Faisal Hamadah
Biographic Data
| ID | 3439466 |
|---|---|
| NAME | Faisal Hamadah |
| GIVEN NAMES | Faisal |
| FAMILY NAME | Hamadah |
| SIGNATURE | HAMADAH F |
| AFFILIATIONS | Maastricht University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Colonialism Reiterated
This article takes up the invitation to imagine a decolonised performance studies by turning its attention to the legal and material conditions, institutions, and practices on which the work of study rests. Drawing on performance studies’ theorisations of the affixive ‘re,’ we define colonialism’s “reiteration” as an unfinished modulation across time and space, rather than a linear or finite trajectory. Aligned with thinkers who address decolonis…
Palestinian Theatre in the West Bank
Palestinian Theatre in the West Bank: Our Human Faces." Journal of Palestine Studies, 51(1), pp. 1–2
Acting Egyptian
Reviewed by: Acting Egyptian: Theatre, Identity, and Political Culture in Cairo, 1869–1930 by Carmen M. K. Gitre Faisal Adel Hamadah ACTING EGYPTIAN: THEATRE, IDENTITY, AND POLITICAL CULTURE IN CAIRO, 1869–1930. By Carmen M. K. Gitre. Austin: University of Texas Press, 2019; pp. 192. To write about Arabic theatre and performance, whether historically or as a contemporary phenomenon, is to find oneself caught between the metaphorical rock of resis…
Travelling Theatre
This article examines the legacy of Syrian dramatist Saadallah Wannous through his early commitment to internationalism, with specific attention to his practice as a translator. It argues that to see Wannnous as an international playwright allows for an understudied dimension of the playwright's oeuvre to emerge and sheds light on an important era of post-colonial theatrical practice. By focusing on one of Wannous's most-staged plays, his adaptat…
No prominent works on this page.
Travelling Theatre
This article examines the legacy of Syrian dramatist Saadallah Wannous through his early commitment to internationalism, with specific attention to his practice as a translator. It argues that to see Wannnous as an international playwright allows for an understudied dimension of the playwright's oeuvre to emerge and sheds light on an important era of post-colonial theatrical practice. By focusing on one of Wannous's most-staged plays, his adaptat…
Acting Egyptian
Reviewed by: Acting Egyptian: Theatre, Identity, and Political Culture in Cairo, 1869–1930 by Carmen M. K. Gitre Faisal Adel Hamadah ACTING EGYPTIAN: THEATRE, IDENTITY, AND POLITICAL CULTURE IN CAIRO, 1869–1930. By Carmen M. K. Gitre. Austin: University of Texas Press, 2019; pp. 192. To write about Arabic theatre and performance, whether historically or as a contemporary phenomenon, is to find oneself caught between the metaphorical rock of resis…
Palestinian Theatre in the West Bank
Palestinian Theatre in the West Bank: Our Human Faces." Journal of Palestine Studies, 51(1), pp. 1–2
Colonialism Reiterated
This article takes up the invitation to imagine a decolonised performance studies by turning its attention to the legal and material conditions, institutions, and practices on which the work of study rests. Drawing on performance studies’ theorisations of the affixive ‘re,’ we define colonialism’s “reiteration” as an unfinished modulation across time and space, rather than a linear or finite trajectory. Aligned with thinkers who address decolonis…
Political science (3 works) · History (2 works) · History (2 works) · Islamic Studies and History (2 works) · Jewish and Middle Eastern Studies (2 works) · Law (2 works) · Middle East and Rwanda Conflicts (2 works) · Middle East Politics and Society (2 works) · Politics (2 works) · Sociology (2 works)