Éamonn Ó Carragáin
Biographic Data
| ID | 3441111 |
|---|---|
| NAME | Éamonn Ó Carragáin |
| GIVEN NAMES | Éamonn Ó |
| FAMILY NAME | Carragáin |
| SIGNATURE | CARRAGÁIN É Ó |
| AFFILIATIONS | University College Cork |
| ORCID | 0000-0002-9941-9578 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Roma Felix - Formation and Reflections of Medieval Rome
Contents: Introduction, Carol Neuman de Vegvar and A%oamonn A CarragA!in Part I Articulating the City: Communities, Congregations, Cults and Processions: Rome of the martyrs: saints, cults and relics, 4tha centuries, Alan Thacker Building for bodies: the architecture of saint veneration in early medieval Rome, Caroline J. Goodson Life after death: the afterlife of sarcophagi in medieval Rome and Ravenna, Dorothy Verkerk Gendered spaces: the place…
Hugh Magennis: Personal Prefaces
At Once Elitist and Popular: The Audiences of the Bewcastle and Ruthwell Crosses
The Bewcastle and Ruthwell Crosses are the finest sculptured monuments to survive from early eighth-century Northumbria. For what audiences were they designed: clerics, monks or lay people? Of the two monuments, it is likely that the Bewcastle Cross is the earlier. Its designer wished to commemorate a number of benefactors of his or her community, whose names were inscribed on a panel of runic inscriptions on the west face (they are, unfortunatel…
John the Baptist and the Agnus Dei: Ruthwell (and Bewcastle) Revisited
The identity of the figure with a lamb carved on the upper stone of the Anglo-Saxon cross at Ruthwell, Dumfriesshire, was interpreted by Paul Meyvaert (in 1982 and 1992), as an apocalyptic image of the Deity instead of John the Baptist. Close inspection of the panel, however, makes it difficult to accept such an explanation. Instead, an adaptation of the early Christian images of the Baptist is proposed, and it is argued that the details of the p…
Crucifixion as annunciation: The relation of ‘the dream of the rood’ to the liturgy reconsidered 1
Roma Felix - Formation and Reflections of Medieval Rome
Contents: Introduction, Carol Neuman de Vegvar and A%oamonn A CarragA!in Part I Articulating the City: Communities, Congregations, Cults and Processions: Rome of the martyrs: saints, cults and relics, 4tha centuries, Alan Thacker Building for bodies: the architecture of saint veneration in early medieval Rome, Caroline J. Goodson Life after death: the afterlife of sarcophagi in medieval Rome and Ravenna, Dorothy Verkerk Gendered spaces: the place…
At Once Elitist and Popular: The Audiences of the Bewcastle and Ruthwell Crosses
The Bewcastle and Ruthwell Crosses are the finest sculptured monuments to survive from early eighth-century Northumbria. For what audiences were they designed: clerics, monks or lay people? Of the two monuments, it is likely that the Bewcastle Cross is the earlier. Its designer wished to commemorate a number of benefactors of his or her community, whose names were inscribed on a panel of runic inscriptions on the west face (they are, unfortunatel…
Crucifixion as annunciation: The relation of ‘the dream of the rood’ to the liturgy reconsidered 1
Crucifixion as annunciation: The relation of ‘the dream of the rood’ to the liturgy reconsidered 1
John the Baptist and the Agnus Dei: Ruthwell (and Bewcastle) Revisited
The identity of the figure with a lamb carved on the upper stone of the Anglo-Saxon cross at Ruthwell, Dumfriesshire, was interpreted by Paul Meyvaert (in 1982 and 1992), as an apocalyptic image of the Deity instead of John the Baptist. Close inspection of the panel, however, makes it difficult to accept such an explanation. Instead, an adaptation of the early Christian images of the Baptist is proposed, and it is argued that the details of the p…
At Once Elitist and Popular: The Audiences of the Bewcastle and Ruthwell Crosses
The Bewcastle and Ruthwell Crosses are the finest sculptured monuments to survive from early eighth-century Northumbria. For what audiences were they designed: clerics, monks or lay people? Of the two monuments, it is likely that the Bewcastle Cross is the earlier. Its designer wished to commemorate a number of benefactors of his or her community, whose names were inscribed on a panel of runic inscriptions on the west face (they are, unfortunatel…
Hugh Magennis: Personal Prefaces
Roma Felix - Formation and Reflections of Medieval Rome
Contents: Introduction, Carol Neuman de Vegvar and A%oamonn A CarragA!in Part I Articulating the City: Communities, Congregations, Cults and Processions: Rome of the martyrs: saints, cults and relics, 4tha centuries, Alan Thacker Building for bodies: the architecture of saint veneration in early medieval Rome, Caroline J. Goodson Life after death: the afterlife of sarcophagi in medieval Rome and Ravenna, Dorothy Verkerk Gendered spaces: the place…
Art (4 works) · Art history (3 works) · History (3 works) · Philosophy (3 works) · Theology (3 works) · Historical and Religious Studies of Rome (2 works) · History (2 works) · Literature (2 works) · Medieval Literature and History (2 works) · Philosophy (2 works)