Ion Sandu
Biographic Data
| ID | 336527 |
|---|---|
| NAME | Ion Sandu |
| GIVEN NAMES | Ion |
| FAMILY NAME | Sandu |
| SIGNATURE | SANDU I |
| AFFILIATIONS | Alexandru Ioan Cuza University |
| ORCID | 0000-0003-4088-8967 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Nikifor’s Work at the Krynica Zdrój Museum as an Example of Twentieth-Century Lemko Naive Painting
This article analyses the activities of the memorial museum of the self-taught artist Nikifor Krynica, whose real name is Epifaniusz Drowniak. The museum’s uniqueness lies in its location in a historic wooden villa called Romanówka, which lends the museum an authentic atmosphere.The importance of Nikifor’s paintings lies not in the mastery of techniques or colour, but in their authenticity to the lands of his native Lemko region. On the other han…
Authentication of a Bronze Bust of Napoleon I, Attributed to Renzo Colombo from 1885
This paper presents the authentication analysis of a bronze bust of Napoleon I, attributed to the Italian artist Renzo Colombo (1856–1885) based on his signature and other casting and molding inscriptions. The bust was made using the lost wax technique and artificially patinated in the Pinédo variant workshop. This study combined historiographical research (using the specialized literature) with data from auction catalogs. These were compared wit…
Evaluation of some wood-water relations and chemometric characteristics of recent oak and archaeological oak wood (Quercus robur) with archaeometric value
Investigation of Archaeological European White Elm (Ulmus laevis) for Identifying and Characterizing the Kind of Biological Degradation
The current work aims at the study of the biological degradation of archaeological European white elm via microscopy and chemical analysis in order to identify the kind of biological degradation and characterize the state of preservation of this type of wood. Profound knowledge of the chemical constituents and biological degradation in fresh-cut and archaeological elm wood will simplify the process of restoration and conservation of the investiga…
Conservation of cultural heritage
The concept of participatory conservation of cultural heritage involves the investigation of ways in which community members can be encouraged to become active actors and collaborators in the preservation/restoration process of cultural heritage assets and, beyond that, promoters of tourism policies and processes and the cultural, ethnographic and religious values that such assets embody. This paper aims to present some forms of participation in …
Briquetage and salt cakes
Conservation of cultural heritage
The concept of participatory conservation of cultural heritage involves the investigation of ways in which community members can be encouraged to become active actors and collaborators in the preservation/restoration process of cultural heritage assets and, beyond that, promoters of tourism policies and processes and the cultural, ethnographic and religious values that such assets embody. This paper aims to present some forms of participation in …
Briquetage and salt cakes
Investigation of Archaeological European White Elm (Ulmus laevis) for Identifying and Characterizing the Kind of Biological Degradation
The current work aims at the study of the biological degradation of archaeological European white elm via microscopy and chemical analysis in order to identify the kind of biological degradation and characterize the state of preservation of this type of wood. Profound knowledge of the chemical constituents and biological degradation in fresh-cut and archaeological elm wood will simplify the process of restoration and conservation of the investiga…
Evaluation of some wood-water relations and chemometric characteristics of recent oak and archaeological oak wood (Quercus robur) with archaeometric value
Authentication of a Bronze Bust of Napoleon I, Attributed to Renzo Colombo from 1885
This paper presents the authentication analysis of a bronze bust of Napoleon I, attributed to the Italian artist Renzo Colombo (1856–1885) based on his signature and other casting and molding inscriptions. The bust was made using the lost wax technique and artificially patinated in the Pinédo variant workshop. This study combined historiographical research (using the specialized literature) with data from auction catalogs. These were compared wit…
Nikifor’s Work at the Krynica Zdrój Museum as an Example of Twentieth-Century Lemko Naive Painting
This article analyses the activities of the memorial museum of the self-taught artist Nikifor Krynica, whose real name is Epifaniusz Drowniak. The museum’s uniqueness lies in its location in a historic wooden villa called Romanówka, which lends the museum an authentic atmosphere.The importance of Nikifor’s paintings lies not in the mastery of techniques or colour, but in their authenticity to the lands of his native Lemko region. On the other han…
Archaeology (3 works) · Cultural Heritage Materials Analysis (3 works) · Biology (2 works) · Botany (2 works) · Chemistry (2 works) · Conservation Techniques and Studies (2 works) · Geography (2 works) · Wood Treatment and Properties (2 works) · Ancient history (1 works) · Ancient Mediterranean Archaeology and History (1 works)