Shannon Garland
Biographic Data
| ID | 339485 |
|---|---|
| NAME | Shannon Garland |
| GIVEN NAMES | Shannon |
| FAMILY NAME | Garland |
| SIGNATURE | GARLAND S |
| AFFILIATIONS | University of California, Merced |
| ORCID | 0000-0003-0617-8240 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Prisoners of the Market
This article discusses the rise of the Chilean rock band Los Prisioneros, “the voice of the 80s.” The band gained traction for its unapologetic critique of the effects of the Pinochet dictatorship’s free-market reform policies on employment and social equality. Yet the band was enabled, technologically and commercially, by these same free-market policies and the dominance of the transnational music industry. The band’s success owes to its ability…
Music, Phones and Bank Loans
This article explores the making of two branded Spotify playlists to critique the concept of 'affective labor.' Over the last few decades, scholars have argued that social media users and creative industries workers alike are engaged in a new type of labor, affective labor, which generates economic value for companies. The article challenges this framing. Drawing on Marxist concepts of productive and unproductive labor, in addition to feminist so…
No love without conflict
This article discusses how love arose as a political ethos in São Paulo, Brazil. The meaning and feeling of love emerged as middle-class artists sought to do what they love as work; activists demanded rights to the city through cultural intervention; and a hit song by an obscure rapper lamented that ‘love doesn’t exist in São Paulo’. Cultural activists tied love’s affective resonance to the mayoral campaign of politician Fernando Haddad, who like…
Trocando ideias musicais
Este artigo descreve a formação de uma escuta local que emergiu no Rio de Janeiro nos anos 1990 entre participantes da música indie a partir do fazer musical, que englobava a produção e a circulação de mídias através das quais o indie adquiriu sentido social. Podemos chamar de sociabilidade da circulação o modo pelo qual formas materiais específicas, como revistas e fitas cassete, impactam os tipos de prática social que tanto facilitam a troca de…
“The Space, the Gear, and Two Big Cans of Beer”: Fora do Eixo and the Debate over Circulation, Remuneration, and Aesthetics in the Brazilian Alternative Market
No love without conflict
This article discusses how love arose as a political ethos in São Paulo, Brazil. The meaning and feeling of love emerged as middle-class artists sought to do what they love as work; activists demanded rights to the city through cultural intervention; and a hit song by an obscure rapper lamented that ‘love doesn’t exist in São Paulo’. Cultural activists tied love’s affective resonance to the mayoral campaign of politician Fernando Haddad, who like…
“The Space, the Gear, and Two Big Cans of Beer”: Fora do Eixo and the Debate over Circulation, Remuneration, and Aesthetics in the Brazilian Alternative Market
Trocando ideias musicais
Este artigo descreve a formação de uma escuta local que emergiu no Rio de Janeiro nos anos 1990 entre participantes da música indie a partir do fazer musical, que englobava a produção e a circulação de mídias através das quais o indie adquiriu sentido social. Podemos chamar de sociabilidade da circulação o modo pelo qual formas materiais específicas, como revistas e fitas cassete, impactam os tipos de prática social que tanto facilitam a troca de…
No love without conflict
This article discusses how love arose as a political ethos in São Paulo, Brazil. The meaning and feeling of love emerged as middle-class artists sought to do what they love as work; activists demanded rights to the city through cultural intervention; and a hit song by an obscure rapper lamented that ‘love doesn’t exist in São Paulo’. Cultural activists tied love’s affective resonance to the mayoral campaign of politician Fernando Haddad, who like…
Music, Phones and Bank Loans
This article explores the making of two branded Spotify playlists to critique the concept of 'affective labor.' Over the last few decades, scholars have argued that social media users and creative industries workers alike are engaged in a new type of labor, affective labor, which generates economic value for companies. The article challenges this framing. Drawing on Marxist concepts of productive and unproductive labor, in addition to feminist so…
Prisoners of the Market
This article discusses the rise of the Chilean rock band Los Prisioneros, “the voice of the 80s.” The band gained traction for its unapologetic critique of the effects of the Pinochet dictatorship’s free-market reform policies on employment and social equality. Yet the band was enabled, technologically and commercially, by these same free-market policies and the dominance of the transnational music industry. The band’s success owes to its ability…
Art (3 works) · Business (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Visual arts (2 works) · Advertising (1 work) · Aesthetics (1 work) · Affect (linguistics (1 work) · Anthropological Studies and Insights (1 work)