Ylva Sjöstrand
Biographic Data
| ID | 3430723 |
|---|---|
| NAME | Ylva Sjöstrand |
| GIVEN NAMES | Ylva |
| FAMILY NAME | Sjöstrand |
| SIGNATURE | SJÖSTRAND Y |
| AFFILIATIONS | Stockholm University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 15 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Älgens roll i ett neolitiskt tänkande. Om fångstgropar, skärvstensvallar och hällbilder i mellersta Norrland
The moose and its place in the Neolithic thinking The study argues that the concept of Neolithisation can be applied to the Stone Age hunter-gatherer communities of Middle Norrland. The point of departure is that Neolithisation can be regarded as a form of production, a cognitive structure, rather than being reduced to a term signifying the presence of farming or animal husbandry. Since phenomena such as collective practices and organisational en…
On Elks and Places that Gather: Emplacing North Swedish Rock Paintings
This paper argues for the importance of empha- sizing emplacedness in studies of Fennoscandian rock art. Drawing on a discriminating analysis of three red ochre paintings from Neolithic northern Sweden, it is shown that stylistically comparable panels were created and used through divergent practices connected to their respective spatial con- text. This result raises questions about the episte- mological legitimacy of conceptualizing rock art sit…
Product or Production: On the accumulative Aspect of Rock Art at Nämforsen, Northern Sweden
In this article the accumulative aspect of rock art is dis- cussed. In light of the simple fact that we are seeing rock art panels in their final form, questions concerning the interrelation between figures deriving from differ- ent time periods are addressed. The author’s aim is to draw attention to the long continuity of rock art sites and show how greater awareness of this aspect will af- fect the way we comprehend this material in general. Th…
The Concept of Art as Archaeologically Applicable
In this article I review arguments in favour of the need and possibility of importing a revitalized concept of art in archaeological reasoning. By comprehending the concept of art as a function, rather than as a property inherent within particular kinds of objects or events, I offer a way of understanding art as the mode in which a phenomenon operates when its ontological multiplicity, its variety of equally real modes of being, becomes exposed. …
Heidrun Stebergløkken: Bergkunstens Gestalter, Typer og Stiler: En Metodisk og Empirisk Tilnærming til Veidekunstens Konstruksjonsmåter i et Midtnorsk perspektiv
Bergkunstens Gestalter, Typer og Stiler : En Metodisk og Empirisk Tilnaerming til Veidekunstens Konstruksjonsmater i et Midtnorsk perspektiv
The Concept of Art as Archaeologically Applicable
In this article I review arguments in favour of the need and possibility of importing a revitalized concept of art in archaeological reasoning. By comprehending the concept of art as a function, rather than as a property inherent within particular kinds of objects or events, I offer a way of understanding art as the mode in which a phenomenon operates when its ontological multiplicity, its variety of equally real modes of being, becomes exposed. …
Product or Production: On the accumulative Aspect of Rock Art at Nämforsen, Northern Sweden
In this article the accumulative aspect of rock art is dis- cussed. In light of the simple fact that we are seeing rock art panels in their final form, questions concerning the interrelation between figures deriving from differ- ent time periods are addressed. The author’s aim is to draw attention to the long continuity of rock art sites and show how greater awareness of this aspect will af- fect the way we comprehend this material in general. Th…
Heidrun Stebergløkken: Bergkunstens Gestalter, Typer og Stiler: En Metodisk og Empirisk Tilnærming til Veidekunstens Konstruksjonsmåter i et Midtnorsk perspektiv
Bergkunstens Gestalter, Typer og Stiler : En Metodisk og Empirisk Tilnaerming til Veidekunstens Konstruksjonsmater i et Midtnorsk perspektiv
The Concept of Art as Archaeologically Applicable
In this article I review arguments in favour of the need and possibility of importing a revitalized concept of art in archaeological reasoning. By comprehending the concept of art as a function, rather than as a property inherent within particular kinds of objects or events, I offer a way of understanding art as the mode in which a phenomenon operates when its ontological multiplicity, its variety of equally real modes of being, becomes exposed. …
Älgens roll i ett neolitiskt tänkande. Om fångstgropar, skärvstensvallar och hällbilder i mellersta Norrland
The moose and its place in the Neolithic thinking The study argues that the concept of Neolithisation can be applied to the Stone Age hunter-gatherer communities of Middle Norrland. The point of departure is that Neolithisation can be regarded as a form of production, a cognitive structure, rather than being reduced to a term signifying the presence of farming or animal husbandry. Since phenomena such as collective practices and organisational en…
On Elks and Places that Gather: Emplacing North Swedish Rock Paintings
This paper argues for the importance of empha- sizing emplacedness in studies of Fennoscandian rock art. Drawing on a discriminating analysis of three red ochre paintings from Neolithic northern Sweden, it is shown that stylistically comparable panels were created and used through divergent practices connected to their respective spatial con- text. This result raises questions about the episte- mological legitimacy of conceptualizing rock art sit…
Product or Production: On the accumulative Aspect of Rock Art at Nämforsen, Northern Sweden
In this article the accumulative aspect of rock art is dis- cussed. In light of the simple fact that we are seeing rock art panels in their final form, questions concerning the interrelation between figures deriving from differ- ent time periods are addressed. The author’s aim is to draw attention to the long continuity of rock art sites and show how greater awareness of this aspect will af- fect the way we comprehend this material in general. Th…
Archaeology (3 works) · Archaeology and Rock Art Studies (3 works) · Pleistocene-Era Hominins and Archaeology (3 works) · Rock art (3 works) · Art (2 works) · Geography (2 works) · History (2 works) · Image Processing and 3D Reconstruction (2 works) · Philosophy (2 works) · Psychology (2 works)