Tal Feder
Biographic Data
| ID | 339313 |
|---|---|
| NAME | Tal Feder |
| GIVEN NAMES | Tal |
| FAMILY NAME | Feder |
| SIGNATURE | FEDER T |
| AFFILIATIONS | Technion – Israel Institute of Technology |
| ORCID | 0000-0002-2075-6978 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 34 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 3 |
Urban arts justice: Between a global city and its metropolis
Art and culture are essential elements of urban economic development and planning. However, research on the spatial and normative dimensions of arts consumption is limited. We propose an original theoretical framework outlining a normative concept of urban arts justice regarding the consumption of culture and art. Our framework is based on liberal theories of justice and highlights the distributive aspect of arts capabilities, which we call avail…
The Parenthood Penalty in Creative Occupations: How the Covid-19 Pandemic Made Existing Inequalities Worse
Creative occupations are well-known for inequalities and exclusions. This article focuses on one such excluded group-creative workers who are the parents of young children-to examine the impact of the pandemic on their creative careers. We use the Household Quarterly Labour Force Survey, a large and nationally representative database of UK workers covering the period of 2015-2021. We run regression analyses to estimate the multidimensional impact…
Toward a Conceptual Framework of Arts Justice – A Normative Turn in the Sociology of Arts Inequalities
Reluctantly independent: Motivations for self-employed artistic work
Compliance and the social space of cities: Variations in compliance with Covid-19 regulations and capital forms in urban communities
Cultural consumption and Covid-19: Evidence from the Taking Part and Covid-19 Cultural Participation Monitor surveys
How did cultural consumption change during the Covid-19 pandemic? Whilst the impact of the pandemic on cultural production has been given significant attention, work on consumption has seen less attention. This paper addresses this gap in the literature by presenting a comparative analysis of two, nationally representative, surveys of cultural activity in England. The analysis demonstrates that, when cultural consumption moved online and to digit…
Access to arts consumption: The stratification of aesthetic life-chances
This paper develops the concept of access to arts consumption as a necessary link connecting cultural taste and actual consumption. I present a theoretical model that deconstructs access to arts consumption into four dimensions of access: rights, opportunity, participation, and reception. I operationalize and test the model in the context of access to physical cultural consumption using Eurobarometer data on barriers to such access from a sample …
Cultural Consumption and Covid-19: Evidence from the Taking Part and Covid-19 Cultural Participation Monitor surveys
How did cultural consumption change during the Covid-19 pandemic? Whilst the impact of the pandemic on cultural production has been given significant attention, work on consumption has seen less attention (Roberts 2020 on leisure time notwithstanding). This paper addresses this gap in the literature by presenting a comparative analysis of two, nationally representative, surveys of cultural activity in England. The analysis demonstrates that, when…
Normative justification for public arts funding: What can we learn from linking arts consumption and arts policy in Israel
This article studies the socioeconomics of government public expenditure for the arts and the normative foundations of state intervention in the arts. I pose two interrelated research questions: (a) what is the relationship between the public funding of the arts and their consumption? and (b) what mode of justification and what perception of the place of art in society is reflected in this relationship? Based on the philosophical work of Alan Bad…
The cultural hierarchy in funding: Government funding of the performing arts based on ethnic and geographic distinctions
Who benefits from public funding of the performing arts? Comparing the art provision and the hegemony-distinction approaches
Who benefits from public funding of the performing arts? Comparing the art provision and the hegemony-distinction approaches
The cultural hierarchy in funding: Government funding of the performing arts based on ethnic and geographic distinctions
Cultural consumption and Covid-19: Evidence from the Taking Part and Covid-19 Cultural Participation Monitor surveys
How did cultural consumption change during the Covid-19 pandemic? Whilst the impact of the pandemic on cultural production has been given significant attention, work on consumption has seen less attention. This paper addresses this gap in the literature by presenting a comparative analysis of two, nationally representative, surveys of cultural activity in England. The analysis demonstrates that, when cultural consumption moved online and to digit…
Normative justification for public arts funding: What can we learn from linking arts consumption and arts policy in Israel
