Maria Sulimma
Biographic Data
| ID | 3440295 |
|---|---|
| NAME | Maria Sulimma |
| GIVEN NAMES | Maria |
| FAMILY NAME | Sulimma |
| SIGNATURE | SULIMMA M |
| AFFILIATIONS | University of Freiburg |
| ORCID | 0000-0001-9016-5041 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Dilemma as Technique
Exploring the narrative role of dilemma in depicting gentrifying cities, this contribution delves into the interplay of gender, sexual orientation, addiction, and the detective genre focusing on Sarah Schulman’s novel Maggie Terry (2018). Through the lens of Maggie, a former police detective navigating her return to a gentrified New York City, the novel unpacks the complexities of urban change and individual agency. Schulman’s fictional work buil…
“I am not by any stretch a gardener, just curious”
Even though the texts that this article refers to as “feminist gentrifier memoirs” are not exclusively examples of garden writing, their feminist writers’ gardening practices feature prominently to explore their conflicted position in a gentrifying neighborhood and the networks of care that form out of neighborly interactions over the garden. Drawing on urban studies in the social sciences and humanities, literary studies, and environmental human…
Pop/Poetry
In its meticulous, freewheeling adaptation of the life and work of celebrated poet Emily Dickinson, the television series Dickinson (Apple TV+, 2019–2021) manifests a twenty-first-century disruption of high and low culture afforded by digital media, including streaming video and music platforms. This article argues that the fanciful series models a mixed-media, multimodal aesthetic form that invites a diverse range of viewers to find pleasure in …
Stefan Schubert
The plane, the city, the chase
The plane, the city, the chase: Killing Eve and European aviation culture Maria Sulimma Maria Sulimma E-mail: [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 62, Issue 1, Spring 2021, Pages 107–115, https://doi.org/10.1093/screen/hjab010 Published: 08 April 2021
Gender and Seriality
The notion of seriality and serial identity performance runs as a strong undercurrent through feminist theory, gender studies and queer studies. Defining gender as a serial and discursively produced entanglement of different practices and agencies, Gender and Seriality argues that serial storytelling can offer such complex negotiations of identity that the ‘results’ of televisual gender performances are rarely separate from the processes that pro…
Through the Gaps of My Fingers
Concentrating on the series “Girls” (2012–2017), “Fleabag” (2016), and “Insecure” (2016–), this article examines the female-centered dramedy as a current genre of U.S.-American television culture with specific investments in gendered value hierarchies. The article explores the format’s dominant narrative and aesthetic practices with specific focus on prestige dramedy’s “cringe” aesthetics. Cringe is increasingly mobilized as a mode of political e…
Through the Gaps of My Fingers
Concentrating on the series “Girls” (2012–2017), “Fleabag” (2016), and “Insecure” (2016–), this article examines the female-centered dramedy as a current genre of U.S.-American television culture with specific investments in gendered value hierarchies. The article explores the format’s dominant narrative and aesthetic practices with specific focus on prestige dramedy’s “cringe” aesthetics. Cringe is increasingly mobilized as a mode of political e…
Gender and Seriality
The notion of seriality and serial identity performance runs as a strong undercurrent through feminist theory, gender studies and queer studies. Defining gender as a serial and discursively produced entanglement of different practices and agencies, Gender and Seriality argues that serial storytelling can offer such complex negotiations of identity that the ‘results’ of televisual gender performances are rarely separate from the processes that pro…
Through the Gaps of My Fingers
Concentrating on the series “Girls” (2012–2017), “Fleabag” (2016), and “Insecure” (2016–), this article examines the female-centered dramedy as a current genre of U.S.-American television culture with specific investments in gendered value hierarchies. The article explores the format’s dominant narrative and aesthetic practices with specific focus on prestige dramedy’s “cringe” aesthetics. Cringe is increasingly mobilized as a mode of political e…
Stefan Schubert
The plane, the city, the chase
The plane, the city, the chase: Killing Eve and European aviation culture Maria Sulimma Maria Sulimma E-mail: [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 62, Issue 1, Spring 2021, Pages 107–115, https://doi.org/10.1093/screen/hjab010 Published: 08 April 2021
Gender and Seriality
The notion of seriality and serial identity performance runs as a strong undercurrent through feminist theory, gender studies and queer studies. Defining gender as a serial and discursively produced entanglement of different practices and agencies, Gender and Seriality argues that serial storytelling can offer such complex negotiations of identity that the ‘results’ of televisual gender performances are rarely separate from the processes that pro…
“I am not by any stretch a gardener, just curious”
Even though the texts that this article refers to as “feminist gentrifier memoirs” are not exclusively examples of garden writing, their feminist writers’ gardening practices feature prominently to explore their conflicted position in a gentrifying neighborhood and the networks of care that form out of neighborly interactions over the garden. Drawing on urban studies in the social sciences and humanities, literary studies, and environmental human…
Pop/Poetry
In its meticulous, freewheeling adaptation of the life and work of celebrated poet Emily Dickinson, the television series Dickinson (Apple TV+, 2019–2021) manifests a twenty-first-century disruption of high and low culture afforded by digital media, including streaming video and music platforms. This article argues that the fanciful series models a mixed-media, multimodal aesthetic form that invites a diverse range of viewers to find pleasure in …
Dilemma as Technique
Exploring the narrative role of dilemma in depicting gentrifying cities, this contribution delves into the interplay of gender, sexual orientation, addiction, and the detective genre focusing on Sarah Schulman’s novel Maggie Terry (2018). Through the lens of Maggie, a former police detective navigating her return to a gentrified New York City, the novel unpacks the complexities of urban change and individual agency. Schulman’s fictional work buil…
Art (7 works) · Aesthetics (5 works) · Sociology (5 works) · Literature (4 works) · Art history (3 works) · Gender Studies (3 works) · Philosophy (3 works) · Cinema and Media Studies (2 works) · Engineering (2 works) · Gender Studies (2 works)