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Marianne Dekoven

Biographic Data

ID335257
NAMEMarianne Dekoven
GIVEN NAMESMarianne
FAMILY NAMEDekoven
SIGNATUREDEKOVEN M
AFFILIATIONSRutgers, the State University of New Jersey
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS3
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Rich and Strange: Gender, History, Modernism

    Marianne Dekoven•BOOK•Rich and Strange•2021

  • The Cambridge Companion to Popular Fiction

    Open Access•Nicholas Daly, John Caughie et al.•BOOK•The Cambridge companion to…•2012

    Popular commercial fiction emerged in the nineteenth century, with serialised novels and sensational penny dreadfuls. Today it remains a multi-million dollar industry giving pleasure to many, but it is also a field of growing interest for scholars and students of literature. This Companion covers the major developments in the history of popular fiction, with specially commissioned chapters on pulp fiction, bestsellers, and comics and graphic narr…

  • Grace Paley's Formal Strategies

    Marianne Dekoven•ARTICLE•Contemporary Women s Writing•2009

    Journal Article Grace Paley's Formal Strategies Get access Marianne Dekoven Marianne Dekoven Rutgers, The State University of New Jersey, [email protected] Search for other works by this author on: Oxford Academic Google Scholar Contemporary Women's Writing, Volume 3, Issue 2, December 2009, Pages 153–157, https://doi.org/10.1093/cww/vpp028 Published: 01 December 2009

  • Psychoanalysis and Sixties Utopianism

    Marianne Dekoven•ARTICLE•Psychoanalysis Culture & Society•2003•Cited by: 2

    The utopianism of the 1960s, perhaps the last flowering of modern utopianism, called for a total transformation that was simultaneously, even inseparably, psychic, political and cultural. I will discuss some sixties utopian texts which use psychoanalysis along with, and intermeshed with, a variety of political, philosophical, and cultural discourses in order to represent a lifeworld of utter alienation, oppression, and thwarted, stifled authentic…

  • Refiguring Modernism. Vol. 1: The Women of 1928. Vol. 2: Postmodern Feminist Readings of Woolf, West, and Barnes . Bonnie Kime Scott Women Artists and Writers: Modernist (Im)positionings . Bridget Ell…

    Marianne Dekoven•ARTICLE•Signs: Journal of Women in…•1997

  • Favored Strangers: Gertrude Stein And Her Family

    Marianne Dekoven, Linda Wagner-Martin et al.•ARTICLE•American Literature•1996

    This biography contains anecdotes and details about Gertrude Stein's exchanges on art, life, food and literature with luminaries such as Hemingway, Matisse, Juan Gris, Picasso, Virgil Thompson and many others. Incidents are retold and bolstered by primary sources. The author provides an understanding of the style and substances of Stein's works and life, emphasizing Stein's social genius. The book introduces familial and domestic detail, not only…

  • Cultural Dreaming and Cultural Studies

    Marianne Dekoven•ARTICLE•New Literary History•1996

    New Literary History - Volume 27, Number 1, Winter 1996

  • Black Riders: The Visible Language of Modernism

    Marianne Dekoven, Jerome Mcgann•ARTICLE•American Literature•1994

  • H. D. and Freud: Bisexuality and a Feminine Discourse

    Ann Ardis, Ann L Ardis et al.•ARTICLE•Tulsa Studies in Women s Literature•1993

    Only a part of myself there - H.D.'s imagist poetry parse the sun - a woman's language a feminine language and the fantasy of a reader gods or goods - H.D. and Freud can not know that she knows this - a woman's knowledge

