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Luis Pérez-González

Biographic Data

ID3434587
NAMELuis Pérez-González
GIVEN NAMESLuis
FAMILY NAMEPérez-González
SIGNATUREPÉREZ-GONZÁLEZ L
AFFILIATIONSUniversity of Manchester
ORCID0000-0003-1756-9458
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS24
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2020
H-INDEX3
  • The Routledge Encyclopedia of Citizen Media

    Mona Baker, Bolette B Blaagaard et al.•BOOK•Routledge Encyclopedia of Citizen…•2020

    No abstract available.

  • ‘Is climate science taking over the science?’

    Open Access•Luis Pérez-González•ARTICLE•Humanities and Social Sciences…•2020

    Climate change science has become an increasingly polarized site of controversy, where discussions on epistemological rigour are difficult to separate from debates on the impact that economic and political interests have on the production of evidence and the construction of knowledge. Little research has been conducted so far on the antagonistic discursive processes through which climate knowledge is being contested and traditional forms of exper…

  • Routledge Encyclopedia of Citizen Media

    Bolette B Blaagaard, Henry A Jones et al.•BOOK•Routledge Encyclopedia of Citizen…•2020

  • Fan audiovisual translation

    Luis Pérez-González•CHAPTER•Routledge Encyclopedia of…•2019

    Fandubbing and fansubbing, the other two widely recognized modes, were originally conceived to facilitate the translation and non-commercial distribution of Japanese anime films and TV series or dramas. Fansubbing and fandubbing projects are typically executed by virtual communities that capitalize on the affordances of networked communication to exploit their members’ skills sets or collective intelligence. The need to forge robust “imagined tra…

  • Audiovisual Translation

    Luis Pérez-González, Luis Pérez González•BOOK•Audiovisual translation•2014

    Audiovisual translation is the fastest growing strand within translation studies. This book addresses the need for more robust theoretical frameworks to investigate emerging text- types, address new methodological challenges (including the compilation, analysis and reproduction of audiovisual data), and understand new discourse communities bound together by the production and consumption of audiovisual texts. In this clear, user- friendly book, L…

  • Co-creational subtitling in the digital media

    Open Access•Luis Pérez-González•ARTICLE•International Journal of Cultural…•2012•Cited by: 6•References: 8

    This article explores the emergence of transformative subtitling practices in the digital culture, a context of production shaped by the dialectical relation between technological advances and cultural change. Drawing on a qualitative discussion of fansubbing practices, the article contends that transformative subtitling signals a clear move towards a regime of co-creation between producers and users of media content, fostering mutual recognition…

  • Translation, interpreting and the genealogy of conflict

    Luis Pérez-González•ARTICLE•Journal of Language and Politics•2012•Cited by: 7•References: 19

    While the growing ubiquitousness of translation and interpreting has established these activities more firmly in the public consciousness, the extent of the translators’ and interpreters’ contribution to the continued functioning of cosmopolitan and participatory postmodern societies remains largely misunderstood. This paper argues that the theorisation of translation and interpretation as social phenomena and of translators/interpreters as agent…

  • Amateur subtitling and the pragmatics of spectatorial subjectivity

    Luis Pérez-González•ARTICLE•Language and Intercultural…•2012•Cited by: 11•References: 8

    Developments in communication technologies have brought about the proliferation of self-mediated textualities and empowered networks of non-professional translators to engage in participatory subtitling practices. These subtitling agencies are often part of a movement of cultural resistance against global capitalist structures and institutions, whether for aesthetic or political reasons. This article gauges the extent to which participatory subti…

  • Amateur subtitling and the pragmatics of spectatorial subjectivity

    Luis Pérez-González•ARTICLE•Language and Intercultural…•2012•Cited by: 11•References: 8

    Developments in communication technologies have brought about the proliferation of self-mediated textualities and empowered networks of non-professional translators to engage in participatory subtitling practices. These subtitling agencies are often part of a movement of cultural resistance against global capitalist structures and institutions, whether for aesthetic or political reasons. This article gauges the extent to which participatory subti…

  • Translation, interpreting and the genealogy of conflict

    Luis Pérez-González•ARTICLE•Journal of Language and Politics•2012•Cited by: 7•References: 19

