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Elisabeth Scherer

Biographic Data

ID337516
NAMEElisabeth Scherer
GIVEN NAMESElisabeth
FAMILY NAMEScherer
SIGNATURESCHERER E
AFFILIATIONSDepartment of Japanese Studies, Düsseldorf University, Düsseldorf, Germany
ORCID0000-0002-5582-0351
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS12
AUTHOR COUNT6
EDITOR COUNT2
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2022
H-INDEX2
  • Screening Love: Relational Practices in Japanese TV Dramas Produced During the Covid-19 Pandemic

    Open Access•Nora Kottmann, Forum Mithani et al.•ARTICLE•Japan focus•2022

    The ongoing COVID-19 pandemic has had a significant impact on love, marriage and family life. Employing both social science and cultural studies perspectives, this article discusses romantic and familial relationships and their respective depictions in four Japanese romantic dramas (ren'ai dorama) produced under pandemic conditions. It touches upon the COVID-19 pandemic and related policies in Japan, elaborates on conditions of TV production duri…

  • Popularisierung von Kriegserinnerung im Manga In this corner of the world (Kōno Fumiyo, 2007-2009)

    Open Access•Elisabeth Scherer•CHAPTER•Krieg und Migration Im Comic•2020

  • Film tourism impacts: A multi-stakeholder longitudinal approach

    T Thelen, Sangkyun Kim et al.•ARTICLE•Tourism Recreation Research•2020•Cited by: 8•References: 40

    This study examines multiple local stakeholders’ perceptions of film tourism impacts to shed light on the complexities of film tourism planning and development, using a longitudinal exploratory research approach. The Japanese TV series Mare (2015) was chosen as the case study. Qualitative interviews with various local stakeholders were conducted over a 21-month-long period of a film tourism development project in Ishikawa Prefecture, Japan. The s…

  • An everyday glimpse of the nation: NHK’s morning drama (asadora) and rituality

    Elisabeth Scherer•ARTICLE•East Asian Journal of Popular…•2019

    NHK’s morning drama (asadora) has been an important institution on Japanese television since the 1960s and is also known as ‘national drama’. This article discusses this media format in the context of rituals and nationhood: watching asadora has become an everyday ritual that can convey a sense of national unity, and the series functions as a ‘media ritual’ that naturalizes the concept of the Japanese nation, thereby also strengthening the symbol…

  • Revisiting a national institution: NHK’s morning drama (asadora) in transition

    Elisabeth Scherer•ARTICLE•East Asian Journal of Popular…•2019•Cited by: 1

  • On countryside roads to national identity: Japanese morning drama series ( asadora) and contents tourism

    Elisabeth Scherer, T Thelen•ARTICLE•Japan Forum•2017•Cited by: 3•References: 19

    Since the 1960s, NHK's morning drama series (asadora) have become known as a popular and quasi-institutionalised serial format of Japanese TV broadcasting. They attract millions of viewers by telling stories of female protagonists struggling to achieve personal fulfilment. At the same time, they also function as tools to spread certain forms of national identity, which are often linked to conservative concepts of an ideal Japanese lifestyle and a…

  • Japanische Populärkultur und Gender

    Open Access•Michiko Mae, Elisabeth Scherer et al.•BOOK•Japanische Populärkultur und Gender•2016

  • Japanische Populärkultur und Gender: Ein Studienbuch

    Michiko Mae, Elisabeth Scherer et al.•BOOK•Japanische Populärkultur und Gender•2016

  • Film tourism impacts: A multi-stakeholder longitudinal approach

    T Thelen, Sangkyun Kim et al.•ARTICLE•Tourism Recreation Research•2020•Cited by: 8•References: 40

    This study examines multiple local stakeholders’ perceptions of film tourism impacts to shed light on the complexities of film tourism planning and development, using a longitudinal exploratory research approach. The Japanese TV series Mare (2015) was chosen as the case study. Qualitative interviews with various local stakeholders were conducted over a 21-month-long period of a film tourism development project in Ishikawa Prefecture, Japan. The s…

