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Michael Paye

Biographic Data

ID3440458
NAMEMichael Paye
GIVEN NAMESMichael
FAMILY NAMEPaye
SIGNATUREPAYE M
AFFILIATIONSUniversity of Warwick
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Water Enclosure and World-Literature

    Open Access•Alexandra Campbell, Michael Paye•ARTICLE•Humanities•2020

    This editorial introduces the special issue, ‘World Literature and the Blue Humanities’. The authors articulate the commonalities and tensions between world literature, world-ecology, blue humanities, and hydrocultural approaches. Taking megadams, water pollution, and the blue revolution as baselines, we offer short analyses of works by Namwali Serpell, Craig Santos Perez, Jean Arasanayagam, Paul Greengrass, Wyl Menmuir, and Emily St. John Mandel…

  • Regulating Desire

    Open Access•Michael Paye•ARTICLE•Humanities•2019

    This article offers an ecocritical analysis of Ali Smith’s Hotel World (2001) and Ewan Morrison’s Tales from the Mall (2012). Through a combination of the world-ecology paradigm, feminist approaches, and queer theory, I argue that these texts connect normative desires to capitalism’s “organization of nature.” The opening section of the article links Nancy Fraser’s work on social reproduction to Jason Moore’s argument that nature, in world-ecologi…

  • Beyond a Capitalist Atlantic

    Open Access•Michael Paye•ARTICLE•Irish University Review•2019

    Irish director Risteard O'Domhnaill's 2010 film, The Pipe, documents the battle of a small Mayo community against the Corrib gas pipeline project, following a number of local residents in their eight-year struggle against state-sponsored and corporate violence. In his next major production, Atlantic (2016), a comparative documentary of fishing and fossil-fuel industries in Ireland, Newfoundland, and Norway, O'Domhnaill retreats from the possible …

  • From fishery limits to limits to capital

    Michael Paye•ARTICLE•Atlantic Studies•2017•Cited by: 1•References: 10

    This article uncovers a North Atlantic narrative pertaining to the longue-durée crisis of overfishing through Neil Gunn’s novel of the nineteenth-century Scottish herring boom, The Silver Darlings (1941), and Donna Morrissey’s representation of the mid-twentieth century Newfoundland cod boom, Sylvanus Now (2005). Comparing these two novels within a world-ecological framework reveals how aesthetic and plot developments come from the novels’ needs …

  • From fishery limits to limits to capital

    Michael Paye•ARTICLE•Atlantic Studies•2017•Cited by: 1•References: 10

    This article uncovers a North Atlantic narrative pertaining to the longue-durée crisis of overfishing through Neil Gunn’s novel of the nineteenth-century Scottish herring boom, The Silver Darlings (1941), and Donna Morrissey’s representation of the mid-twentieth century Newfoundland cod boom, Sylvanus Now (2005). Comparing these two novels within a world-ecological framework reveals how aesthetic and plot developments come from the novels’ needs …

  • From fishery limits to limits to capital

    Michael Paye•ARTICLE•Atlantic Studies•2017•Cited by: 1•References: 10

    This article uncovers a North Atlantic narrative pertaining to the longue-durée crisis of overfishing through Neil Gunn’s novel of the nineteenth-century Scottish herring boom, The Silver Darlings (1941), and Donna Morrissey’s representation of the mid-twentieth century Newfoundland cod boom, Sylvanus Now (2005). Comparing these two novels within a world-ecological framework reveals how aesthetic and plot developments come from the novels’ needs …

  • Regulating Desire

    Open Access•Michael Paye•ARTICLE•Humanities•2019

    This article offers an ecocritical analysis of Ali Smith’s Hotel World (2001) and Ewan Morrison’s Tales from the Mall (2012). Through a combination of the world-ecology paradigm, feminist approaches, and queer theory, I argue that these texts connect normative desires to capitalism’s “organization of nature.” The opening section of the article links Nancy Fraser’s work on social reproduction to Jason Moore’s argument that nature, in world-ecologi…

  • Beyond a Capitalist Atlantic

    Open Access•Michael Paye•ARTICLE•Irish University Review•2019

    Irish director Risteard O'Domhnaill's 2010 film, The Pipe, documents the battle of a small Mayo community against the Corrib gas pipeline project, following a number of local residents in their eight-year struggle against state-sponsored and corporate violence. In his next major production, Atlantic (2016), a comparative documentary of fishing and fossil-fuel industries in Ireland, Newfoundland, and Norway, O'Domhnaill retreats from the possible …

  • Water Enclosure and World-Literature

    Open Access•Alexandra Campbell, Michael Paye•ARTICLE•Humanities•2020

    This editorial introduces the special issue, ‘World Literature and the Blue Humanities’. The authors articulate the commonalities and tensions between world literature, world-ecology, blue humanities, and hydrocultural approaches. Taking megadams, water pollution, and the blue revolution as baselines, we offer short analyses of works by Namwali Serpell, Craig Santos Perez, Jean Arasanayagam, Paul Greengrass, Wyl Menmuir, and Emily St. John Mandel…

Ecocriticism and Environmental Literature (3 works) · Law (3 works) · Political science (3 works) · Art (2 works) · Geographies of human-animal interactions (2 works) · History (2 works) · Sociology (2 works) · Aesthetics (1 work) · Appropriation (1 work) · Archaeology (1 work)

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