    While the growing ubiquitousness of translation and interpreting has established these activities more firmly in the public consciousness, the extent of the translators’ and interpreters’ contribution to the continued functioning of cosmopolitan and participatory postmodern societies remains largely misunderstood. This paper argues that the theorisation of translation and interpretation as social phenomena and of translators/interpreters as agent…

  • Co-creational subtitling in the digital media

    Open Access•Luis Pérez-González•ARTICLE•International Journal of Cultural…•2012•Cited by: 6•References: 8

    This article explores the emergence of transformative subtitling practices in the digital culture, a context of production shaped by the dialectical relation between technological advances and cultural change. Drawing on a qualitative discussion of fansubbing practices, the article contends that transformative subtitling signals a clear move towards a regime of co-creation between producers and users of media content, fostering mutual recognition…

  • Co-creational subtitling in the digital media

    Open Access•Luis Pérez-González•ARTICLE•International Journal of Cultural…•2012•Cited by: 6•References: 8

    This article explores the emergence of transformative subtitling practices in the digital culture, a context of production shaped by the dialectical relation between technological advances and cultural change. Drawing on a qualitative discussion of fansubbing practices, the article contends that transformative subtitling signals a clear move towards a regime of co-creation between producers and users of media content, fostering mutual recognition…

  • Translation, interpreting and the genealogy of conflict

    Luis Pérez-González•ARTICLE•Journal of Language and Politics•2012•Cited by: 7•References: 19

    While the growing ubiquitousness of translation and interpreting has established these activities more firmly in the public consciousness, the extent of the translators’ and interpreters’ contribution to the continued functioning of cosmopolitan and participatory postmodern societies remains largely misunderstood. This paper argues that the theorisation of translation and interpretation as social phenomena and of translators/interpreters as agent…

  • Amateur subtitling and the pragmatics of spectatorial subjectivity

    Luis Pérez-González•ARTICLE•Language and Intercultural…•2012•Cited by: 11•References: 8

    Developments in communication technologies have brought about the proliferation of self-mediated textualities and empowered networks of non-professional translators to engage in participatory subtitling practices. These subtitling agencies are often part of a movement of cultural resistance against global capitalist structures and institutions, whether for aesthetic or political reasons. This article gauges the extent to which participatory subti…

  • Audiovisual Translation

    Luis Pérez-González, Luis Pérez González•BOOK•Audiovisual translation•2014

    Audiovisual translation is the fastest growing strand within translation studies. This book addresses the need for more robust theoretical frameworks to investigate emerging text- types, address new methodological challenges (including the compilation, analysis and reproduction of audiovisual data), and understand new discourse communities bound together by the production and consumption of audiovisual texts. In this clear, user- friendly book, L…

  • Fan audiovisual translation

    Luis Pérez-González•CHAPTER•Routledge Encyclopedia of…•2019

    Fandubbing and fansubbing, the other two widely recognized modes, were originally conceived to facilitate the translation and non-commercial distribution of Japanese anime films and TV series or dramas. Fansubbing and fandubbing projects are typically executed by virtual communities that capitalize on the affordances of networked communication to exploit their members’ skills sets or collective intelligence. The need to forge robust “imagined tra…

  • The Routledge Encyclopedia of Citizen Media

    Mona Baker, Bolette B Blaagaard et al.•BOOK•Routledge Encyclopedia of Citizen…•2020

    No abstract available.

  • ‘Is climate science taking over the science?’

    Open Access•Luis Pérez-González•ARTICLE•Humanities and Social Sciences…•2020

    Climate change science has become an increasingly polarized site of controversy, where discussions on epistemological rigour are difficult to separate from debates on the impact that economic and political interests have on the production of evidence and the construction of knowledge. Little research has been conducted so far on the antagonistic discursive processes through which climate knowledge is being contested and traditional forms of exper…

  • Routledge Encyclopedia of Citizen Media

    Bolette B Blaagaard, Henry A Jones et al.•BOOK•Routledge Encyclopedia of Citizen…•2020

Computer Science (4 works) · Political science (4 works) · Sociology (4 works) · Epistemology (3 works) · Linguistics (3 works) · Politics (3 works) · Social science (3 works) · Subtitles and Audiovisual Media (3 works) · Translation Studies and Practices (3 works) · Art (2 works)

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