Stephen Loy
Biographic Data
| ID | 3433263 |
|---|---|
| NAME | Stephen Loy |
| GIVEN NAMES | Stephen |
| FAMILY NAME | Loy |
| SIGNATURE | LOY S |
| AFFILIATIONS | Universal Alloy (United States) |
| ORCID | 0000-0003-2146-0674 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Questions of Style and Lateness in Led Zeppelin’s Presence
Guitarist Jimmy Page described Presence as Led Zeppelin’s best work and a response to the group’s circumstances in late 1975, while afflicted by personal trauma and collective apprehension for their future. The reflection of these tensions in the music of Presence, through introspection, difficulty, and complexity, resulting in a stylistic departure from the group’s previous albums, forms the focus of this article. The concept of late style provi…
Popular Music, Stars and Stardom
A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of
The Hallelujah Effect
The philosophical consideration of music has a long and distinguished history, with many prominent thinkers since Greek antiquity concerning themselves with musical subjects: Plato, Rousseau, Nietz
Speaking of Music
Additional informationNotes on contributorsStephen LoyStephen Loy completed his doctoral studies at the Sydney Conservatorium of Music, the University of Sydney, Australia in 2006, examining connections between the late 1960s avant-garde and the classical tradition of Beethoven. Other research interests include the music of Brahms, and popular music of the 1960s and 1970s. He has lectured in music theory, aural skills and critical and historical …
Led Zeppelin’s ‘Dazed and Confused’
IntroductionRecorded during September and October 1968, and released on the band's self-titled debut album in January 1969, Led Zeppelin's 'Dazed and Confused' is the most significant example of the group's approach to the translation of studio recordings into vehicles for improvisation and experimentation in a live performance context.1 One of the songs that guitarist Jimmy Page introduced to the other members of the band at their first meeting …
Popular Music, Stars and Stardom
A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of
Led Zeppelin’s ‘Dazed and Confused’
IntroductionRecorded during September and October 1968, and released on the band's self-titled debut album in January 1969, Led Zeppelin's 'Dazed and Confused' is the most significant example of the group's approach to the translation of studio recordings into vehicles for improvisation and experimentation in a live performance context.1 One of the songs that guitarist Jimmy Page introduced to the other members of the band at their first meeting …
Speaking of Music
Additional informationNotes on contributorsStephen LoyStephen Loy completed his doctoral studies at the Sydney Conservatorium of Music, the University of Sydney, Australia in 2006, examining connections between the late 1960s avant-garde and the classical tradition of Beethoven. Other research interests include the music of Brahms, and popular music of the 1960s and 1970s. He has lectured in music theory, aural skills and critical and historical …
The Hallelujah Effect
The philosophical consideration of music has a long and distinguished history, with many prominent thinkers since Greek antiquity concerning themselves with musical subjects: Plato, Rousseau, Nietz
Popular Music, Stars and Stardom
A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of
Questions of Style and Lateness in Led Zeppelin’s Presence
Guitarist Jimmy Page described Presence as Led Zeppelin’s best work and a response to the group’s circumstances in late 1975, while afflicted by personal trauma and collective apprehension for their future. The reflection of these tensions in the music of Presence, through introspection, difficulty, and complexity, resulting in a stylistic departure from the group’s previous albums, forms the focus of this article. The concept of late style provi…
Art (5 works) · Aesthetics (3 works) · Literature (3 works) · Music History and Culture (3 works) · Musical (3 works) · Visual arts (3 works) · Diverse Musicological Studies (2 works) · Epistemology (2 works) · History (2 works) · Music history (2 works)