  • Feminisms: An Anthology of Literary Theory and Criticism

    Marianne Dekoven, Robyn Warhol et al.•ARTICLE•American Literature•1993

  • Rich and Strange: Gender, History, Modernism

    Randy Malamud, Marianne Dekoven•ARTICLE•South Atlantic Review•1992

  • Rich and Strange: Gender, History, Modernism

    Catherine Rainwater, Marianne Dekoven•ARTICLE•American Literature•1992

  • The Politics of Modernist Form

    Marianne Dekoven•ARTICLE•New Literary History•1992

    SHE LATELY REVIVED debates over the political implications of modernist form are motivated, I would argue, by the urgent question of whether or not we can attribute political efficacy to what many of us see as the most important formal modes of twentieth-century art. A simple political question, then, informs these complex ideological debates: Is modernist form oppositional, or does it reflect and support, either inadvertently or intentionally, t…

  • Gendered Doubleness and the "Origins" of Modernist Form

    Marianne Dekoven•ARTICLE•Tulsa Studies in Women s Literature•1989

  • Reading Gertrude Stein

    Catharine R Stimpson, Marianne Dekoven et al.•ARTICLE•Tulsa Studies in Women s Literature•1985

  • History as Suppressed Referent in Modernist Fiction

    Marianne Dekoven•ARTICLE•ELH•1984

    Nothing escapes history, but literary modernism is often discussed as if it did.' Depending on their political-aesthetic stance, such discussions either rejoice in modernism's flight from a debased social reality to a realm of rich meaning, aesthetic joy, and pure freedom, or they regret modernism's retreat from accessibility into bristling difficulty, its isolation from the life of society on a rarefied, elitist aesthetic pinnacle.2 Such discuss…

  • A Different Language: Gertrude Stein's Experimental Writing

    Robert Merrill, Marianne Dekoven et al.•ARTICLE•American Literature•1984

  • Gertrude Stein's landscape writing

    Marianne Dekoven•ARTICLE•Women s Studies•1982•Cited by: 1•References: 1

  • Psychoanalysis and Sixties Utopianism

    Marianne Dekoven•ARTICLE•Psychoanalysis Culture & Society•2003•Cited by: 2

    The utopianism of the 1960s, perhaps the last flowering of modern utopianism, called for a total transformation that was simultaneously, even inseparably, psychic, political and cultural. I will discuss some sixties utopian texts which use psychoanalysis along with, and intermeshed with, a variety of political, philosophical, and cultural discourses in order to represent a lifeworld of utter alienation, oppression, and thwarted, stifled authentic…

  • Gertrude Stein's landscape writing

    Marianne Dekoven•ARTICLE•Women s Studies•1982•Cited by: 1•References: 1

  • Gertrude Stein's landscape writing

    Marianne Dekoven•ARTICLE•Women s Studies•1982•Cited by: 1•References: 1

  • History as Suppressed Referent in Modernist Fiction

    Marianne Dekoven•ARTICLE•ELH•1984

    Nothing escapes history, but literary modernism is often discussed as if it did.' Depending on their political-aesthetic stance, such discussions either rejoice in modernism's flight from a debased social reality to a realm of rich meaning, aesthetic joy, and pure freedom, or they regret modernism's retreat from accessibility into bristling difficulty, its isolation from the life of society on a rarefied, elitist aesthetic pinnacle.2 Such discuss…

  • A Different Language: Gertrude Stein's Experimental Writing

    Robert Merrill, Marianne Dekoven et al.•ARTICLE•American Literature•1984

  • Reading Gertrude Stein

    Catharine R Stimpson, Marianne Dekoven et al.•ARTICLE•Tulsa Studies in Women s Literature•1985

  • Gendered Doubleness and the "Origins" of Modernist Form

    Marianne Dekoven•ARTICLE•Tulsa Studies in Women s Literature•1989

  • Rich and Strange: Gender, History, Modernism

    Randy Malamud, Marianne Dekoven•ARTICLE•South Atlantic Review•1992

  • Rich and Strange: Gender, History, Modernism

    Catherine Rainwater, Marianne Dekoven•ARTICLE•American Literature•1992

  • The Politics of Modernist Form

    Marianne Dekoven•ARTICLE•New Literary History•1992

    SHE LATELY REVIVED debates over the political implications of modernist form are motivated, I would argue, by the urgent question of whether or not we can attribute political efficacy to what many of us see as the most important formal modes of twentieth-century art. A simple political question, then, informs these complex ideological debates: Is modernist form oppositional, or does it reflect and support, either inadvertently or intentionally, t…

