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Bernhard Gardi

Biographic Data

ID336878
NAMEBernhard Gardi
GIVEN NAMESBernhard
FAMILY NAMEGardi
SIGNATUREGARDI B
AFFILIATIONSBernhard Gardi is Curator emeritus of the African Department at the Museum der Kulturen, Basel, Switzerland. He has done fieldwork in West Africa since 1971, with a strong focus on textiles, as evidenced by two of his books: Le boubou—c'est chic (2000, 2003) and Woven Beauty: The Art of West African Textiles (2009).
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS3
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Arkilla , Kaasa , and Nsaa

    Bernhard Gardi, Michelle Gilbert•ARTICLE•The Textile Museum Journal•2021•Cited by: 2

    Wool from the Massina sheep was used to create a dozen or so kinds of textiles patterned by extra (supplementary) weft and tapestry weave in the Niger Bend region. This constellation makes the region the foremost center of technical and visual diversity in West African treadle-loom weaving traditions. Two major categories of wool textiles can be identified: kaasa and arkilla , both heavy covers of different sizes. Whereas the visual appearance of…

  • Volume 1

    Bernhard Gardi, Peter McNeil•ARTICLE•Fashion Theory•2012

  • Man Does Not Go Naked

    Justine M Cordwell, Beate Engelbrecht et al.•ARTICLE•African Arts•1991

  • Mali

    Renee Boser-Sarivaxevanis, Bernhard Gardi•ARTICLE•African Arts•1989•Cited by: 1

  • Zaire

    Masken Figuren, Bernhard Gardi•ARTICLE•African Arts•1987

  • Zaire

    John Mack, Bernhard Gardi•ARTICLE•Man•1987

  • Arkilla , Kaasa , and Nsaa

    Bernhard Gardi, Michelle Gilbert•ARTICLE•The Textile Museum Journal•2021•Cited by: 2

    Wool from the Massina sheep was used to create a dozen or so kinds of textiles patterned by extra (supplementary) weft and tapestry weave in the Niger Bend region. This constellation makes the region the foremost center of technical and visual diversity in West African treadle-loom weaving traditions. Two major categories of wool textiles can be identified: kaasa and arkilla , both heavy covers of different sizes. Whereas the visual appearance of…

  • Mali

    Renee Boser-Sarivaxevanis, Bernhard Gardi•ARTICLE•African Arts•1989•Cited by: 1

  • Zaire

    Masken Figuren, Bernhard Gardi•ARTICLE•African Arts•1987

  • Zaire

    John Mack, Bernhard Gardi•ARTICLE•Man•1987

  • Mali

    Renee Boser-Sarivaxevanis, Bernhard Gardi•ARTICLE•African Arts•1989•Cited by: 1

  • Man Does Not Go Naked

    Justine M Cordwell, Beate Engelbrecht et al.•ARTICLE•African Arts•1991

  • Volume 1

    Bernhard Gardi, Peter McNeil•ARTICLE•Fashion Theory•2012

  • Arkilla , Kaasa , and Nsaa

    Bernhard Gardi, Michelle Gilbert•ARTICLE•The Textile Museum Journal•2021•Cited by: 2

    Wool from the Massina sheep was used to create a dozen or so kinds of textiles patterned by extra (supplementary) weft and tapestry weave in the Niger Bend region. This constellation makes the region the foremost center of technical and visual diversity in West African treadle-loom weaving traditions. Two major categories of wool textiles can be identified: kaasa and arkilla , both heavy covers of different sizes. Whereas the visual appearance of…

Geography (5 works) · African Studies and Ethnography (3 works) · African history and culture analysis (2 works) · Art (2 works) · African history and culture studies (1 work) · African Studies and Geopolitics (1 work) · Agriculture and Rural Development Research (1 work) · Archaeology (1 work) · Colonialism, slavery, and trade (1 work) · Cultural Studies and Postmodernism (1 work)

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