David Bering-Porter
Dados Biográficos
| ID | 341583 |
|---|---|
| NOME | David Bering-Porter |
| PRENOMES | David |
| SOBRENOME | Bering-Porter |
| ASSINATURA | BERING-PORTER D |
| AFILIAÇÕES | Michigan State University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAÇÕES | 2 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2014 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2022 |
| ÍNDICE H | 1 |
Data as Symbolic Form
This article explores datafication as a speculative discourse that fundamentally and instrumentally misunderstands data, not as a representational system, but as an ontology. This analysis of datafication takes a semiotic and media-archaeological approach to datafication, understanding it as an imaginary media system, and the article looks to supplementary discourses in data visualization and big data to clarify and expand an understanding of dat…
The automaton in all of us
The work of the experimental film-maker, Martin Arnold, has been described as part structural film, part rap, and part seizure or stutter. Using an optical printer to manipulate 16mm films, Arnold plays with the movement and timing of a film to create an effect like that of a DJ scratching a record: the motion of the film seems to seize, to convulse in repetitive patterns of time. This article focuses on the first and last of a trio of Arnold's e…
Data as Symbolic Form
This article explores datafication as a speculative discourse that fundamentally and instrumentally misunderstands data, not as a representational system, but as an ontology. This analysis of datafication takes a semiotic and media-archaeological approach to datafication, understanding it as an imaginary media system, and the article looks to supplementary discourses in data visualization and big data to clarify and expand an understanding of dat…
The automaton in all of us
The work of the experimental film-maker, Martin Arnold, has been described as part structural film, part rap, and part seizure or stutter. Using an optical printer to manipulate 16mm films, Arnold plays with the movement and timing of a film to create an effect like that of a DJ scratching a record: the motion of the film seems to seize, to convulse in repetitive patterns of time. This article focuses on the first and last of a trio of Arnold's e…
Data as Symbolic Form
This article explores datafication as a speculative discourse that fundamentally and instrumentally misunderstands data, not as a representational system, but as an ontology. This analysis of datafication takes a semiotic and media-archaeological approach to datafication, understanding it as an imaginary media system, and the article looks to supplementary discourses in data visualization and big data to clarify and expand an understanding of dat…
Aesthetics (2 obras) · Art (2 obras) · Epistemology (2 obras) · Philosophy (2 obras) · Anthropology (1 obras) · Art history (1 obras) · Art, Politics, and Modernism (1 obras) · Blueprint (1 obras) · Cinema and Media Studies (1 obras) · Data Visualization and Analytics (1 obras)