Suzanne Juhasz
Biographic Data
| ID | 335264 |
|---|---|
| NAME | Suzanne Juhasz |
| GIVEN NAMES | Suzanne |
| FAMILY NAME | Juhasz |
| SIGNATURE | JUHASZ S |
| AFFILIATIONS | University of Colorado Boulder |
| VERIFIED | No |
| TOTAL WORKS | 28 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 28 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 1 |
Queer Swans
A Desire for Women
The Prince Is Wearing a Tutu
Click for larger view Figure 1 "Ballets Trockadero de Monte Carlo." Photograph by Dana Lixenberg. Originally published in The New Yorker. [End Page 134] Reading Jane Hamilton's wonderful 1998 novel, The Short History of a Prince, I became a member of a fascinating ménage à trois. The author is an exceptionally fine writer and an heterosexual woman; her protagonist, Walter McCloud, failed ballet dancer and high school English teacher, is a gay man…
Taking Class
I am not a real ballet dancer. I do not dance professionally; I do not perform on any stage. I am well into middle‐age. I take class—three times a week, rain or shine or fatigue or stress. I go. I
Mother-Writing and the Narrative of Maternal Subjectivity
This essay discusses how writing from a maternal perspective can construct maternal subjectivity in a linguistic form. Maternal subjectivity is understood as the aggregate of subject positions, or “representations,” experienced by a woman who is a mother. Writing can form connections between subject positions, including those which have been split off or denied because of culturally induced ambivalence, to establish a subjectivity that is multipl…
Emily Dickinson and Her Contemporaries
Book Review| March 01 2000 Emily Dickinson and Her Contemporaries: Women's Verse in America,1820-1885 By Elizabeth A. Petrino. Hanover, N.H.: University Press of New England. 1998. xi, 240 pp. $40.00. Suzanne H. Juhasz Suzanne H. Juhasz Search for other works by this author on: This Site Google American Literature (2000) 72 (1): 187–188. https://doi.org/10.1215/00029831-72-1-187 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Cita…
Towards Recognition
American Imago - Volume 57, Number 2, Summer 2000
Lesbian Romance Fiction and the Plotting of Desire
Suzanne Juhasz, Lesbian Romance Fiction and the Plotting of Desire: Narrative Theory, Lesbian Identity, and Reading Practice, Tulsa Studies in Women's Literature, Vol. 17, No. 1 (Spring, 1998), pp. 65-82
No Man's Land
The Seductions of Emily Dickinson
The Dream and the Dialogue
Comic Power in Emily Dickinson
The Dickinson Sublime
Reading Dickinson doubly
Workshop Two
Texts to Grow on
Renunciation transformed, the Dickinson heritage
Our Emily Dickinson
The Undiscovered Continent
Dickinson's Readers
The Journal as Source and Model for Feminist Art
journal is private writing. It is writing to yourself. Other people aren't supposed to read it. It comes with a lock and a little gold key. You write in it what you feel but don't say (out loud); what you see but don't show (out loud). In putting it into language, you are of course making public to yourself what was much more private before, safe inside your mind. But there is a monumental difference between telling yourself and telling others. E…
The Undiscovered Continent
Reading the Poet and the Poetry
Transformations in Feminist Poetry
In the last ten years, 1968 to 1978, feminist poetry has altered the shape and substance of American poetry. The rise of the feminism of the late sixties and early seventies occasioned poetic as well as political action, and, more importantly, the understanding that these were not separate endeavors. Poetry by feminists has been a powerful and essential articulation of feminist consciousness and concerns. But even as consciousness is not an insti…
Make Believe I Love You
She is always singing to herself. Walking across campus, washing dishes, folding laundry, driving the car. She doesn't hum: she listens to the lyrics. It isn't rock, however, or country, or any of the music that she curls up to in her living room. songs come straight from her past: Frank Sinatra, Tony Martin, and Ella Fitzgerald sang them in the fifties. were written by Cole Porter, Rodgers and Hart, George Gershwin; they orchestrate her fantasy …
Queer Swans
Mother-Writing and the Narrative of Maternal Subjectivity
This essay discusses how writing from a maternal perspective can construct maternal subjectivity in a linguistic form. Maternal subjectivity is understood as the aggregate of subject positions, or “representations,” experienced by a woman who is a mother. Writing can form connections between subject positions, including those which have been split off or denied because of culturally induced ambivalence, to establish a subjectivity that is multipl…
