Max Blansjaar
Biographic Data
| ID | 339489 |
|---|---|
| NAME | Max Blansjaar |
| GIVEN NAMES | Max |
| FAMILY NAME | Blansjaar |
| SIGNATURE | BLANSJAAR M |
| AFFILIATIONS | St. Catherine University |
| ORCID | 0009-0006-3401-2351 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
A practical guide to the silent disco
Hold Music
The notion of sonic intimacy has received increasing scholarly attention in recent years, but less well-established has been what it means for a sonic encounter to be non-intimate. This essay proposes an opposite to sonic intimacy, namely sonic estrangement, and argues that hold music-music played to callers when they have been placed 'on hold'-effects sonic estrangement in three ways. First, through its timbral quality, which in its lack of full…
No prominent works on this page.
Hold Music
The notion of sonic intimacy has received increasing scholarly attention in recent years, but less well-established has been what it means for a sonic encounter to be non-intimate. This essay proposes an opposite to sonic intimacy, namely sonic estrangement, and argues that hold music-music played to callers when they have been placed 'on hold'-effects sonic estrangement in three ways. First, through its timbral quality, which in its lack of full…
A practical guide to the silent disco
Diverse Music Education Insights (1 work) · History (1 work) · Music History and Culture (1 work) · Psychology (1 work) · Social and Cultural Dynamics (1 work) · Theater, Performance, and Music History (1 work)