Shannon Draucker
Biographic Data
| ID | 3436978 |
|---|---|
| NAME | Shannon Draucker |
| GIVEN NAMES | Shannon |
| FAMILY NAME | Draucker |
| SIGNATURE | DRAUCKER S |
| AFFILIATIONS | Chadron State College |
| ORCID | 0000-0003-0829-099X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Meg Dobbins, Queer Economic Dissonance and Victorian Literature
Prioritizing Pedagogy in Victorian Studies
This essay argues that practical discussions about pedagogy in the field of Victorian studies warrant a regular place in major field-based conferences and journals as well as greater attention in graduate programs at large to maintain our discipline's viability. While conversations about and tools to help with teaching have become more prominent in digital projects like Undisciplining the Victorian Classroom and COVE , these topics continue to be…
Women”
This keyword essay on "women" responds to heated debates surrounding the term “pregnant person” in the aftermath of the Supreme Court's 2022 Dobbs decision and argues for the continued usefulness of “women” to Victorian studies. While “pregnant person” allows institutions and thinkers to signal their recognition that the population requiring reproductive services includes trans men and nonbinary people, the curtailment of reproductive rights is o…
Ladies’ orchestras and music-as-performance in fin-de-siècle Britain
This article traces the emergence of a curious musical phenomenon in fin-de-siècle Britain: the ladies' orchestra. As British music conservatories began to open to women in the 1870s and 1880s, and the violin gradually became a more "acceptable" instrument for women to play, ladies' orchestras offered female musicians – still excluded from the country's major symphony orchestras – opportunities to perform in public and sometimes even earn a livin…
Music Physiology, Erotic Encounters, and Queer Reading Practices in Teleny
While music often appears as a “code” for sexual desire in Victorian literature, this article explores music's presence in a text for which no veiled language was needed: the anonymously published pornographic novella Teleny (1893). The authors of Teleny invoke emerging scientific discourses about music physiology to draw explicit parallels between musical and sexual encounters—as when the protagonist Camille orgasms in response to the vibrations…
Racial and Ethnic Diversity in Grounded Theory Research
National initiatives in the United States call for health research that addresses racial/ethnic disparities. Although grounded theory (GT) research has the potential to contribute much to the understanding of the health experiences of people of color, the extent to which it has contributed to health disparities research is unclear. In this article we describe a project in which we reviewed 44 GT studies published in Qualitative Health Research wi…
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Racial and Ethnic Diversity in Grounded Theory Research
National initiatives in the United States call for health research that addresses racial/ethnic disparities. Although grounded theory (GT) research has the potential to contribute much to the understanding of the health experiences of people of color, the extent to which it has contributed to health disparities research is unclear. In this article we describe a project in which we reviewed 44 GT studies published in Qualitative Health Research wi…
Music Physiology, Erotic Encounters, and Queer Reading Practices in Teleny
While music often appears as a “code” for sexual desire in Victorian literature, this article explores music's presence in a text for which no veiled language was needed: the anonymously published pornographic novella Teleny (1893). The authors of Teleny invoke emerging scientific discourses about music physiology to draw explicit parallels between musical and sexual encounters—as when the protagonist Camille orgasms in response to the vibrations…
Ladies’ orchestras and music-as-performance in fin-de-siècle Britain
This article traces the emergence of a curious musical phenomenon in fin-de-siècle Britain: the ladies' orchestra. As British music conservatories began to open to women in the 1870s and 1880s, and the violin gradually became a more "acceptable" instrument for women to play, ladies' orchestras offered female musicians – still excluded from the country's major symphony orchestras – opportunities to perform in public and sometimes even earn a livin…
Prioritizing Pedagogy in Victorian Studies
This essay argues that practical discussions about pedagogy in the field of Victorian studies warrant a regular place in major field-based conferences and journals as well as greater attention in graduate programs at large to maintain our discipline's viability. While conversations about and tools to help with teaching have become more prominent in digital projects like Undisciplining the Victorian Classroom and COVE , these topics continue to be…
Women”
This keyword essay on "women" responds to heated debates surrounding the term “pregnant person” in the aftermath of the Supreme Court's 2022 Dobbs decision and argues for the continued usefulness of “women” to Victorian studies. While “pregnant person” allows institutions and thinkers to signal their recognition that the population requiring reproductive services includes trans men and nonbinary people, the curtailment of reproductive rights is o…
Meg Dobbins, Queer Economic Dissonance and Victorian Literature
Psychology (4 works) · Sociology (4 works) · Art (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · Queer (3 works) · Aesthetics (2 works) · Cultural History and Identity Formation (2 works) · Gender Studies (2 works)