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Babitha Justin

Biographic Data

ID343583
NAMEBabitha Justin
GIVEN NAMESBabitha
FAMILY NAMEJustin
SIGNATUREJUSTIN B
AFFILIATIONSIndian Institute of Space Science and Technology
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS1
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Investigating gender roles

    Rithwik Sankar A, Babitha Justin•ARTICLE•Journal for Cultural Research•2025•References: 16

  • The Crossover

    Methil Devika, M P Devika et al.•ARTICLE•Visual Anthropology•2024•Cited by: 1•References: 7

    Indian classical dance uses a variety of non-verbal communication devices, with gestures called hasta or mudra being one of the most ancient sign languages powerful to transmit the meaning of the lyrics through dance. The classical dance forms of Kerala have an elaborate scheme of gestures drawn from the ancient text on aesthetic sign language, called Hastalakṣanadīpika, inspired by the Vedic, Nāṭya and Tantric traditions. The following is an att…

  • Devakkooth

    Open Access•Rithwik Sankar A, Babitha Justin•ARTICLE•Journal of the Anthropological…•2023

    Many rituals in North Malabar can be read as complex cultural spaces that articulate subaltern concerns to a certain extent. However, rituals also perpetuate hegemonic ideologies dictated by and embedded within the caste system. Theyyam, a traditional ritual art in North Malabar, carries ritualistic elements of worship and penance along with the convergence of various forms like dance, painting and music. In Theyyam, a traditional ritual art in N…

  • Pandemic Art

    Babitha Justin•ARTICLE•Visual Anthropology•2022

  • The singing Jewish women of Kerala

    Babitha Justin•ARTICLE•Journal of Modern Jewish Studies•2021•References: 1

    This paper analyses the much-underplayed Jewish presence in Kerala for 2000 years and the songs of Jewish women, which preserved the community memories and the narratives of diaspora life. They also contain the emotional and intellectual diversity of hope and exile. Jewish Women’s songs kept alive the stories of the race and the customs handed down from generation to generation

  • The Last Women Oracles

    Babitha Justin, Meenakshi MS•ARTICLE•Culture and Religion•2020•References: 1

    In Kerala, a three-thousand-year history of the cult of Mother Goddess worship and women priesthood in Kodungallur, the former historical port of Muziris, points directly to the last women oracles of Kerala. Kodungallur has the unique tradition of Bharanipattu (singing profanities and dancing, on the day of Meena Bharani) every year and once a year, the female oracles from all over Kerala travel to the Kodungallur temple to worship Kodungallur Bh…

  • The Crossover

    Methil Devika, M P Devika et al.•ARTICLE•Visual Anthropology•2024•Cited by: 1•References: 7

    Indian classical dance uses a variety of non-verbal communication devices, with gestures called hasta or mudra being one of the most ancient sign languages powerful to transmit the meaning of the lyrics through dance. The classical dance forms of Kerala have an elaborate scheme of gestures drawn from the ancient text on aesthetic sign language, called Hastalakṣanadīpika, inspired by the Vedic, Nāṭya and Tantric traditions. The following is an att…

  • The Last Women Oracles

    Babitha Justin, Meenakshi MS•ARTICLE•Culture and Religion•2020•References: 1

    In Kerala, a three-thousand-year history of the cult of Mother Goddess worship and women priesthood in Kodungallur, the former historical port of Muziris, points directly to the last women oracles of Kerala. Kodungallur has the unique tradition of Bharanipattu (singing profanities and dancing, on the day of Meena Bharani) every year and once a year, the female oracles from all over Kerala travel to the Kodungallur temple to worship Kodungallur Bh…

  • The singing Jewish women of Kerala

    Babitha Justin•ARTICLE•Journal of Modern Jewish Studies•2021•References: 1

    This paper analyses the much-underplayed Jewish presence in Kerala for 2000 years and the songs of Jewish women, which preserved the community memories and the narratives of diaspora life. They also contain the emotional and intellectual diversity of hope and exile. Jewish Women’s songs kept alive the stories of the race and the customs handed down from generation to generation

  • Pandemic Art

    Babitha Justin•ARTICLE•Visual Anthropology•2022

  • Devakkooth

    Open Access•Rithwik Sankar A, Babitha Justin•ARTICLE•Journal of the Anthropological…•2023

    Many rituals in North Malabar can be read as complex cultural spaces that articulate subaltern concerns to a certain extent. However, rituals also perpetuate hegemonic ideologies dictated by and embedded within the caste system. Theyyam, a traditional ritual art in North Malabar, carries ritualistic elements of worship and penance along with the convergence of various forms like dance, painting and music. In Theyyam, a traditional ritual art in N…

  • The Crossover

    Methil Devika, M P Devika et al.•ARTICLE•Visual Anthropology•2024•Cited by: 1•References: 7

    Indian classical dance uses a variety of non-verbal communication devices, with gestures called hasta or mudra being one of the most ancient sign languages powerful to transmit the meaning of the lyrics through dance. The classical dance forms of Kerala have an elaborate scheme of gestures drawn from the ancient text on aesthetic sign language, called Hastalakṣanadīpika, inspired by the Vedic, Nāṭya and Tantric traditions. The following is an att…

  • Investigating gender roles

    Rithwik Sankar A, Babitha Justin•ARTICLE•Journal for Cultural Research•2025•References: 16

Art (5 works) · History (3 works) · History (3 works) · Literature (3 works) · Sociology (3 works) · Visual arts (3 works) · Anthropology (2 works) · Dance (2 works) · Gender Studies (2 works) · Gender Studies (2 works)

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