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Hans R V Maes

Biographic Data

ID3439346
NAMEHans R V Maes
GIVEN NAMESHans R V
FAMILY NAMEMaes
SIGNATUREMAES H R V
AFFILIATIONSUniversity of Kent
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS3
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Peaks and Troughs

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•The Journal of Value Inquiry•2023

    status: Published

  • What Is a Portrait

    Hans Maes, Hans R V Maes•ARTICLE•The British Journal of Aesthetics•2015•Cited by: 2

    In answering the title question this paper will aim for extensional adequacy, that is, it will aim to formulate an account that captures as much of the extension as possible of what we ordinarily think counts as a portrait. Two philosophers have recently, and independently from one another, embarked on the same project. Cynthia Freeland’s theory of portraiture, as it is developed in her book Portraits & Persons, is discussed in sections 1 and 2 o…

  • Pornographic Art and the Aesthetics of Pornography

    Hans R V Maes, Hans Maes•BOOK•Pornographic Art and the…•2013

  • Drawing the Line

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•Philosophy Compass•2011•Cited by: 1•References: 21

    Art and pornography are often thought to be mutually exclusive. The present article argues that this popular view is without adequate support. Section 1 looks at some of the classic ways of drawing the distinction between these two domains of representation. In Section 2, it is argued that the classic dichotomies (subjectivity versus objectification, the beautiful versus the smutty, contemplation versus arousal, the complex versus the one-dimensi…

  • Elephants, Microscopes and Free Beauty

    Hans Maes, Hans R V Maes•ARTICLE•The Philosophical Quarterly•2009

    According to Stephen Davies, there is no such thing as free beauty. Using actual and imaginary examples, he tries to show that our aesthetic evaluations of objects inevitably pay heed to the kinds to which they belong or in which we judge them to belong. His examples are not as compelling as he thinks, however. Furthermore, nature looked at through a microscope (or a telescope) provides us with a particular class of counter‐examples which have no…

  • Modesty, Asymmetry, and Hypocrisy

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•The Journal of Value Inquiry•2004

  • What Is a Portrait

    Hans Maes, Hans R V Maes•ARTICLE•The British Journal of Aesthetics•2015•Cited by: 2

    In answering the title question this paper will aim for extensional adequacy, that is, it will aim to formulate an account that captures as much of the extension as possible of what we ordinarily think counts as a portrait. Two philosophers have recently, and independently from one another, embarked on the same project. Cynthia Freeland’s theory of portraiture, as it is developed in her book Portraits & Persons, is discussed in sections 1 and 2 o…

  • Drawing the Line

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•Philosophy Compass•2011•Cited by: 1•References: 21

    Art and pornography are often thought to be mutually exclusive. The present article argues that this popular view is without adequate support. Section 1 looks at some of the classic ways of drawing the distinction between these two domains of representation. In Section 2, it is argued that the classic dichotomies (subjectivity versus objectification, the beautiful versus the smutty, contemplation versus arousal, the complex versus the one-dimensi…

  • Modesty, Asymmetry, and Hypocrisy

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•The Journal of Value Inquiry•2004

  • Elephants, Microscopes and Free Beauty

    Hans Maes, Hans R V Maes•ARTICLE•The Philosophical Quarterly•2009

    According to Stephen Davies, there is no such thing as free beauty. Using actual and imaginary examples, he tries to show that our aesthetic evaluations of objects inevitably pay heed to the kinds to which they belong or in which we judge them to belong. His examples are not as compelling as he thinks, however. Furthermore, nature looked at through a microscope (or a telescope) provides us with a particular class of counter‐examples which have no…

  • Drawing the Line

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•Philosophy Compass•2011•Cited by: 1•References: 21

    Art and pornography are often thought to be mutually exclusive. The present article argues that this popular view is without adequate support. Section 1 looks at some of the classic ways of drawing the distinction between these two domains of representation. In Section 2, it is argued that the classic dichotomies (subjectivity versus objectification, the beautiful versus the smutty, contemplation versus arousal, the complex versus the one-dimensi…

  • Pornographic Art and the Aesthetics of Pornography

    Hans R V Maes, Hans Maes•BOOK•Pornographic Art and the…•2013

  • What Is a Portrait

    Hans Maes, Hans R V Maes•ARTICLE•The British Journal of Aesthetics•2015•Cited by: 2

    In answering the title question this paper will aim for extensional adequacy, that is, it will aim to formulate an account that captures as much of the extension as possible of what we ordinarily think counts as a portrait. Two philosophers have recently, and independently from one another, embarked on the same project. Cynthia Freeland’s theory of portraiture, as it is developed in her book Portraits & Persons, is discussed in sections 1 and 2 o…

  • Peaks and Troughs

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•The Journal of Value Inquiry•2023

    status: Published

Art (4 works) · Epistemology (4 works) · Philosophy (4 works) · Aesthetics (3 works) · Psychoanalysis (3 works) · Psychology (3 works) · Computer Science (2 works) · Geology (2 works) · Geology (2 works) · Law (2 works)

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