philosopher Aleš Erjavec from the 1990s to the present. Erjavec was an active participant in the artistic revolt in Slovenia throughout the 1980 and became one of the most notable international theorists of late- and post-socialist developments in art. His work also extended to new, emergent forms of contemporary art and visual culture in gl…
Eastern Europe, Art, and the Politics of Representation
This article focuses on some of the ways in which subjectivization, representation, and self-representation have been carried out in Eastern Europe and on the role that art plays in these processes. The author first points to two related features of the region: an absence of a common point of identification and a split between the view from the outside and that from within the region. Although it appears that Eastern Europe has existed as a self-…
Art et esthétique: Du moderne au contemporain
The author sketches the development of the relationship between art and aesthetics in the past four decades. He takes as his starting point the change that artists established in the sixties in relation to philosophical aesthetics. He argues that 1980 represented a historical threshold as concerns transformations both in art and its philosophy. He then discusses three theories of art and aesthetics—Nicolas Bourriaud’s “relational aesthetics” from…
Art and Aesthetics: From Modern to Contemporary
The author sketches the development of the relationship between art and aesthetics in the past four decades. He takes as his starting point the change that artists established in the sixties in relation to philosophical aesthetics. He argues that 1980 represented a historical threshold as concerns transformations both in art and its philosophy. He then discusses three theories of art and aesthetics- Nicolas Bourriaud's "relational aesthetics" fro…
Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism
List of Illustrations Acknowledgments Foreword Martin Jay Introduction Ales Erjavec The Other Gaze: Russian Unofficial Art's View of the Soviet World Boris Groys Art as a Political Machine: Fragments on the Late Socialist and Postsocialist Art of Mitteleuropa and the Balkans Misko Suvakovic Neue Slowenische Kunst--New Slovenian Art: Slovenia, Yugoslavia, Self-Management, and the 1980s Ales Erjavec Hungarian Marginal Art in the Late Period of Stat…
Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism
The Berlin Wall was coming down, the Soviet Union was dissolving, Communist China was well on its way down the capitalist path; the world was witnessing political and social transformations without precedent. Artists, seeing it all firsthand, responded with a revolution of their own. What form this revolution took—how artists in the 1980s marked their societies' traumatic transition from decaying socialism to an insecure future—emerges in this re…
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Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism
The Berlin Wall was coming down, the Soviet Union was dissolving, Communist China was well on its way down the capitalist path; the world was witnessing political and social transformations without precedent. Artists, seeing it all firsthand, responded with a revolution of their own. What form this revolution took—how artists in the 1980s marked their societies' traumatic transition from decaying socialism to an insecure future—emerges in this re…
Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism
List of Illustrations Acknowledgments Foreword Martin Jay Introduction Ales Erjavec The Other Gaze: Russian Unofficial Art's View of the Soviet World Boris Groys Art as a Political Machine: Fragments on the Late Socialist and Postsocialist Art of Mitteleuropa and the Balkans Misko Suvakovic Neue Slowenische Kunst--New Slovenian Art: Slovenia, Yugoslavia, Self-Management, and the 1980s Ales Erjavec Hungarian Marginal Art in the Late Period of Stat…
Art et esthétique: Du moderne au contemporain
The author sketches the development of the relationship between art and aesthetics in the past four decades. He takes as his starting point the change that artists established in the sixties in relation to philosophical aesthetics. He argues that 1980 represented a historical threshold as concerns transformations both in art and its philosophy. He then discusses three theories of art and aesthetics—Nicolas Bourriaud’s “relational aesthetics” from…
Art and Aesthetics: From Modern to Contemporary
The author sketches the development of the relationship between art and aesthetics in the past four decades. He takes as his starting point the change that artists established in the sixties in relation to philosophical aesthetics. He argues that 1980 represented a historical threshold as concerns transformations both in art and its philosophy. He then discusses three theories of art and aesthetics- Nicolas Bourriaud's "relational aesthetics" fro…
Eastern Europe, Art, and the Politics of Representation
This article focuses on some of the ways in which subjectivization, representation, and self-representation have been carried out in Eastern Europe and on the role that art plays in these processes. The author first points to two related features of the region: an absence of a common point of identification and a split between the view from the outside and that from within the region. Although it appears that Eastern Europe has existed as a self-…
Art, Philosophy, and Ideology: Writings on Aesthetics and Visual Culture from the Avantgarde to Postsocialism
This volume presents a selection of aesthetic and art theoretical writings by the internationally renowned philosopher Aleš Erjavec from the 1990s to the present. Erjavec was an active participant in the artistic revolt in Slovenia throughout the 1980 and became one of the most notable international theorists of late- and post-socialist developments in art. His work also extended to new, emergent forms of contemporary art and visual culture in gl…
Art (6 works) · Aesthetics (5 works) · Sociology (5 works) · Art history (4 works) · Philosophy (4 works) · Art, Politics, and Modernism (3 works) · Computer Science (3 works) · Contemporary art (3 works) · Eastern European Communism and Reforms (3 works) · Epistemology (3 works)