A Talk with Nikki Giovanni
We met Giovanni in an unused lounge in the student union building. Although two other people were also present, Giovanni, occasionally puffing on her long, brown cigarettes, did most of the talking. In fact, during the lengthy, rambling conversation, it was sometimes difficult for us to squeeze in our questions. Giovanni had a lot to say--some of it amusing, some of it angry, all of it interesting. The interview covered a wide range of subjects. …
The Feminine Mode in Literature and Criticism
The Female Imagination, by Patricia Meyer Spacks, is a study of three centuries of prose fiction and autobiography by women in English. It focuses on ways the life of the imagination emerge in the works of women writing prose directly as women.1 To this end it combines interpretations of works by women with an analysis of the social forces that mold women's lives. Spacks sees the art that women have created as both revealing and resulting from th…
The critic as feminist
(1977). The critic as feminist: Reflections on women's poetry, feminism, and the art of criticism. Women's Studies: Vol. 5, No. 2, pp. 113-127
Make Believe I Love You
She is always singing to herself. Walking across campus, washing dishes, folding laundry, driving the car. She doesn't hum: she listens to the lyrics. It isn't rock, however, or country, or any of the music that she curls up to in her living room. songs come straight from her past: Frank Sinatra, Tony Martin, and Ella Fitzgerald sang them in the fifties. were written by Cole Porter, Rodgers and Hart, George Gershwin; they orchestrate her fantasy …
Transformations in Feminist Poetry
In the last ten years, 1968 to 1978, feminist poetry has altered the shape and substance of American poetry. The rise of the feminism of the late sixties and early seventies occasioned poetic as well as political action, and, more importantly, the understanding that these were not separate endeavors. Poetry by feminists has been a powerful and essential articulation of feminist consciousness and concerns. But even as consciousness is not an insti…
Reading the Poet and the Poetry
Our Emily Dickinson
The Undiscovered Continent
Dickinson's Readers
The Journal as Source and Model for Feminist Art
journal is private writing. It is writing to yourself. Other people aren't supposed to read it. It comes with a lock and a little gold key. You write in it what you feel but don't say (out loud); what you see but don't show (out loud). In putting it into language, you are of course making public to yourself what was much more private before, safe inside your mind. But there is a monumental difference between telling yourself and telling others. E…
The Undiscovered Continent
Renunciation transformed, the Dickinson heritage
Texts to Grow on
Reading Dickinson doubly
Workshop Two
The Dickinson Sublime
The Dream and the Dialogue
Comic Power in Emily Dickinson
No Man's Land
The Seductions of Emily Dickinson
Lesbian Romance Fiction and the Plotting of Desire
Suzanne Juhasz, Lesbian Romance Fiction and the Plotting of Desire: Narrative Theory, Lesbian Identity, and Reading Practice, Tulsa Studies in Women's Literature, Vol. 17, No. 1 (Spring, 1998), pp. 65-82
Emily Dickinson and Her Contemporaries
Book Review| March 01 2000 Emily Dickinson and Her Contemporaries: Women's Verse in America,1820-1885 By Elizabeth A. Petrino. Hanover, N.H.: University Press of New England. 1998. xi, 240 pp. $40.00. Suzanne H. Juhasz Suzanne H. Juhasz Search for other works by this author on: This Site Google American Literature (2000) 72 (1): 187–188. https://doi.org/10.1215/00029831-72-1-187 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Cita…
Towards Recognition
American Imago - Volume 57, Number 2, Summer 2000
Taking Class
I am not a real ballet dancer. I do not dance professionally; I do not perform on any stage. I am well into middle‐age. I take class—three times a week, rain or shine or fatigue or stress. I go. I
Mother-Writing and the Narrative of Maternal Subjectivity
This essay discusses how writing from a maternal perspective can construct maternal subjectivity in a linguistic form. Maternal subjectivity is understood as the aggregate of subject positions, or “representations,” experienced by a woman who is a mother. Writing can form connections between subject positions, including those which have been split off or denied because of culturally induced ambivalence, to establish a subjectivity that is multipl…
Art (20 works) · Literature (11 works) · Philosophy (11 works) · Poetry Analysis and Criticism (10 works) · American and British Literature Analysis (9 works) · Sociology (9 works) · History (8 works) · Linguistics (8 works) · Philosophy (8 works) · Psychology (8 works)