David W Tarbet
Biographic Data
| ID | 3422667 |
|---|---|
| NAME | David W Tarbet |
| GIVEN NAMES | David W |
| FAMILY NAME | Tarbet |
| SIGNATURE | TARBET D W |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1968 |
| LATEST PUBLICATION YEAR | 1979 |
| H-INDEX | 2 |
Confinement and Flight
Discipline and Punish
Defoe and Casuistry
Lockean "Intuition" and Johnson's Characterization of Aesthetic Response
STUDENTS OF SAMUEL JOHNSON'S criticism have seldom identified his exclusively aesthetic concerns. At extremes, commentators on Johnson's criticism have often denied his aesthetic interests and assimilated his critical judgments to statements of moral belief or approvals of naive empirical realism.' Even in his major, book-length study, Jean Hagstrum speculates on reasons for Johnson's neglect of aesthetics and suggests that the very catholicity o…
The Fabric of Metaphor in Kant's Critique of Pure Reason
The Fabric of Metaphor in Kant's CritiqueofPure Reason DAVID W. TARBET I THE STYLV.OF MOST PHILOSOPHICwriting is determined by its need to be as clear and comprehensive as possible. In the preface to the first edition of the Critique o/Pure Reason, Kant recognizes the reader's just demand for both logical and aesthetic clarity, but he immediately .emphasizes logical, or what he calls "discursive" clarity, and limits the examples and illustrations…
Discipline and Punish
Defoe and Casuistry
The Fabric of Metaphor in Kant's Critique of Pure Reason
The Fabric of Metaphor in Kant's CritiqueofPure Reason DAVID W. TARBET I THE STYLV.OF MOST PHILOSOPHICwriting is determined by its need to be as clear and comprehensive as possible. In the preface to the first edition of the Critique o/Pure Reason, Kant recognizes the reader's just demand for both logical and aesthetic clarity, but he immediately .emphasizes logical, or what he calls "discursive" clarity, and limits the examples and illustrations…
The Fabric of Metaphor in Kant's Critique of Pure Reason
The Fabric of Metaphor in Kant's CritiqueofPure Reason DAVID W. TARBET I THE STYLV.OF MOST PHILOSOPHICwriting is determined by its need to be as clear and comprehensive as possible. In the preface to the first edition of the Critique o/Pure Reason, Kant recognizes the reader's just demand for both logical and aesthetic clarity, but he immediately .emphasizes logical, or what he calls "discursive" clarity, and limits the examples and illustrations…
Lockean "Intuition" and Johnson's Characterization of Aesthetic Response
STUDENTS OF SAMUEL JOHNSON'S criticism have seldom identified his exclusively aesthetic concerns. At extremes, commentators on Johnson's criticism have often denied his aesthetic interests and assimilated his critical judgments to statements of moral belief or approvals of naive empirical realism.' Even in his major, book-length study, Jean Hagstrum speculates on reasons for Johnson's neglect of aesthetics and suggests that the very catholicity o…
Defoe and Casuistry
Discipline and Punish
Confinement and Flight
Epistemology (3 works) · Philosophy (3 works) · Art (2 works) · Philosophy (2 works) · Aesthetics (1 works) · Argument (complex analysis (1 works) · Casuistry (1 works) · Characterization (materials science (1 works) · CLARITY (1 works) · Computer Science (1 works)