Christina Britzolakis
Biographic Data
| ID | 3442465 |
|---|---|
| NAME | Christina Britzolakis |
| GIVEN NAMES | Christina |
| FAMILY NAME | Britzolakis |
| SIGNATURE | BRITZOLAKIS C |
| AFFILIATIONS | University of Warwick |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Dreamwork
This article proposes that Plath is best understood as a Cold War modernist, notwithstanding her continuing insertion into canonical literary histories as a 'confessional' poet. It reassesses the psychoanalytic burden of her writing in terms of its vexed relationship to the ideologies and institutions of the long 1950s, and in particular, to the post-war apparatus of ego psychology. Paying particular attention to the Bee Poems of 1962, I discuss …
This way to the exhibition
Phantasmagoria
In 1917 Max Weber, in an essay entitled 'Science as a Vocation', claimed that the essence of modernity was the disenchantment of the world, brought about by the spread of what he called 'rationalization' across all forms of social life.3 The predominant scene of this disenchantment, according to such diverse theorists of modernity as Weber, Lukács, Simmel and Benjamin, was the modern metropolis, within which the consequences of historical change …
Phantasmagoria
In 1917 Max Weber, in an essay entitled 'Science as a Vocation', claimed that the essence of modernity was the disenchantment of the world, brought about by the spread of what he called 'rationalization' across all forms of social life.3 The predominant scene of this disenchantment, according to such diverse theorists of modernity as Weber, Lukács, Simmel and Benjamin, was the modern metropolis, within which the consequences of historical change …
This way to the exhibition
Dreamwork
This article proposes that Plath is best understood as a Cold War modernist, notwithstanding her continuing insertion into canonical literary histories as a 'confessional' poet. It reassesses the psychoanalytic burden of her writing in terms of its vexed relationship to the ideologies and institutions of the long 1950s, and in particular, to the post-war apparatus of ego psychology. Paying particular attention to the Bee Poems of 1962, I discuss …
Art (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Politics (2 works) · Aesthetics (1 work) · Art, Politics, and Modernism (1 work) · Cold war (1 work) · Confessional (1 work) · Disenchantment (1 work)