  • On countryside roads to national identity: Japanese morning drama series ( asadora) and contents tourism

    Elisabeth Scherer, T Thelen•ARTICLE•Japan Forum•2017•Cited by: 3•References: 19

    Since the 1960s, NHK's morning drama series (asadora) have become known as a popular and quasi-institutionalised serial format of Japanese TV broadcasting. They attract millions of viewers by telling stories of female protagonists struggling to achieve personal fulfilment. At the same time, they also function as tools to spread certain forms of national identity, which are often linked to conservative concepts of an ideal Japanese lifestyle and a…

  • Revisiting a national institution: NHK’s morning drama (asadora) in transition

    Elisabeth Scherer•ARTICLE•East Asian Journal of Popular…•2019•Cited by: 1

  • Japanische Populärkultur und Gender

    Open Access•Michiko Mae, Elisabeth Scherer et al.•BOOK•Japanische Populärkultur und Gender•2016

  • Japanische Populärkultur und Gender: Ein Studienbuch

    Michiko Mae, Elisabeth Scherer et al.•BOOK•Japanische Populärkultur und Gender•2016

  • On countryside roads to national identity: Japanese morning drama series ( asadora) and contents tourism

    Elisabeth Scherer, T Thelen•ARTICLE•Japan Forum•2017•Cited by: 3•References: 19

    Since the 1960s, NHK's morning drama series (asadora) have become known as a popular and quasi-institutionalised serial format of Japanese TV broadcasting. They attract millions of viewers by telling stories of female protagonists struggling to achieve personal fulfilment. At the same time, they also function as tools to spread certain forms of national identity, which are often linked to conservative concepts of an ideal Japanese lifestyle and a…

  • An everyday glimpse of the nation: NHK’s morning drama (asadora) and rituality

    Elisabeth Scherer•ARTICLE•East Asian Journal of Popular…•2019

    NHK’s morning drama (asadora) has been an important institution on Japanese television since the 1960s and is also known as ‘national drama’. This article discusses this media format in the context of rituals and nationhood: watching asadora has become an everyday ritual that can convey a sense of national unity, and the series functions as a ‘media ritual’ that naturalizes the concept of the Japanese nation, thereby also strengthening the symbol…

  • Revisiting a national institution: NHK’s morning drama (asadora) in transition

    Elisabeth Scherer•ARTICLE•East Asian Journal of Popular…•2019•Cited by: 1

  • Popularisierung von Kriegserinnerung im Manga In this corner of the world (Kōno Fumiyo, 2007-2009)

    Open Access•Elisabeth Scherer•CHAPTER•Krieg und Migration Im Comic•2020

  • Film tourism impacts: A multi-stakeholder longitudinal approach

    T Thelen, Sangkyun Kim et al.•ARTICLE•Tourism Recreation Research•2020•Cited by: 8•References: 40

    This study examines multiple local stakeholders’ perceptions of film tourism impacts to shed light on the complexities of film tourism planning and development, using a longitudinal exploratory research approach. The Japanese TV series Mare (2015) was chosen as the case study. Qualitative interviews with various local stakeholders were conducted over a 21-month-long period of a film tourism development project in Ishikawa Prefecture, Japan. The s…

  • Screening Love: Relational Practices in Japanese TV Dramas Produced During the Covid-19 Pandemic

    Open Access•Nora Kottmann, Forum Mithani et al.•ARTICLE•Japan focus•2022

    The ongoing COVID-19 pandemic has had a significant impact on love, marriage and family life. Employing both social science and cultural studies perspectives, this article discusses romantic and familial relationships and their respective depictions in four Japanese romantic dramas (ren'ai dorama) produced under pandemic conditions. It touches upon the COVID-19 pandemic and related policies in Japan, elaborates on conditions of TV production duri…

Japanese History and Culture (6 works) · Art (5 works) · Asian Culture and Media Studies (5 works) · Sociology (5 works) · Business (3 works) · Drama (3 works) · Literature (3 works) · Political science (3 works) · Advertising (2 works) · Aesthetics (2 works)

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