Phyllis Weliver
Biographic Data
| ID | 3428752 |
|---|---|
| NAME | Phyllis Weliver |
| GIVEN NAMES | Phyllis |
| FAMILY NAME | Weliver |
| SIGNATURE | WELIVER P |
| AFFILIATIONS | UCLouvain Saint-Louis Brussels |
| ORCID | 0000-0002-5284-2598 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 2 |
Music and Victorian Liberalism
The Parrys and Prometheus Unbound
Women Musicians in Victorian Fiction, 1860-1900
This title was first publushed in 2000. Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. Women in the 19th century were judged on their manners, appearance, language and other accomplishments such as …
A Score of Change
Over the last 20 years, the impact of critical musicology (or new musicology) has given rise to fresh areas of exploration (e.g., performance practices, reception histories, affect, listening) and new methods and sites of investigation, including Victorian novels and poems. Influenced by cultural criticism, critical musicologists study musical practices as interactive with a wide range of human activities and beliefs. Simultaneously, literary sch…
Oscar Wilde, Music, and the ‘Opium-Tainted Cigarette’
This article shows how the musical references in Oscar Wilde's novel The Picture of Dorian Gray are important to the identity of the dandy, especially in relation to the literary-critical work of Matthew Arnold, whose guiding presence in Wilde's oeuvre has traditionally been somewhat underestimated. Wilde's male characters, although famously fond of music, reveal ‘disinterestedness’ in earnest musical pursuits, similar to the ‘Indian virtue of de…
Women Musicians in Victorian Fiction, 1860-1900
This title was first publushed in 2000. Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. Women in the 19th century were judged on their manners, appearance, language and other accomplishments such as …
A Score of Change
Over the last 20 years, the impact of critical musicology (or new musicology) has given rise to fresh areas of exploration (e.g., performance practices, reception histories, affect, listening) and new methods and sites of investigation, including Victorian novels and poems. Influenced by cultural criticism, critical musicologists study musical practices as interactive with a wide range of human activities and beliefs. Simultaneously, literary sch…
Oscar Wilde, Music, and the ‘Opium-Tainted Cigarette’
This article shows how the musical references in Oscar Wilde's novel The Picture of Dorian Gray are important to the identity of the dandy, especially in relation to the literary-critical work of Matthew Arnold, whose guiding presence in Wilde's oeuvre has traditionally been somewhat underestimated. Wilde's male characters, although famously fond of music, reveal ‘disinterestedness’ in earnest musical pursuits, similar to the ‘Indian virtue of de…
A Score of Change
Over the last 20 years, the impact of critical musicology (or new musicology) has given rise to fresh areas of exploration (e.g., performance practices, reception histories, affect, listening) and new methods and sites of investigation, including Victorian novels and poems. Influenced by cultural criticism, critical musicologists study musical practices as interactive with a wide range of human activities and beliefs. Simultaneously, literary sch…
Women Musicians in Victorian Fiction, 1860-1900
This title was first publushed in 2000. Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. Women in the 19th century were judged on their manners, appearance, language and other accomplishments such as …
Music and Victorian Liberalism
The Parrys and Prometheus Unbound
Art (3 works) · Theater, Performance, and Music History (3 works) · Arts (2 works) · Great britain (2 works) · History (2 works) · History (2 works) · History and criticism (2 works) · History and criticism (2 works) · Music (2 works) · Musicology and Musical Analysis (2 works)