Douglas R Nickel
Biographic Data
| ID | 341579 |
|---|---|
| NAME | Douglas R Nickel |
| GIVEN NAMES | Douglas R |
| FAMILY NAME | Nickel |
| SIGNATURE | NICKEL D R |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 0 |
Speculating Daguerre
(2013). Speculating Daguerre: Art and Enterprise in the Work of L. J. M. Daguerre: Stephen C. Pinson. Photography and Culture: Vol. 6, No. 3, pp. 365-368
Talbot's natural magic
We might begin with a passage from Talbot's first public utterance about his derivation of the process soon to be named ‘photography’. The date is 31 January 1839, the place is the Royal Society in London, and it is six days after Michael Faraday had communicated to the Royal Institution that the idea of making pictures with light had an English as well as a French origin. That evening Talbot read his paper Some Account of the Art of Photogenic D…
Roland Barthes and the snapshot
In 1980, a few months after completing the manuscript for his semmal study La Chombre Claire: Note sur la photographie (translated into English as Camera Lucida: Reflections on Photography), the French philosopher Roland Barthes stepped off a Parisian street comer and was killed by a passing laundry van. He was sixty-five at the time, hardly an old man, but any reader of Camera Lucida would have to conclude that ‘untimely’ is not a word as straig…
"American Photographs" Revisited
No prominent works on this page.
"American Photographs" Revisited
Roland Barthes and the snapshot
In 1980, a few months after completing the manuscript for his semmal study La Chombre Claire: Note sur la photographie (translated into English as Camera Lucida: Reflections on Photography), the French philosopher Roland Barthes stepped off a Parisian street comer and was killed by a passing laundry van. He was sixty-five at the time, hardly an old man, but any reader of Camera Lucida would have to conclude that ‘untimely’ is not a word as straig…
Talbot's natural magic
We might begin with a passage from Talbot's first public utterance about his derivation of the process soon to be named ‘photography’. The date is 31 January 1839, the place is the Royal Society in London, and it is six days after Michael Faraday had communicated to the Royal Institution that the idea of making pictures with light had an English as well as a French origin. That evening Talbot read his paper Some Account of the Art of Photogenic D…
Speculating Daguerre
(2013). Speculating Daguerre: Art and Enterprise in the Work of L. J. M. Daguerre: Stephen C. Pinson. Photography and Culture: Vol. 6, No. 3, pp. 365-368
Art (4 works) · Art history (4 works) · Photography (3 works) · Photography and Visual Culture (3 works) · Visual arts (3 works) · Photographic and Visual Arts (2 works) · Visual Culture and Art Theory (2 works) · Art, Politics, and Modernism (1 work) · Astronomy (1 work) · Biography (1 work)