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Ina Heumann

Biographic Data

ID3432800
NAMEIna Heumann
GIVEN NAMESIna
FAMILY NAMEHeumann
SIGNATUREHEUMANN I
AFFILIATIONSMuseum für Naturkunde
ORCID0009-0006-1297-0014
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS1
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Provenance and Transformation

    Katja Kaiser, Ina Heumann•ARTICLE•Museum International•2025

    Over the past few decades, the Museum fur Naturkunde (MfN) in Berlin has undergone a profound institutional transformation. Processes such as digitisation, internationalisation, and, more recently

  • Taking nature

    Open Access•Ina Heumann•ARTICLE•Science in Context•2024

    Argument Over a four-year period from 1909 to 1913, the German expedition to Tendaguru removed 250 metric tons of dinosaur fossils from what is now Tanzania and was then part of the colony of German East Africa. To this day, these fossils – some of them now world-famous exhibits – are held in Berlin’s Museum für Naturkunde. Using hitherto unexamined sources, this paper reveals how the expedition’s leaders translated their initial mission of “thor…

  • Dinosaurs and Provenance

    Open Access•Ina Heumann, Holger Stoecker et al.•CHAPTER•Deconstructing Dinosaurs•2024

  • Deconstructing Dinosaurs

    Ina Heumann, Mareike Vennen et al.•BOOK•Deconstructing Dinosaurs•2024

  • Introduction

    Open Access•Ina Heumann, Anne Greenwood Mackinney et al.•ARTICLE•The British Journal for the…•2022•Cited by: 1•References: 3

    The permanent preservation of objects in global custodianship is a captivating ideal that informs countless museums' corporate identities and governs collection guidelines as well as politics. Recent research has challenged the alleged perpetuity of collections and collected items, revealing their coherence as fragile and dependent on historically, politically and culturally specific conditions. Duplicates offer an instructive point of entry to e…

  • Objektverfahren

    Open Access•Barbara Göbel, Anke Te Heesen et al.•ARTICLE•Berichte zur Wissenschaftsgeschicht…•2016•References: 4

  • Gegenstücke

    Open Access•Ina Heumann•BOOK•Gegenstücke•2014

    „Gegenstücke“ examines science communication as a cultural, social, and epistemic practice that is shaped by its historical contexts as well as its material and medial conditions. It is focusing mainly on two popular science magazines, Bild der Wissenschaft and Scientific American, established in West Germany in 1964, and in New York in 1845 respectively. Both magazines and their relationship are part of a history of imitation and nationalization…

  • Linus Pauling, Roger Hayward und der Wert von Sichtbarmachungen

    Open Access•Ina Heumann•ARTICLE•Berichte zur Wissenschaftsgeschicht…•2013•References: 2

    Linus Pauling, Roger Hayward, and the Value of Visualizations. Linus Pauling's work was intrinsically linked to visualizations. While his use of three‐ and two‐dimensional inscriptions has been the focus of much scholarly research, the production of visualizations remains a rather poorly studied subject. This article focuses on the cooperation between Pauling and Roger Hayward, an architect by profession who came to scientific illustration in the…

  • Einleitung

    Open Access•Ina Heumann, Axel C Hüntelmann•ARTICLE•Berichte zur Wissenschaftsgeschicht…•2013•References: 9

  • Introduction

    Open Access•Ina Heumann, Anne Greenwood Mackinney et al.•ARTICLE•The British Journal for the…•2022•Cited by: 1•References: 3

    The permanent preservation of objects in global custodianship is a captivating ideal that informs countless museums' corporate identities and governs collection guidelines as well as politics. Recent research has challenged the alleged perpetuity of collections and collected items, revealing their coherence as fragile and dependent on historically, politically and culturally specific conditions. Duplicates offer an instructive point of entry to e…

  • Linus Pauling, Roger Hayward und der Wert von Sichtbarmachungen

    Open Access•Ina Heumann•ARTICLE•Berichte zur Wissenschaftsgeschicht…•2013•References: 2

    Linus Pauling, Roger Hayward, and the Value of Visualizations. Linus Pauling's work was intrinsically linked to visualizations. While his use of three‐ and two‐dimensional inscriptions has been the focus of much scholarly research, the production of visualizations remains a rather poorly studied subject. This article focuses on the cooperation between Pauling and Roger Hayward, an architect by profession who came to scientific illustration in the…

  • Einleitung

    Open Access•Ina Heumann, Axel C Hüntelmann•ARTICLE•Berichte zur Wissenschaftsgeschicht…•2013•References: 9

  • Gegenstücke

    Open Access•Ina Heumann•BOOK•Gegenstücke•2014

    „Gegenstücke“ examines science communication as a cultural, social, and epistemic practice that is shaped by its historical contexts as well as its material and medial conditions. It is focusing mainly on two popular science magazines, Bild der Wissenschaft and Scientific American, established in West Germany in 1964, and in New York in 1845 respectively. Both magazines and their relationship are part of a history of imitation and nationalization…

  • Objektverfahren

    Open Access•Barbara Göbel, Anke Te Heesen et al.•ARTICLE•Berichte zur Wissenschaftsgeschicht…•2016•References: 4

  • Introduction

    Open Access•Ina Heumann, Anne Greenwood Mackinney et al.•ARTICLE•The British Journal for the…•2022•Cited by: 1•References: 3

    The permanent preservation of objects in global custodianship is a captivating ideal that informs countless museums' corporate identities and governs collection guidelines as well as politics. Recent research has challenged the alleged perpetuity of collections and collected items, revealing their coherence as fragile and dependent on historically, politically and culturally specific conditions. Duplicates offer an instructive point of entry to e…

  • Taking nature

    Open Access•Ina Heumann•ARTICLE•Science in Context•2024

    Argument Over a four-year period from 1909 to 1913, the German expedition to Tendaguru removed 250 metric tons of dinosaur fossils from what is now Tanzania and was then part of the colony of German East Africa. To this day, these fossils – some of them now world-famous exhibits – are held in Berlin’s Museum für Naturkunde. Using hitherto unexamined sources, this paper reveals how the expedition’s leaders translated their initial mission of “thor…

  • Dinosaurs and Provenance

    Open Access•Ina Heumann, Holger Stoecker et al.•CHAPTER•Deconstructing Dinosaurs•2024

  • Deconstructing Dinosaurs

    Ina Heumann, Mareike Vennen et al.•BOOK•Deconstructing Dinosaurs•2024

  • Provenance and Transformation

    Katja Kaiser, Ina Heumann•ARTICLE•Museum International•2025

    Over the past few decades, the Museum fur Naturkunde (MfN) in Berlin has undergone a profound institutional transformation. Processes such as digitisation, internationalisation, and, more recently

History of Science and Natural History (4 works) · Archaeological Research and Protection (3 works) · Art (3 works) · Geology (3 works) · Art history (2 works) · Colonialism (2 works) · Computer Science (2 works) · Library science (2 works) · Provenance (2 works) · Archaeology (1 work)

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