Patrick J Glen
Biographic Data
| ID | 3443172 |
|---|---|
| NAME | Patrick J Glen |
| GIVEN NAMES | Patrick J |
| FAMILY NAME | Glen |
| SIGNATURE | GLEN P J |
| AFFILIATIONS | University of Leeds |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
The Kinks
Mark Doyle’s Songs of the Semi-Detached is a humanistic rather than hagiographical analysis of the Kinks that situates the band and their music within its historical, social and geographical contex...
NEU! Europe
This article analyses how British popular music culture defined and responded to Krautrock, a subgenre of West German underground rock, during the 1970s. It examines and contextualises British and West German interactions in popular music immediately before Krautrock and at the time of its early definition. The article then explores how so-called Krautrock bands related to the British public and press and how they were described and understood in…
Cinemas and Cinema-Going in the United Kingdom
Sam Manning’s Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945–65 is a much-needed contribution to the growing literature that places British cinema-going and cinema within broader social, cultural, political, economic, and spatial contexts. Informed by New Cinema History theory and methods, Manning interrogates differences between regional and national trends in cinema-going and exhibition. This includes analyses of cinem…
Freak scene
Using oral history interviews and questionnaires gathered as part of the ‘Cultural Memory and British Cinema-going of the 1960s’ project, this article recovers and analyses the reminiscences of people who were interested or involved in the British counterculture. By drawing on a broader range of experiences than typically represented in canonical accounts of the counterculture and those that have informed prior historical scholarship, it adds a w…
Oh You Pretty Thing
The 1967 Sexual Offence Act decriminalised homosexual acts between men allowing gay men to discuss their sexuality in public. Few prominent popular musicians came-out until 1972 when David Bowie claimed that he was bisexual in an interview with Melody Maker. Music papers and Bowie had substantial cultural power: Bowie was a rising star and music papers recruited journalists who discussed and perpetuated social change. The subsequent conversation,…
Oh You Pretty Thing
The 1967 Sexual Offence Act decriminalised homosexual acts between men allowing gay men to discuss their sexuality in public. Few prominent popular musicians came-out until 1972 when David Bowie claimed that he was bisexual in an interview with Melody Maker. Music papers and Bowie had substantial cultural power: Bowie was a rising star and music papers recruited journalists who discussed and perpetuated social change. The subsequent conversation,…
Oh You Pretty Thing
The 1967 Sexual Offence Act decriminalised homosexual acts between men allowing gay men to discuss their sexuality in public. Few prominent popular musicians came-out until 1972 when David Bowie claimed that he was bisexual in an interview with Melody Maker. Music papers and Bowie had substantial cultural power: Bowie was a rising star and music papers recruited journalists who discussed and perpetuated social change. The subsequent conversation,…
Freak scene
Using oral history interviews and questionnaires gathered as part of the ‘Cultural Memory and British Cinema-going of the 1960s’ project, this article recovers and analyses the reminiscences of people who were interested or involved in the British counterculture. By drawing on a broader range of experiences than typically represented in canonical accounts of the counterculture and those that have informed prior historical scholarship, it adds a w…
NEU! Europe
This article analyses how British popular music culture defined and responded to Krautrock, a subgenre of West German underground rock, during the 1970s. It examines and contextualises British and West German interactions in popular music immediately before Krautrock and at the time of its early definition. The article then explores how so-called Krautrock bands related to the British public and press and how they were described and understood in…
Cinemas and Cinema-Going in the United Kingdom
Sam Manning’s Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945–65 is a much-needed contribution to the growing literature that places British cinema-going and cinema within broader social, cultural, political, economic, and spatial contexts. Informed by New Cinema History theory and methods, Manning interrogates differences between regional and national trends in cinema-going and exhibition. This includes analyses of cinem…
The Kinks
Mark Doyle’s Songs of the Semi-Detached is a humanistic rather than hagiographical analysis of the Kinks that situates the band and their music within its historical, social and geographical contex...
Art (4 works) · History (3 works) · Law (3 works) · Media studies (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Cinema and Media Studies (2 works)