Judith F Rodenbeck
Biographic Data
| ID | 3445180 |
|---|---|
| NAME | Judith F Rodenbeck |
| GIVEN NAMES | Judith F |
| FAMILY NAME | Rodenbeck |
| SIGNATURE | RODENBECK J F |
| AFFILIATIONS | Sarah Lawrence College |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Feedback/Autotheory
From 1972 to 1977 the German painter Marianne Wex undertook an extensive research project aimed at demonstrating the cultural nature of gendered physical postures, published in book form as Let’s Take Back Our Space: “Female” and “Male” Body Language as a Result of Patriarchal Structures, in 1979. Emerging from Wex’s experience with feminist consciousness-raising and collective self-education, the dialectical account of her own political and pers…
Between the Personal and the Political
From 1972 to 1977 the West German artist Marianne Wex (1937-2020) undertook an extensive photographic research project that eventually was published as a book: Let's Take Back Our Space: “Female” and “Male” Body Language as a Result of Patriarchal Structures (1979). Both visual analysis and homeopathic demonstration of the patriarchal state's performative effect on somatic physical expression, the book is as much a work of renegade feminist socio…
Maison Tropicale
July 01 2010 Maison Tropicale: A Conversation with Manthia Diawara Judith Rodenbeck Judith Rodenbeck JUDITH RODENBECK holds the Noble Chair in Modern Art and Culture at Sarah Lawrence College. Her current research investigates the circuits between contemporary performance and second-order cybernetics, extending several lines of argument in her forthcoming book from MIT Press, Radical Prototypes: Allan Kaprow and the Invention of Happenings. Searc…
The Science of the Concrete
When the anthropologist Claude Levi-Strauss introduced the concept of bricolage in La Pensée Sauvage, he noted that the verb form, bricoler, was traditionally used "with reference to some extraneous movement," as a kind of rebound or swerving; the bricoleur he wrote, "is still someone who works with his hands and uses devious means compared to those of a craftsman."1 Though counterposed to a rigorous science that develops tools from raw materials…
Madness and Method
October 01 2003 Madness and Method: Before Theatricality Judith Rodenbeck Judith Rodenbeck Search for other works by this author on: This Site Google Scholar Author and Article Information Judith Rodenbeck Online Issn: 1536-0105 Print Issn: 1526-3819 © 2003 Grey Room, Inc. and Massachusetts Institute of Technology2003 Grey Room (2003) (13): 54–79. https://doi.org/10.1162/152638103322751065 Cite Icon Cite Permissions Share Icon Share Twitter Linke…
The Science of the Concrete
When the anthropologist Claude Levi-Strauss introduced the concept of bricolage in La Pensée Sauvage, he noted that the verb form, bricoler, was traditionally used "with reference to some extraneous movement," as a kind of rebound or swerving; the bricoleur he wrote, "is still someone who works with his hands and uses devious means compared to those of a craftsman."1 Though counterposed to a rigorous science that develops tools from raw materials…
Madness and Method
October 01 2003 Madness and Method: Before Theatricality Judith Rodenbeck Judith Rodenbeck Search for other works by this author on: This Site Google Scholar Author and Article Information Judith Rodenbeck Online Issn: 1536-0105 Print Issn: 1526-3819 © 2003 Grey Room, Inc. and Massachusetts Institute of Technology2003 Grey Room (2003) (13): 54–79. https://doi.org/10.1162/152638103322751065 Cite Icon Cite Permissions Share Icon Share Twitter Linke…
The Science of the Concrete
When the anthropologist Claude Levi-Strauss introduced the concept of bricolage in La Pensée Sauvage, he noted that the verb form, bricoler, was traditionally used "with reference to some extraneous movement," as a kind of rebound or swerving; the bricoleur he wrote, "is still someone who works with his hands and uses devious means compared to those of a craftsman."1 Though counterposed to a rigorous science that develops tools from raw materials…
Maison Tropicale
July 01 2010 Maison Tropicale: A Conversation with Manthia Diawara Judith Rodenbeck Judith Rodenbeck JUDITH RODENBECK holds the Noble Chair in Modern Art and Culture at Sarah Lawrence College. Her current research investigates the circuits between contemporary performance and second-order cybernetics, extending several lines of argument in her forthcoming book from MIT Press, Radical Prototypes: Allan Kaprow and the Invention of Happenings. Searc…
Between the Personal and the Political
From 1972 to 1977 the West German artist Marianne Wex (1937-2020) undertook an extensive photographic research project that eventually was published as a book: Let's Take Back Our Space: “Female” and “Male” Body Language as a Result of Patriarchal Structures (1979). Both visual analysis and homeopathic demonstration of the patriarchal state's performative effect on somatic physical expression, the book is as much a work of renegade feminist socio…
Feedback/Autotheory
From 1972 to 1977 the German painter Marianne Wex undertook an extensive research project aimed at demonstrating the cultural nature of gendered physical postures, published in book form as Let’s Take Back Our Space: “Female” and “Male” Body Language as a Result of Patriarchal Structures, in 1979. Emerging from Wex’s experience with feminist consciousness-raising and collective self-education, the dialectical account of her own political and pers…
Art (4 works) · Art history (3 works) · Computer Science (3 works) · Citation (2 works) · Download (2 works) · Icon (2 works) · Sociology (2 works) · World Wide Web (2 works) · Aesthetics (1 work) · Argument (complex analysis (1 work)