Lisa Trahair
Biographic Data
| ID | 335340 |
|---|---|
| NAME | Lisa Trahair |
| GIVEN NAMES | Lisa |
| FAMILY NAME | Trahair |
| SIGNATURE | TRAHAIR L |
| AFFILIATIONS | UNSW Sydney |
| ORCID | 0000-0001-5198-6074 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Introduction: Film and / as Ethics
IntroductionFilm and / as Ethics Robert Sinnerbrink (bio) and Lisa Trahair (bio) The relationship between film and philosophy, along with the idea of film as philosophy, has attracted widespread interest over the last decade. Film theorists and philosophers of film have explored not only the philosophical questions raised by cinema as an artform, but also the possibility that cinema might contribute to philosophical understanding or even engage i…
Belief in this World: The Dardenne brothers'The Sonand Søren Kierkegaard'sFear and Trembling
Film and/as Ethics
Belief in this World: The Dardenne brothers' The Son and Søren Kierkegaard's Fear and Trembling
Belief in this World:The Dardenne brothers’ The Son and Søren Kierkegaard’s Fear and Trembling Lisa Trahair (bio) Introduction This paper takes Luc and Jean-Pierre Dardenne’s film Le Fils (The Son) and its critical reception as an occasion to explore Gilles Deleuze’s proposition that cinema’s capacity to show belief in this world—as a secular corollary to Søren Kierkegaard’s religious belief as a leap of faith—is one avenue by which the medium mi…
Belief in Cinema: Revisiting Themes From Bazin
Belief in Cinema: Jean-Luc Godard's Je Vous Salue, Marie and the Pedagogy of Images
This paper takes issue with the idea recently promulgated by film-philosophers that the relationship between philosophy and film is untroubled by the encounter between reason and art. To do this I consider how in Je vous salue, Marie Jean-Luc Godard uses allegory, cinematic automatism and montage not to provide rational arguments but to raise questions about the legacy of the Christian aesthetics for contemporary cinema
Film Theory
This chapter is divided into four sections: 1. The Movies of Modern Life; 2. Cinema and Cultural Studies; 3. The New Bazinianism; 4. Film Aesthetics; Sections 1, 2 and 3 are by Lisabeth During; section 4 is by Lisa Trahair.
Film Theory
This chapter is divided into three sections, each of which concentrates on a key contribution to the ongoing dialogue between philosophy and film. The first section, Philosophy ' s Rib is an extended review of Rupert Read and Jerry Goodenough's Film as Philosophy: Essays on Cinema After Wittgenstein and Cavell ; the second section, Citizen Derrida discusses the text of Dick and Kofman's recent film; the third section considers the extended conver…
Senses of Visuality: Sardines, Surveillance and Cinema
Senses of Visuality: Sardines, Surveillance and Cinema Lisa Trahair (bio) Julia Thomas (editor), Reading Images (Hampshire and New York: Palgrave, 2001), 239 pages Rachel O. Moore, Savage Theory: Cinema as Modern Magic (Durham and London: Duke University Press, 2000), 199 pages. We live in a visualised world, a world in which we are bombarded everyday and everywhere with images that appear transglobal, capable of crossing geographic and racial di…
The Ghost in the Machine: The Comedy of Technology in the Cinema of Buster Keaton
The South Atlantic Quarterly - Volume 101, Number 3, Summer 2002
The Comedy of Philosophy: Bataille, hegel and derrida
2001). THE COMEDY OF PHILOSOPHY: Bataille, hegel and derrida. Angelaki: Vol. 6, No. 3, pp. 155-169
The Comedy of Philosophy: Bataille, hegel and derrida
2001). THE COMEDY OF PHILOSOPHY: Bataille, hegel and derrida. Angelaki: Vol. 6, No. 3, pp. 155-169
The Comedy of Philosophy: Bataille, hegel and derrida
2001). THE COMEDY OF PHILOSOPHY: Bataille, hegel and derrida. Angelaki: Vol. 6, No. 3, pp. 155-169
The Ghost in the Machine: The Comedy of Technology in the Cinema of Buster Keaton
The South Atlantic Quarterly - Volume 101, Number 3, Summer 2002
Senses of Visuality: Sardines, Surveillance and Cinema
Senses of Visuality: Sardines, Surveillance and Cinema Lisa Trahair (bio) Julia Thomas (editor), Reading Images (Hampshire and New York: Palgrave, 2001), 239 pages Rachel O. Moore, Savage Theory: Cinema as Modern Magic (Durham and London: Duke University Press, 2000), 199 pages. We live in a visualised world, a world in which we are bombarded everyday and everywhere with images that appear transglobal, capable of crossing geographic and racial di…
Film Theory
This chapter is divided into three sections, each of which concentrates on a key contribution to the ongoing dialogue between philosophy and film. The first section, Philosophy ' s Rib is an extended review of Rupert Read and Jerry Goodenough's Film as Philosophy: Essays on Cinema After Wittgenstein and Cavell ; the second section, Citizen Derrida discusses the text of Dick and Kofman's recent film; the third section considers the extended conver…
Film Theory
This chapter is divided into four sections: 1. The Movies of Modern Life; 2. Cinema and Cultural Studies; 3. The New Bazinianism; 4. Film Aesthetics; Sections 1, 2 and 3 are by Lisabeth During; section 4 is by Lisa Trahair.
Belief in Cinema: Revisiting Themes From Bazin
Belief in Cinema: Jean-Luc Godard's Je Vous Salue, Marie and the Pedagogy of Images
This paper takes issue with the idea recently promulgated by film-philosophers that the relationship between philosophy and film is untroubled by the encounter between reason and art. To do this I consider how in Je vous salue, Marie Jean-Luc Godard uses allegory, cinematic automatism and montage not to provide rational arguments but to raise questions about the legacy of the Christian aesthetics for contemporary cinema
Introduction: Film and / as Ethics
IntroductionFilm and / as Ethics Robert Sinnerbrink (bio) and Lisa Trahair (bio) The relationship between film and philosophy, along with the idea of film as philosophy, has attracted widespread interest over the last decade. Film theorists and philosophers of film have explored not only the philosophical questions raised by cinema as an artform, but also the possibility that cinema might contribute to philosophical understanding or even engage i…
Belief in this World: The Dardenne brothers'The Sonand Søren Kierkegaard'sFear and Trembling
Film and/as Ethics
Belief in this World: The Dardenne brothers' The Son and Søren Kierkegaard's Fear and Trembling
Belief in this World:The Dardenne brothers’ The Son and Søren Kierkegaard’s Fear and Trembling Lisa Trahair (bio) Introduction This paper takes Luc and Jean-Pierre Dardenne’s film Le Fils (The Son) and its critical reception as an occasion to explore Gilles Deleuze’s proposition that cinema’s capacity to show belief in this world—as a secular corollary to Søren Kierkegaard’s religious belief as a leap of faith—is one avenue by which the medium mi…
Art (9 works) · Art history (7 works) · Movie theater (7 works) · Cinema and Media Studies (6 works) · Psychology (6 works) · Philosophy (5 works) · Aesthetics (4 works) · Philosophy (4 works) · Computer Science (3 works) · Epistemology (3 works)