  • H. D. and Freud: Bisexuality and a Feminine Discourse

    Ann Ardis, Ann L Ardis et al.•ARTICLE•Tulsa Studies in Women s Literature•1993

    Only a part of myself there - H.D.'s imagist poetry parse the sun - a woman's language a feminine language and the fantasy of a reader gods or goods - H.D. and Freud can not know that she knows this - a woman's knowledge

  • Feminisms: An Anthology of Literary Theory and Criticism

    Marianne Dekoven, Robyn Warhol et al.•ARTICLE•American Literature•1993

  • Black Riders: The Visible Language of Modernism

    Marianne Dekoven, Jerome Mcgann•ARTICLE•American Literature•1994

  • Favored Strangers: Gertrude Stein And Her Family

    Marianne Dekoven, Linda Wagner-Martin et al.•ARTICLE•American Literature•1996

    This biography contains anecdotes and details about Gertrude Stein's exchanges on art, life, food and literature with luminaries such as Hemingway, Matisse, Juan Gris, Picasso, Virgil Thompson and many others. Incidents are retold and bolstered by primary sources. The author provides an understanding of the style and substances of Stein's works and life, emphasizing Stein's social genius. The book introduces familial and domestic detail, not only…

  • Cultural Dreaming and Cultural Studies

    Marianne Dekoven•ARTICLE•New Literary History•1996

    New Literary History - Volume 27, Number 1, Winter 1996

  • Refiguring Modernism. Vol. 1: The Women of 1928. Vol. 2: Postmodern Feminist Readings of Woolf, West, and Barnes . Bonnie Kime Scott Women Artists and Writers: Modernist (Im)positionings . Bridget Ell…

    Marianne Dekoven•ARTICLE•Signs: Journal of Women in…•1997

  • Psychoanalysis and Sixties Utopianism

    Marianne Dekoven•ARTICLE•Psychoanalysis Culture & Society•2003•Cited by: 2

    The utopianism of the 1960s, perhaps the last flowering of modern utopianism, called for a total transformation that was simultaneously, even inseparably, psychic, political and cultural. I will discuss some sixties utopian texts which use psychoanalysis along with, and intermeshed with, a variety of political, philosophical, and cultural discourses in order to represent a lifeworld of utter alienation, oppression, and thwarted, stifled authentic…

  • Grace Paley's Formal Strategies

    Marianne Dekoven•ARTICLE•Contemporary Women s Writing•2009

    Journal Article Grace Paley's Formal Strategies Get access Marianne Dekoven Marianne Dekoven Rutgers, The State University of New Jersey, [email protected] Search for other works by this author on: Oxford Academic Google Scholar Contemporary Women's Writing, Volume 3, Issue 2, December 2009, Pages 153–157, https://doi.org/10.1093/cww/vpp028 Published: 01 December 2009

  • The Cambridge Companion to Popular Fiction

    Open Access•Nicholas Daly, John Caughie et al.•BOOK•The Cambridge companion to…•2012

    Popular commercial fiction emerged in the nineteenth century, with serialised novels and sensational penny dreadfuls. Today it remains a multi-million dollar industry giving pleasure to many, but it is also a field of growing interest for scholars and students of literature. This Companion covers the major developments in the history of popular fiction, with specially commissioned chapters on pulp fiction, bestsellers, and comics and graphic narr…

  • Rich and Strange: Gender, History, Modernism

    Marianne Dekoven•BOOK•Rich and Strange•2021

Art (14 works) · History (12 works) · Sociology (8 works) · Literature (7 works) · Philosophy (6 works) · Art history (5 works) · Aesthetics (4 works) · Art, Politics, and Modernism (4 works) · History (4 works) · Psychoanalysis (4 works)

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