Nicolò Palazzetti
Biographic Data
| ID | 3448593 |
|---|---|
| NAME | Nicolò Palazzetti |
| GIVEN NAMES | Nicolò |
| FAMILY NAME | Palazzetti |
| SIGNATURE | PALAZZETTI N |
| AFFILIATIONS | Approches contemporaines de la création et de la réflexion artistiques |
| ORCID | 0000-0002-9178-1185 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Modernism, Propaganda and Diplomacy
International audience
Du loggione aux mèmes. Les fans d’opéra à l’ère numérique à Milan et à New York
Au carrefour de la sociologie culturelle, de la musicologie et des études sur les fans , cet article étudie les communautés de fans d’opéra à l’ère numérique. Réalisée entre 2019 et 2023, cette recherche utilise une méthodologie qualitative et comparative combinant l’ethnographie numérique avec l’observation participante sur place dans les maisons d’opéra, notamment à la Scala de Milan et au Metropolitan Opera de New York. Cartographier le fandom…
Musique et intermédialité dans le cyberespace. Popular music , live streaming , opéra (décembre 2024)
Musique et intermédialité dans le cyberespace. Popular music, live streaming, opéra (décembre 2024). Un article de la revue Revue musicale OICRM (Musique et intermédialité dans le cyberespace. Popular music, live streaming , opéra) diffusée par la plateforme Érudit
Opera, Audio Technologies, and Audience Practices in the Late Nineteenth Century
This article analyzes several novels and short stories by Jules Verne devoted to opera, audio technologies, and audience practices. This portion of Verne's output is particularly thought-provoking for the cultural history of recording technologies, technologically-influenced listening practices, audience behavior, and music fandom. As often in Verne, the exploration of art worlds is connected with the exploration of technological inventions, such…
From street musicians to divas. Italian musical migration to London in the age of diaspora
The history of Italian musical migration to London is rich and complex. From the beginning of the eighteenth century Italian musicians played a major role in Georgian society. During the Victorian era, despite a relative lack of scholarly research, new generations of Italian musicians moved to London, acquiring a recognized social status. Nevertheless, musicians and divas involved in London operatic market constituted just a small minority of the…
“New Avenues for Listening.” Sensory Culture in the Digital Age and the Persistence of Utopia
Michael Bull is a Professor of Sound Studies at the University of Sussex, in England. His research focuses on the relationship between new mobile technologies and auditory culture in everyday life, at the crossroads of urban studies, media studies and sound studies. In this interview, he talks about his background in sociology and philosophy, his research on personal stereos, his theoretical references (from Simmel to Adorno), and his views on th…
No prominent works on this page.
“New Avenues for Listening.” Sensory Culture in the Digital Age and the Persistence of Utopia
Michael Bull is a Professor of Sound Studies at the University of Sussex, in England. His research focuses on the relationship between new mobile technologies and auditory culture in everyday life, at the crossroads of urban studies, media studies and sound studies. In this interview, he talks about his background in sociology and philosophy, his research on personal stereos, his theoretical references (from Simmel to Adorno), and his views on th…
From street musicians to divas. Italian musical migration to London in the age of diaspora
The history of Italian musical migration to London is rich and complex. From the beginning of the eighteenth century Italian musicians played a major role in Georgian society. During the Victorian era, despite a relative lack of scholarly research, new generations of Italian musicians moved to London, acquiring a recognized social status. Nevertheless, musicians and divas involved in London operatic market constituted just a small minority of the…
Opera, Audio Technologies, and Audience Practices in the Late Nineteenth Century
This article analyzes several novels and short stories by Jules Verne devoted to opera, audio technologies, and audience practices. This portion of Verne's output is particularly thought-provoking for the cultural history of recording technologies, technologically-influenced listening practices, audience behavior, and music fandom. As often in Verne, the exploration of art worlds is connected with the exploration of technological inventions, such…
Du loggione aux mèmes. Les fans d’opéra à l’ère numérique à Milan et à New York
Au carrefour de la sociologie culturelle, de la musicologie et des études sur les fans , cet article étudie les communautés de fans d’opéra à l’ère numérique. Réalisée entre 2019 et 2023, cette recherche utilise une méthodologie qualitative et comparative combinant l’ethnographie numérique avec l’observation participante sur place dans les maisons d’opéra, notamment à la Scala de Milan et au Metropolitan Opera de New York. Cartographier le fandom…
Musique et intermédialité dans le cyberespace. Popular music , live streaming , opéra (décembre 2024)
Musique et intermédialité dans le cyberespace. Popular music, live streaming, opéra (décembre 2024). Un article de la revue Revue musicale OICRM (Musique et intermédialité dans le cyberespace. Popular music, live streaming , opéra) diffusée par la plateforme Érudit
Modernism, Propaganda and Diplomacy
International audience
Art (4 works) · Music History and Culture (3 works) · Sociology (3 works) · Cultural Industries and Urban Development (2 works) · Cultural Insights and Digital Impacts (2 works) · History (2 works) · Humanities (2 works) · Media studies (2 works) · Acoustics (1 work) · Active listening (1 work)