Eduard Alekseyev
Biographic Data
| ID | 3429379 |
|---|---|
| NAME | Eduard Alekseyev |
| GIVEN NAMES | Eduard |
| FAMILY NAME | Alekseyev |
| SIGNATURE | ALEKSEYEV E |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
How, where and when authentic traditions of Jaw Harp music of Siberia and the Far East have been forming. Part 2
This article identifies the principal factors in the evolution of the tonal organization of traditional Jaw Harp music within the context of the chronology of its geographic distribution. The specificity of the vocal system of the Jaw Harp performance technique is analyzed in comparison with the vocal systems of verbal speech and singing. Based on the theories of residue pitch and harmonic templates, the article proposes a model of phonological c…
The Overlooked Tradition of "Personal Music" and Its Place in the Evolution of Music
This is an attempt to describe and explain so-called timbre-based music as a special system of musicking, communication, and psychological and social usage, which along with its corresponding beliefs constitutes a viable alternative to "frequency-based" music. Unfortunately, the current scientific research into music has been skewed almost entirely in favor of the frequency-based music prevalent in the West. Subsequently, whenever samples of timb…
What the “Talking Jew’s Harp” is saying
This article is an attempt to further develop the theory of divergence of musical systems of east and west of Eurasia by defining characteristics of a special type of musical cognition prevalent in traditional musical cultures of the indige-nous population of Siberia and Russian Far East. Its underlying trait is orientation on timbre (spectral content of musical sound) rather than pitch (frequency relations between musical sounds). Accordingly, w…
The Yakut Folk Song
The author reviews the many genres of Yakut (Sakha) folk music, arguing that its richness is illustrated through the vitality and adaptability of song [toyuk], epos [olonkho], prayer [algys], and improvisational circle dance chanting [okhuokhai]. Some traditionally multi-media and multi-vocal forms, such as shamanic dramas and full-length epic singing, have been rechanneled, with their creative spirit being inherited by the most varied manifestat…
The Overlooked Tradition of "Personal Music" and Its Place in the Evolution of Music
This is an attempt to describe and explain so-called timbre-based music as a special system of musicking, communication, and psychological and social usage, which along with its corresponding beliefs constitutes a viable alternative to "frequency-based" music. Unfortunately, the current scientific research into music has been skewed almost entirely in favor of the frequency-based music prevalent in the West. Subsequently, whenever samples of timb…
The Yakut Folk Song
The author reviews the many genres of Yakut (Sakha) folk music, arguing that its richness is illustrated through the vitality and adaptability of song [toyuk], epos [olonkho], prayer [algys], and improvisational circle dance chanting [okhuokhai]. Some traditionally multi-media and multi-vocal forms, such as shamanic dramas and full-length epic singing, have been rechanneled, with their creative spirit being inherited by the most varied manifestat…
What the “Talking Jew’s Harp” is saying
This article is an attempt to further develop the theory of divergence of musical systems of east and west of Eurasia by defining characteristics of a special type of musical cognition prevalent in traditional musical cultures of the indige-nous population of Siberia and Russian Far East. Its underlying trait is orientation on timbre (spectral content of musical sound) rather than pitch (frequency relations between musical sounds). Accordingly, w…
How, where and when authentic traditions of Jaw Harp music of Siberia and the Far East have been forming. Part 2
This article identifies the principal factors in the evolution of the tonal organization of traditional Jaw Harp music within the context of the chronology of its geographic distribution. The specificity of the vocal system of the Jaw Harp performance technique is analyzed in comparison with the vocal systems of verbal speech and singing. Based on the theories of residue pitch and harmonic templates, the article proposes a model of phonological c…
The Overlooked Tradition of "Personal Music" and Its Place in the Evolution of Music
This is an attempt to describe and explain so-called timbre-based music as a special system of musicking, communication, and psychological and social usage, which along with its corresponding beliefs constitutes a viable alternative to "frequency-based" music. Unfortunately, the current scientific research into music has been skewed almost entirely in favor of the frequency-based music prevalent in the West. Subsequently, whenever samples of timb…
Diverse Musicological Studies (4 works) · Acoustics (3 works) · Folklore, Mythology, and Literature Studies (3 works) · History (3 works) · Linguistics (3 works) · Singing (3 works) · Art (2 works) · Computer Science (2 works) · HARP (2 works) · Literature (2 works)