This article studies the socioeconomics of government public expenditure for the arts and the normative foundations of state intervention in the arts. I pose two interrelated research questions: (a) what is the relationship between the public funding of the arts and their consumption? and (b) what mode of justification and what perception of the place of art in society is reflected in this relationship? Based on the philosophical work of Alan Bad…
Compliance and the social space of cities: Variations in compliance with Covid-19 regulations and capital forms in urban communities
Access to arts consumption: The stratification of aesthetic life-chances
This paper develops the concept of access to arts consumption as a necessary link connecting cultural taste and actual consumption. I present a theoretical model that deconstructs access to arts consumption into four dimensions of access: rights, opportunity, participation, and reception. I operationalize and test the model in the context of access to physical cultural consumption using Eurobarometer data on barriers to such access from a sample …
Who benefits from public funding of the performing arts? Comparing the art provision and the hegemony-distinction approaches
The cultural hierarchy in funding: Government funding of the performing arts based on ethnic and geographic distinctions
Normative justification for public arts funding: What can we learn from linking arts consumption and arts policy in Israel
This article studies the socioeconomics of government public expenditure for the arts and the normative foundations of state intervention in the arts. I pose two interrelated research questions: (a) what is the relationship between the public funding of the arts and their consumption? and (b) what mode of justification and what perception of the place of art in society is reflected in this relationship? Based on the philosophical work of Alan Bad…
Cultural Consumption and Covid-19: Evidence from the Taking Part and Covid-19 Cultural Participation Monitor surveys
How did cultural consumption change during the Covid-19 pandemic? Whilst the impact of the pandemic on cultural production has been given significant attention, work on consumption has seen less attention (Roberts 2020 on leisure time notwithstanding). This paper addresses this gap in the literature by presenting a comparative analysis of two, nationally representative, surveys of cultural activity in England. The analysis demonstrates that, when…
Access to arts consumption: The stratification of aesthetic life-chances
This paper develops the concept of access to arts consumption as a necessary link connecting cultural taste and actual consumption. I present a theoretical model that deconstructs access to arts consumption into four dimensions of access: rights, opportunity, participation, and reception. I operationalize and test the model in the context of access to physical cultural consumption using Eurobarometer data on barriers to such access from a sample …
Reluctantly independent: Motivations for self-employed artistic work
Compliance and the social space of cities: Variations in compliance with Covid-19 regulations and capital forms in urban communities
Cultural consumption and Covid-19: Evidence from the Taking Part and Covid-19 Cultural Participation Monitor surveys
How did cultural consumption change during the Covid-19 pandemic? Whilst the impact of the pandemic on cultural production has been given significant attention, work on consumption has seen less attention. This paper addresses this gap in the literature by presenting a comparative analysis of two, nationally representative, surveys of cultural activity in England. The analysis demonstrates that, when cultural consumption moved online and to digit…
Toward a Conceptual Framework of Arts Justice – A Normative Turn in the Sociology of Arts Inequalities
Urban arts justice: Between a global city and its metropolis
Art and culture are essential elements of urban economic development and planning. However, research on the spatial and normative dimensions of arts consumption is limited. We propose an original theoretical framework outlining a normative concept of urban arts justice regarding the consumption of culture and art. Our framework is based on liberal theories of justice and highlights the distributive aspect of arts capabilities, which we call avail…
The Parenthood Penalty in Creative Occupations: How the Covid-19 Pandemic Made Existing Inequalities Worse
Creative occupations are well-known for inequalities and exclusions. This article focuses on one such excluded group-creative workers who are the parents of young children-to examine the impact of the pandemic on their creative careers. We use the Household Quarterly Labour Force Survey, a large and nationally representative database of UK workers covering the period of 2015-2021. We run regression analyses to estimate the multidimensional impact…
Cultural Industries and Urban Development (10 works) · Political science (9 works) · Sociology (9 works) · Social and Cultural Dynamics (8 works) · The arts (7 works) · Economics (6 works) · Psychology (5 works) · Social science (5 works) · Law (4 works) · Medicine (4 works)