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Gunhild Borggreen

Biographic Data

ID3445195
NAMEGunhild Borggreen
GIVEN NAMESGunhild
FAMILY NAMEBorggreen
SIGNATUREBORGGREEN G
AFFILIATIONSArts and Humanities Research Council
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Consuming Life in Post-Bubble Japan

    Open Access•Katarzyna J Cwiertka, Ewa Machotka et al.•BOOK•Consuming Life in Post-Bubble Japan•2018•References: 16

    This multidisciplinary book analyses the contradictory coexistence of consumerism and environmentalism in contemporary Japan. It focuses on the dilemma that the diffusion of the concepts of sustainability and recycling has posed for everyday consumption practices, and on how these concepts have affected, and were affected by, the production and consumption of art. Special attention is paid to the changes in consumption practices and environmental…

  • Cute and Cool in Contemporary Japanese Visual Arts

    Open Access•Gunhild Borggreen•ARTICLE•The Copenhagen Journal of Asian…•2013•Cited by: 1•References: 5

    Under the headline of 'Japan Cool', popular culture from Japan has gained a significant role in the global market within the last decade. One of the concepts related to 'Japan Cool' is kawaii, meaning cute and sweet, both as a style and a lifestyle. Kawaii can be seen as visual trademarks in fashion, manga, animé, and many other parts of popular culture, as well as in visual arts by neo-pop artists such as Murakami Takashi and his associates. How…

  • The Myth of the Mad Artist

    Open Access•Gunhild Borggreen•ARTICLE•The Copenhagen Journal of Asian…•2001

    Kusama Yayoi has been active as an artist for more than 50 years, and is highly acclaimed both in her native Japan and in the United States, where she spent more than a decade of her career. A large corpus of critical reviews, catalogue texts, interviews and autobiographical writings by and about Kusama has been published over the years, and this paper investigates a specific topic in these texts concerning the discourse of madness. A persistent …

  • Cute and Cool in Contemporary Japanese Visual Arts

    Open Access•Gunhild Borggreen•ARTICLE•The Copenhagen Journal of Asian…•2013•Cited by: 1•References: 5

    Under the headline of 'Japan Cool', popular culture from Japan has gained a significant role in the global market within the last decade. One of the concepts related to 'Japan Cool' is kawaii, meaning cute and sweet, both as a style and a lifestyle. Kawaii can be seen as visual trademarks in fashion, manga, animé, and many other parts of popular culture, as well as in visual arts by neo-pop artists such as Murakami Takashi and his associates. How…

  • The Myth of the Mad Artist

    Open Access•Gunhild Borggreen•ARTICLE•The Copenhagen Journal of Asian…•2001

    Kusama Yayoi has been active as an artist for more than 50 years, and is highly acclaimed both in her native Japan and in the United States, where she spent more than a decade of her career. A large corpus of critical reviews, catalogue texts, interviews and autobiographical writings by and about Kusama has been published over the years, and this paper investigates a specific topic in these texts concerning the discourse of madness. A persistent …

  • Cute and Cool in Contemporary Japanese Visual Arts

    Open Access•Gunhild Borggreen•ARTICLE•The Copenhagen Journal of Asian…•2013•Cited by: 1•References: 5

    Under the headline of 'Japan Cool', popular culture from Japan has gained a significant role in the global market within the last decade. One of the concepts related to 'Japan Cool' is kawaii, meaning cute and sweet, both as a style and a lifestyle. Kawaii can be seen as visual trademarks in fashion, manga, animé, and many other parts of popular culture, as well as in visual arts by neo-pop artists such as Murakami Takashi and his associates. How…

  • Consuming Life in Post-Bubble Japan

    Open Access•Katarzyna J Cwiertka, Ewa Machotka et al.•BOOK•Consuming Life in Post-Bubble Japan•2018•References: 16

    This multidisciplinary book analyses the contradictory coexistence of consumerism and environmentalism in contemporary Japan. It focuses on the dilemma that the diffusion of the concepts of sustainability and recycling has posed for everyday consumption practices, and on how these concepts have affected, and were affected by, the production and consumption of art. Special attention is paid to the changes in consumption practices and environmental…

Art (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Japanese History and Culture (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Advertising (1 works) · Ambiguity (1 works) · Art history (1 works)

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